Die Vertraute des Mörders

APPROPRIATE ADULT may not be available on USA Format DVD as yet, but for those interested in seeing this remarkable achievement in filmmaking, it is viewable now on Sundance Channel. Watch for it. APPROPRIATE ADULT is one of the few films that relates the true story of a serial killer without resorting to forcing the audience to watch reenactments of the murders. Instead the writer, director and actors bring this savage bit of history to the screen solely through a serious of interview conducted with the killer in the presence of the British police and an 'Appropriate Adult' - one who has been trained to help the accused by detecting if the accused has learning difficulties or other encumbrances that might make the interviews invalid.

First a bit of fact: 'Frederick Walter Stephen West (29 September 1941[1] - 1 January 1995), was a British serial killer. Between 1967 and 1987, he alone, and later, he and his wife Rosemary, tortured, raped and murdered at least 11 young women and girls, many at the couple's homes. The majority of the murders occurred between May 1973 and September 1979 at their home in Gloucester. Rosemary West also murdered Fred's stepdaughter (his first wife's biological daughter) Charmaine, while he was serving a prison sentence for theft. During this time they resided at 25 Cromwell Street, Gloucester. The house was demolished in 1996 and was converted into a landscaped footpath connecting Cromwell Street to St. Michaels Square.' It is now believed that West was responsible for 20 other similarly executed murders. The film focuses on the Appropriate Adult Janet Leach (Emily Watson in an Oscar worthy performance), a trainee social worker who is asked by Gloucester police to sit in on the interrogations of Frederick West (played with extraordinary skill by Dominic West). West is a sociopath whose past of preying on women comes from the animal magnetism he owns, a factor which is strong enough to keep Janet on the case a Fred's assigned 'helper'. Janet lives with Mike (Anthony Flanagan) who is a bipolar victim and with whom Janet has three children. The tightrope of psychological stability for Janet is threatened by her hearing all the grisly details of the murders as well as facing a home where Mike stop his lithium and must be psychiatrically hospitalized. Janet is repulsed by what Fred unwinds and decides she cannot manage to remain the appropriate adult, but Fred sees her as his only friend and promises here that if she stays on the case he will tell her the truth about everything. The interviews are held in the presence of Detective Constable Hazel Savage (Sylvestra Le Tousel), Detective Superintendent John Bennett (Robert Glenister), West's assigned solicitor Howard Ogden (Gerald Horan) and Janet. There are moments when Fred tells Janet details he hasn't shared with the police, but because of her assigned role as appropriate adult she must hold these conversations with the murderer in confidence. There are times when the interrogation group accompanies Fred to his home to find the bodies buried in his garden and cellar, but these breaks are few and outside of the visits to Janet's home and to the hospital while Mike is institutionalized the film is claustrophobically viewed in the dank interrogation room. Once the interrogation is complete and hearings begin, Fred pleads with Janet to visit him in prison to share all the details of his life. The manner in which their relationship comes to an end is shocking but allows Janet to return to her home life with Mike and her three children: the paparazzi finally leave Janet alone.

The story was written for the screen by Neil McKay and directed by Julian Jarrod. The film is approximately 2 1/2 hours in length, but the story is so fascinating and the acting is so incredibly fine on the part of everyone in this cast that the film itself feels short. Dominic West and Emily Watson are absolutely extraordinary in this film. With the quality of their performances it is doubtful the movie would have the enormous impact that it has.

Grady Harp

APPROPRIATE ADULT is a superior, true crime drama. Fans of those masterful UK cop shows (i.e.: PRIME SUSPECT, A TOUCH OF FROST, REBUS, WIRE IN THE BLOOD, etc.) will not be disappointed.

Emily Watson is wonderful as the dedicated Janet Leach, and Dominic West lives his role as the oddly sympathetic serial-killer, Frederic West. The relationship between Leach and West is reminiscent of the cat and mouse game between Starling and Lecter in THE SILENCE OF THE LAMBS.

Monica Dolan is incredibly terrifying as West's sadistic wife Rosemary. She's truly wicked, with facial expressions and stares that do far more than mere words to instill fear.

Highly recommended...

