Circles

it is not only a good film. but support for reflection. about a war and about Balkans. about hate and about the small details. about feelings and about memories. about justice. and about the essential answers. the music, the image, the acting are only steps to a large circle of questions with not precise answers but with important role to define for yourself. it reminds few great European films but it remains different. for the salt taste, for the bitter atmosphere, for the traits of a lost world, for the beauty of few words and images, for the high talent of a remarkable team.a group portrait in the frame of ash circles. few amazing scenes. and the questions who does it a new form of documentary about an inside geography.Aleksander Bercek's silence. Nikola Rakocevic's character nuances.the admirable art of Srdan Glubovic. a film like a large question. and useful exercise of honesty for each viewer.

Circles, aka Krugovi, is based on the true story of a Serbian soldier who was killed defending a Muslim civilian from other soldiers while he was off-duty. The results of this event are fictional but that kernel of truth grounds this film in a firm realty. The majority of this film takes place a decade after the Serbian-Bonsian conflict is over but its effects are present throughout.

What makes this film great and sets it apart from a straight-forward narrative is the way it skillfully withholds information and only reveals small details of what happened and the history that has ensued. This keeps the audiences rapt attention and makes it much more tense than it should be because we don't know how the characters are going to react because we don't fully know what happened. The characters don't go off on a lengthy moralistic speech or expository dialogue. The communication is much more realistic in that they don't say what they are thinking and they hide information from each other – much like real life.

The cinematography is great, from the millennia old desert and old way of life to the inside of the BMW plant which looks futuristic; this is a film with skillful hands behind the camera. Really, this film should not be as great as it is, but the constant intrigue and slow unraveling of the mystery make this an entertaining and emotional ride. The actors too are compelling and well casted in their roles; this film would not work on any level without their excellent performances. The actor who plays the mobster-father (the IMDb credits are incomplete), even though his role is fairly small in comparison, should be the villain in every movie, he just exudes fury and hate. (He looks like an evil Michael Sheen – which is actually Andy Sirkis so maybe he looks like an evil Andy Sirkis?)

From the title of this film, I assumed this would be about the circular nature of violence but in fact this can be taken two ways, it's more about the circular nature of kindness and good, and a more-accurate title would be "ripple" or the ripple-effects of a singular kind-act.

In a war-infested country, behind the lines, a soldier on leave interferes to save the life of an innocent man from another ethnic group, being beaten by his fellow soldiers. He ends up being beaten to death instead.

20 years after the war, one finds himself thinking about who were the true war heroes. An utterly pointless act, to risk your own life in a havoc in which a human life is wasted in the blink of an eye, for someone you barely know, is something one can see only on screen. In reality, most of us are those who watch, who witness, but dare not interfere.

One man did interfere, and lost his life, seemingly pointlessly. The only child of a widowed father, with a fiancée whose life would become a sad and tragic story of a drifter afterwards, and the gang of murderers sentenced to ridiculously short sentences. Was it worth it, are good deeds worth it in general? There's an ironic English proverb saying that no good deed goes unpunished. But the story tells that even a rock thrown in water makes circles that grow and spread. In this case, circles of compassion that go through space and time and inspire many. Circles that help us find inner courage to stand up to injustice, that help us find the compassion to restrain us in revenge upon the innocent.

This film was inspired by a true story. The story of Srđan Aleksić, a Serbian soldier on leave who was beaten to death in 1993 by his fellow men, while trying to save Alen Glavović, an innocent Muslim civilian, who was being beaten before him. Out of the four rascals, only one expressed regret in the court. Ironically, he was the only one to meet death shortly, within a couple of months, shot on the front line, where all four were sentenced to. Srđan's father wrote in his son's obituary "He died fulfilling his human duty".

The circles that the rock of Srđan's deed made are those which eventually made him the only war-hero respected and cared for on all the opposed sides. What strikes me most were Christ's words that "Greater love has no one than this, that someone lay down his life for his friends." Those circles keep showing us that such deeds of the greatest love are possible and were made by a man who had lived among us, and who never lived to see his family growing and his children being born, unlike us, the silent witnesses, who take so much pride in love we feel and share.

The names are altered and the rest of the story is entirely fictional. Being a person from the region, there was little in the film for me not to be fully understood and grasped. Therefore, I am somewhat reluctant to recommend it to worldwide audience, fearing if its universal message would break through the local context it took place in. But I do. Here is an excellent, slow and heavy Serbian drama with little action, much dialogue and fine acting, telling us the aftermath of a well known story, and circles of compassion, forgiveness, courage and inner purification.

R.I.P. Srđan Aleksić 1966 — 1993

Krugovi (Circles) is one of the best Serbian movies of last decade. It is inspired by heroic death of young Serbian soldier Srdjan Aleksic (Marko in movie), who saved life of Muslim during Bosnian civil war and was killed by his comrades. Question which leads movie is: Was it for nothing? Does it mean anything to people? This movie itself is an answer on this question.

Movie depicts people that are 12 years later still in front of this tragedy. Father of victim is rebuilding the church stone by stone. Church is removed due to building a new hydro-power central and he is using the same stone to build it on the top of the hill. Question is: Is it worth? Cinematography here is beautiful. Friend of Marko that didn't do anything to help him is victim of his conscience. Questin is: How to live with it? Fiancé of Marko left Bosnia and Herzegovina and tries to move on, but it is far from easy. Son of one of murderers has to find a way to live with his father's crime and to rebuild the church together with Marko's father. As he is trying to help it seems he is just spoiling. Haris, whose life Marko saved, lives in Germany with wife and two daughters and on the anniversary of Marko's death is in situation to "pay his debt".

At the end all protagonists got answers and we could feel it. We didn't need words to explain situation. As in real life sometimes word are redundant, incapable.

I highly recommend this movie. It is emotional, but never pathetic; ethical, but never moralistic; inspiring, but not pretentious; abounds with symbols, but never confusing.

And one question for the end: When circles will reach us?

Even if it does not entertain you, Krugovi is certainly a movie that makes you think (about life in general, but also about Balkan history in particular). In troubled situations and extreme conditions, the ugliest and the most beautiful shades of the human soul reveal together. The tricky thing is that they seem to appear inter-connected, so a terrible bad might be the reason and the circumstance of some extraordinary good. The movie is inspiring, it is about hope in humanity, about people who act as human beings, even in that moments where the animal instinct reigns over the world. Souls talk, people not too much. There are rough characters, that create strong ties based on common memories. In spite of all, they seem to have an inner need to do the right thing. All the stories from this movie start from the same point, Marko a soldier in the Bosnian War is beaten to death because he was trying to defend a Muslim from harassment and possible death. Few years later, the characters of that scene arrive to deal again with each other.