Tomorrow You're Gone

A very sexist movie about a weak male character and a pretty female character that strangely tries to have sex with him all the time... It goes no further that that. Its all about them in the car talking bad dialogues that claim to be deep and dark but they're really just bad written. Didn't get to the end. Waste of good actors!

After four years in prison, Charlie (Stephen Dorff) seeks revenge for his mentor (Willem Dafoe), for which he gets paid handsomely well. The plan is executed but a surprise witness appears to ruin his plan; and also comes the random presence of a young woman (Michelle Monaghan) who crosses his path believing she can see through his soul, and soon afterwards they're on board on a long road trip to nowhere or to finish his plans. "Tomorrow You're Gone" is a lousy film experience where you can't feel anything for the characters, the situation or anything. Just contempt. The dialogues are poorly written, the scenarios are equally ineffective and at the end you wonder if anything makes sense in this dreadful story.

For those who say this an art-house suspense they don't know what's up. Here's a movie that doesn't offer twists or turn, Charlie keeps seeing ghosts for most of the film (even his mentor seems like a fantasmagoric character who appears whenever truly needed and there's this "weird love story" between the prostitute and Charlie which doesn't make any sense. I mean, it's hard to believe that after four years in prison and with a woman desperatly lusting for the man he keeps turning her down time and again. I couldn't buy that at all. It was pitiful and awful to see it not to mention she accepts her and joins her to whatever places after a simple conversation on the bus. Perfect strangers yet it all flows well with them. Let's not forget to count how many times she keeps calling him of "Samsom" over and over again.

What I could get from the story: this is the story of a man conflicted with himself and the revenge he's pursuing, tormented with visions of his past which affect his future. He doesn't have a life anymore, he doesn't believe in anything anymore and comes a woman who spot some goodness inside of him and tries to help in her own way, thinking she's in love with him. Some bits of redemption appear here and there but this man has no future since he's only worried about his fate or possible death - of which seems always eminent because he keeps putting himself into troubles and fights. After a time, we just don't care about him.

I was bored and annoyed after the initial 20 good minutes when I thought this movie was going places with an intriguing story. It went all downhill after the girl enters Charlie's life. It was so bad and so weak that for a couple of times I wasn't even looking at the screen, I was just hearing the noise the characters were making. I truly believe the good actors involved (poor Willem, at least he got the most interesting character to play in this wreck) were only in it for a couple of bucks in their pocket - trust me, movies like these don't pay millions but it pays.

I can't and won't recommend this picture. No sir, one can definitely skip this without regret. As for myself I regret watching it all the way when a little part of me kept insisting I should stop watching it. 2/10.

¨You want to tell me what went wrong last night? ¨

I think I just found the number 1 contender for worst film of the year, at only 90 minutes long this film is so tedious and pointless that I felt it was never going to end. It tries too hard to be an art house film, but we've seen these character driven neo noir films done much better in the past. I don't even think this film makes sense or tries to deliver any sort of message. You don't even know when the main character is imagining things or living reality; everything is so ambiguous and vague. Tomorrow You're Gone never goes anywhere and it's a shame because Stephen Dorff and Michelle Monaghan are pretty good actors. This is just a waste of their talents and a waste of our time. Director David Jacobson (Down in the Valley) has made one pretentious movie and with the help of screenwriter Matthew F Jones (Deepwater and A Single Shot) he has made one of the worst films I've seen in a long time. I usually take something positive about a film no matter how much I dislike it, but I cannot say anything good about this movie. There is not one single thing that I like about this pretentious thriller. Willem Defoe could be the best thing about this film, but he is in this movie as much as he is in the trailer. This is a complete waste of time so stay away from this film.

Charlie Rankin (Stephen Dorff who gave his best performance in 2010 in Somewhere) is getting out of prison after four years, but before he leaves he receives a letter from his mentor in prison, the Buddha (Willem Dafoe), who asks him to kill someone for him. As soon as Charlie gets out of prison he goes looking for this man and receives a special payment from the Buddha. However, something goes wrong with the hit and Charlie can't quite settle his debt with him. Along the way Charlie encounters a mysterious woman named Florence (Michelle Monaghan) who for I don't know what reason sees the good in Charlie and tries to rescue him from his pain. Together they embark on a road trip and half of the time you don't even know what the two are talking about. It's hard to explain the plot of the movie when nothing really makes much sense and most of the things going on seems like they are all imagined by Charlie. There is a thin line between reality and fantasy here, and Charlie has some serious and dark unresolved issues going on. I really hated this movie and I can't say it enough times, stay as far away from this film as possible.

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Charlie Rankin (Stephen Dorff), recently released from prison, seeks vengeance for his jail-house mentor William "The Buddha" Pettigrew (Willem Dafoe). Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.

Although this film had many good moments (such as the home invasion) and it is possibly Dorff's final acting to date (he has really blossomed in this role) it overall just seems too uneven and did not resonate well with me.

The primary problem I had was with Florence. She was not someone I felt the audience could understand or appreciate. Why did Rankin like her? Their whole relationship is built on nothing. And yes, I understand this is a whimsical road trip without commitment... but she was just the wrong character for such a thing.

And if there was a deeper message, I missed it. All that occurred to me is that Charlie Rankin has the same name as the Nazi in Orson Welles' "The Stranger". I sincerely doubt this was intentional, because trying to draw parallels is far too difficult -- Welles' Rankin is a false identity hiding from his criminal past. Rankin is this film uses the alias Samson and he, too, has a criminal past he cannot overcome. But that is it (and only works in the most vague way).

The novel probably clears things up, but after seeing the film I have little motivation to seek it out.

I've wondering myself what's hell Willem Dafoe accepted be casting of this dull picture, the premise was factually auspicious, when the convict Charlie Rankin (Stephen Dorff) is about to be release receives an encode letter to kill someone under the order of the Buddha (Willem Dafoe) in advance he already receives a large amount of money and the gun for his bold assignment, he has an strange behavior as lone wolf, no friends, no connection to outside world at Cleveland, until meets occasionally a gorgeous girl florence (Michelle Monogham) on a bus, hereinafter she and Charlie spend a night just for sex, in next day he ought kill Chaney (Ken Rossall), he did with extreme difficult but unluckily Chaney has a guest blonde woman at house, this unexpected event he has to struggles with the woman, tied her and left him alive at closet, he believes that she doesn't recognized him, afterwards the movie enters in a merry-go-round limbo, with pointless stuffs, became slow paced and even boring, until Buddha appears and demands a clean job, the final is average and unpredictable as well, but overall is a weak thriller, the main character seemingly is absence, your dialogues are senseless also he is aimless, lacklustre proposal!!

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First watch: 2020 / How many: 1 / Source: Blu-Ray / Rating: 5