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Given popular culture's fixation with crime and particularly topics such as serial murderers, it was an inevitability that eventually a film (a TV movie, at least) would be made about the crimes of Fred and Rose West. It was even more inevitable that there would be an out cry that it would glamorize and thus cheapen the real life murders. But, the producers of Appropriate Adult took a novel approach and chose to focus not on the actual murders themselves, but, as the title suggests, the AA that it was felt needed to sit in during Fred West's police interviews on account of his apparent 'learning difficulties.' That woman was Janet Leach, played here by Emily Watson, who went on to sell her story to the tabloids but who also appeared to suffer a certifiable breakdown, after seemingly forming a bond with West, falling under his dark spell. In doing so, it casts an interesting light on the case, bringing up facts that I certainly didn't know before seeing it (i.e. Rose West being a prostitute) and serving to make an unpleasant tale even more unsavoury.

As West, Coronation Street star Craig Charles had been in the running to play the role, but it appears to have gone to The Wire star Dominic West. I've never watched that show, so I can't compare him with what he's probably known best for, but he manages to bring West to life with an eerie darkness all of his own, interspersing his usual barrage of matter of fact recollections of his heinous crimes with the occasional emotional breakdown that reveals a vaguely human side to such a monster. It's his everyman appearance in general that makes him such an unnerving character. In support, Watson also seems like an eerily credible person, a woman desperately trying to stay professional in spite of hearing first hand accounts of crimes she can't accept are humanly possible, while still forming a bond with the perpetrator of these sick crimes.

A drama about West was always going to be in the pipe line for one day, and this is a sensitively handled and none voyeuristic handling, that is relevant, enlightening and of course, very disturbing. ****

Emily Watson, one of the great actors of our time, gives a superb performance as Janet Leach that may well be the finest work she has ever done. She is nothing less than hypnotic here as she lays bare the soul of a vulnerable woman who is involved in an experience she is completely unprepared for. While the portrait of Leach is profound and an incredible achievement, Watson doesn't get in our faces with her ACTING because she is almost invisible as she disappears into the character. What a truly memorable, stunning performance this is. The entire cast is excellent, as are all elements of the production, including writing and direction. However, it is Emily Watson who elevates this film to an artistic level of depth and realism that makes it totally riveting. There is no attempt by Watson to draw attention to herself and "steal" the film. "Gosford Park" is another example of how she shines in an ensemble piece and it naturally becomes her showcase. Her style is not flashy enough and far too superbly subtle to win Oscars. There isn't the teeth gnashing PERFORMANCE style of a Charlize Theron in "Monster", the sort of Halle Berry one-shot fluke that brings home the gold. Watson is an artist in the truest sense and it's her work alone that is her reward. In this film, what she does is so extraordinary, even for her, that perhaps the praise of critics will this time cause award committees and voters to take note of an actor they have too long overlooked because she never yells "look at me!" At any rate, reward yourself by watching an excellent film with an outstanding actress at her best, as usual.

After conquering stage and screen and making them her own with a talent both exquisite and overwhelming, Ms. Emily Watson assaults the small screen and is once again victorious. She is absolutely stunning as she assays the role of Janet Leech, interpreting a character so sublimely that it takes the breath away from the unprepared casual viewer who is somehow unaware of Ms. Watson's incredible acting genius. Ordinairly, she alone would make this film a personal gem in her crown but she bows to the rest of the cast and humbly assists them in giving performances well worth her association. Watson inspires others to greatness, as she almost did even with Adam Sandler in Punch-Drunk love. In that film, neither her lovely presence and creative power could quite achieve the impossible with Sandler. However, what she does with the more substantial material of West here and with a brilliant script is amazing. She was awarded the BAFTA for her accomplishment and of course lost the EMMY to a Hollywood airhead tootsie of limited ability but a casting couch regular. True magisterial talent is usually unrecognized by Oscar and EMMY and the outrage one feels at Watson having neither been awarded the recognition she more than deserves speaks for itself. More than an outrage, it is a disgusting and repellent act of ignorance and cowardice for her to have ever left any ceremony empty-handed. Britain, however, could not in this case turn their eyes away from a performance so powerfully moving, a performance that will live for all time, and define the artistry of a gifted, supreme actor. Emily Watson's performance in Appropriate Adult is one of the finest ever recorded on film and will forever serve as an example of the national treasure she continues to be as she assays one brilliant role after another. This is simply not to be missed by anyone appreciative of an artist at the pinnacle of her career and a beautiful genius whose very presence is beyond price. Emily Watson is a rare gift to literate theater and film audiences everywhere and the finest actor of her own generation as well as all others.