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Mr. Morgans letzte Liebe

Originaltitel: Mr. Morgan's Last Love
  • 2013
  • 6
  • 1 Std. 51 Min.
IMDb-BEWERTUNG
6,7/10
13.814
IHRE BEWERTUNG
Michael Caine and Clémence Poésy in Mr. Morgans letzte Liebe (2013)
Trailer for Last Love
trailer wiedergeben2:24
1 Video
20 Fotos
Romantische KomödieSchrullige KomödieDramaKomödieRomanze

In Paris lebt der einsame Witwer Matthew Morgan, ohne ein Wort Französisch zu sprechen. Er lernt die halb so alte Tanzlehrerin Pauline kennen. Können sie eine Familie werden oder schaffen es... Alles lesenIn Paris lebt der einsame Witwer Matthew Morgan, ohne ein Wort Französisch zu sprechen. Er lernt die halb so alte Tanzlehrerin Pauline kennen. Können sie eine Familie werden oder schaffen es seine erwachsenen Kinder ihre Freundschaft zu zerstören?In Paris lebt der einsame Witwer Matthew Morgan, ohne ein Wort Französisch zu sprechen. Er lernt die halb so alte Tanzlehrerin Pauline kennen. Können sie eine Familie werden oder schaffen es seine erwachsenen Kinder ihre Freundschaft zu zerstören?

  • Regie
    • Sandra Nettelbeck
  • Drehbuch
    • Sandra Nettelbeck
    • Françoise Dorner
  • Hauptbesetzung
    • Michael Caine
    • Michelle Goddet
    • Jane Alexander
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    13.814
    IHRE BEWERTUNG
    • Regie
      • Sandra Nettelbeck
    • Drehbuch
      • Sandra Nettelbeck
      • Françoise Dorner
    • Hauptbesetzung
      • Michael Caine
      • Michelle Goddet
      • Jane Alexander
    • 55Benutzerrezensionen
    • 80Kritische Rezensionen
    • 36Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Nominierungen insgesamt

    Videos1

    Last Love
    Trailer 2:24
    Last Love

    Fotos19

    Poster ansehen
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    Topbesetzung91

    Ändern
    Michael Caine
    Michael Caine
    • Matthew Morgan
    Michelle Goddet
    • Madame Dune
    • (as Michèle Goddet)
    Jane Alexander
    Jane Alexander
    • Joan Morgan
    Serge Hologne
    • Funeral Home Man #1
    Fred Fuchs
    • Funeral Home Man #2
    Yohan Guignard
    • Policeman #1
    Dieter Rupp
    • Policeman #2
    Gillian Anderson
    Gillian Anderson
    • Karen Morgan
    Christelle Cornil
    Christelle Cornil
    • Sandwich Salesgirl #1
    Alix Poisson
    • Sandwich Salesgirl #2
    Clémence Poésy
    Clémence Poésy
    • Pauline Laubie
    Louis-Julien Petit
    Louis-Julien Petit
    • Sleeping Student on Bus
    • (as Julien Petit)
    Thierry Angelvy
    • Rude Passenger
    Justin Kirk
    Justin Kirk
    • Miles Morgan
    Deshaun Strong
    • Kyle Morgan
    • (Synchronisation)
    Ian Fenelon
    • Maitre D' Chez René
    • (as Ian Fénélon)
    Anne Alvaro
    • Madame Léry
    Dominique Fouilland
    • Stamps Salesman
    • Regie
      • Sandra Nettelbeck
    • Drehbuch
      • Sandra Nettelbeck
      • Françoise Dorner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen55

    6,713.8K
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    Empfohlene Bewertungen

    9cutterpot69

    Worth Watching

    This movie is so emotional and from the very beginning,I was carried away with the sympathy and very doleful atmosphere throughout the movie. Michael Cain did a wonderful job here. He was able to maintain his character till the end. The soulful music is just right to the theme which it made the setting more captivating.The other cast were wonderful as well. After watching this movie, it makes me more reluctant to visit Paris in the near future.This is one of the great movies I have ever seen in my life. I wish there is an English version of the book where the movie was taken from.

    This is a must to see movie.
    7ksf-2

    an American en Paris....

    Matthew (Michael Caine) is a widower in Paris... has lived there for years, but has never learned the language. Disgraceful. Now he must start to get out and about and meet the people. He keeps bumping into dance instructor Pauline (Clémence Poésy). They seem to hit it off on some level, and they spend time together, at least for the time being. Matthew keeps trying to knock himself off, but we're not sure why. His son Miles ( Justin Kirk) and daughter (Gillian Anderson !!) show up, and they aren't sure what to make of Dad's friendship with Pauline. Family dynamics. Miles thinks he knows what's best for Dad and butts heads with both Matthew and Pauline. Lots of family conflict. Good stuff. Directed by Sandra Nettelbeck, who has written and directed several projects. Story by Françoise Dorner, une actress/directeur françoise. Moves kind of slow and bleak, for the last part of the story, but it is what it is. Interesting study of family relationships. Showing on netflix. No car chases, no gunfights. Michael Caine is good stuff.
    6stills-6

    Very intelligent and and sincere until it becomes stupid and manipulative

    What starts as a very intelligent, well-acted movie about the nature of relationships and the need for connection, turns dramatically and disappointingly into a sentimental mushpile of a soap opera, and then gets worse. Extremely well-acted up to a point, the characters are fleshed out as real people and you can for the most part understand and empathize with them. Michael Caine's weird attempt at an American accent doesn't quite undermine his characterization of the professor, but it is distracting and sounds too false. He did a pretty OK American accent in Cider House Rules, but nowhere else.

    I was very impressed by most of this movie, including the pretty scenery, and the nicely conceived and rounded characters. About 2/3 of the way through however, it goes off the rails. Another reviewer described this movie as having sincerity, and I would agree with that up to a point. There are few false notes in the script, but when they happen they are real clunkers that drag the movie down like an anchor. This may be because the rest of the movie is so sincere and real that the false notes feel just that more false, but I don't think that's quite it.

    There is a very soap opera moment at around the 3/4 point which not only feels contrived, but which pulls the story in a really unsatisfying direction. While it's headed in this disastrous direction it's actually succeeding in giving the characters life in a meaningful and sincere way, but then another ridiculous plot device drives it further into the ground. And then another. And another.

    And the ending is just stupid. Unwatchably preposterously stupid. Given what we know these characters have gone through, and how much they've grown as human beings, it's outside the realm of believability and is antithetical to the story, erasing the purpose of the movie and voiding its intelligence with a single swipe. Worse, the movie wants you to view the ending as having the sort of lofty nobility that would cause you to leap out of your seat and applaud, which I find personally disgusting. Would that I had leaped out of my seat earlier and left. If that particular ending was in the original source material, then so much the worse for the source material because as portrayed it didn't do the movie any favors.
    10airborne60

    An eye wetter for Michael Caine fans

    Michael Caine is getting old. Playing an old man, acting or real? He is at his best. Gone is his dry humor and whit, gone is also his regular British accent (apart from a few strongly emotional scenes when he suddenly looses the American accent he is supposed to have).

    This is a very odd movie, difficult to put into any frame. The acting is nothing else but superb, not a single moment without complete realism.

    Watch this move alone or with your significant other, do not forget the paper napkins, because this is very emotional. My eyes are still wet, this is a movie that will remain in my mind for a long time.
    7secondtake

    So sincere and well acted it rises above a good but uneven script...see it

    Last Love (2013)

    This is such a poignant and well meant movie it's hard to not like it and its intentions. What it fails to do is "rise above." It is a heartfelt look at finding meaning at the end—and the beginning—of life in Paris, and yet it remains somewhat prosaic, missing a beat now and then. I loved it at times, but only very much liked it by the end.

    I love without reservation "Mostly Martha," the most successful movie by the director, Sandra Nettlebeck. In that one, she makes her understanding of being German, and its limitations, an important part of the movie. Here we are in France, in a plot based on a French novel, with a British actor playing an American and a young French woman. Michael Caine is nor ordinary actor and he's actually wonderful here. And indeed the young woman who plays his muse, in a way (the woman who creates the "crack" in his world that is the key to the movie), is also very good, if common (played by Clemence Poesy—she appears in a couple Harry Potter movies).

    What succeeds beyond these very good performances is the idea of a man near his last days in Paris, after the death of his wife, and a young woman who befriends him out of some unexplained loneliness. What they form is an odd but believable friendship. Their family and other friends do not understand or approve, but it makes sense to them, even when it's awkward. It's a kind of brave and interesting subject.

    What it lacks is exactly the right feel and touch, the sense of trueness to spirit and character that people might actually have. There are moments that are just great, a rebellion or a quiet look, and then there are moments where the characters act, well, out of character. A hair.

    If this seems like picking on nuances you have to understand that the movie is about such emotional and psychological nuances. It sets its own bar high, and so suffers from that. Sometimes.

    See it? Yes. I liked it wholly. But see also "Mostly Martha" for a similar sense of finding what matters, of pan-European feelings, of crossing normal boundaries with romantic flair.

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    Handlung

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    • Wissenswertes
      The line spoken by Sir Michael Caine, which is a constant theme in the movie, "There's a crack in everything, that's how the light gets in", is lyrics from the Leonard Cohen song "Anthem".
    • Patzer
      Michael Caine's American accent comes and goes.
    • Zitate

      Pauline Laubie: Why did you stop loving life?

      Matthew Morgan: Well, you don't love life itself. You love, uh, places, animals, people, memories, food, literature, music. And sometimes you meet someone... who requires all the love you have to give. And if you lose that someone, you think everything else is gonna stop too. But everything else just keeps on going. Giraudoux said, you can miss a single being, even though you are surrounded by countless others. Those people are like... like extras. They cloud your vision, they're a meaningless crowd. They... They're an unwelcome distraction. So you seek oblivion in solitude. But solitude only makes you wither.

      Pauline Laubie: So I'm an unwelcome distraction. I'm a cloud?

      Matthew Morgan: You are the only part of my life I haven't figured out yet.

    • Soundtracks
      La Rue Amelot
      Composed and Produced by Guillaume Roussel

      by Remote Control Tunes

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. August 2013 (Deutschland)
    • Herkunftsländer
      • Deutschland
      • Belgien
      • Vereinigte Staaten
      • Frankreich
    • Offizieller Standort
      • Official Facebook
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Mr. Morgan's Last Love
    • Drehorte
      • Brussels, Brussels-Capital, Belgien
    • Produktionsfirmen
      • Kaminski.Stiehm.Film GmbH
      • Bavaria Pictures
      • Senator Film Produktion
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    Box Office

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    • Budget
      • 8.200.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 2.967.122 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 51 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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