Ein Einbrecher verliebt sich in eine Erbin, als sie in seinen Armen stirbt. Als er erfährt, dass er die Gabe der Reinkarnation hat, macht er sich auf, sie zu retten.Ein Einbrecher verliebt sich in eine Erbin, als sie in seinen Armen stirbt. Als er erfährt, dass er die Gabe der Reinkarnation hat, macht er sich auf, sie zu retten.Ein Einbrecher verliebt sich in eine Erbin, als sie in seinen Armen stirbt. Als er erfährt, dass er die Gabe der Reinkarnation hat, macht er sich auf, sie zu retten.
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So that said, here is my take. The haters seem to fall into three major categories.
First, there are the "loved the book, hate the movie" types. Since I never read the book, I can't speak to this, other than to say, "Sorry, it's not the book, it's a movie". I always tell my kids that the medium of film is radically different than that of pulp and what "works" in one doesn't necessarily work in the other. Given that, one should go into a movie with an open mind, even if you've read the book.
Second, there are the "I never read the book, the movie didn't make sense". Now that I can talk to. I never did find myself all that confused. I think falls in large part to the fact that I never assumed the movie was supposed to be based on reality. I mean come on, given the rather obviously "fantastic" aspects of the story, it's not meant to be taken seriously. You're given an overarching concept (basically the power of love to do amazing things) and if you buy in, then the particulars are not really all that important. If you can't get beyond that, or simply don't buy into the central conceit, then you won't like the movie because it rides that wave for all it's worth.
Third are the folks who thought the movie was too schmaltzy. Now that I would at least partially agree with. That said, again, the movie doesn't try to hide the fact that it wears it's heart on it's sleeve. It's fair that if one does not go for that kind of thing, then you won't like this film.
All that said, I thought it was a "good" romantic film. My personal criticisms fall mainly on the somewhat wooden acting and the overall lack of "feel". That's right, despite all I said above there was just something about the film that just never really drew me into the characters. For some reason I never really felt truly emotionally invested in the characters. I didn't hate them, I did care, just not nearly as much as I thought I should. I also thought some of the acting was a bit forced and this might have contributed to not being able to lose myself in the characters. Almost like the actors did a good job of "acting" like the characters but never quite crossed into "being" the characters.
So if you're willing to accept the movie for what it is, an unabashedly romantic film that weaves religion as an integral part of the story, then I think that you will enjoy the film. It's not perfect by any sense of the imagination, but IMHO it's not nearly as bad as some folks are making it out to be.
Longer review: did a lot of reviews for IMDb and cannot easily recall a film that tries so hard, has such a great cast, great cinematography, yet is constantly shooting itself in the foot.
The script is ... problematic. Parts of it seem like they were written by a fifth grader. Lots of "is this really happening?" type dialog, which generally you do not ever hear in a film BECAUSE THE ONLY ONE QUALIFIED TO ASK THAT QUESTION IS THE AUDIENCE, NOT THE SCREENWRITER.
Duhhhh
Lots of miscasting. The great Crowe, who could play a phonebook if he had to, is OK as a demon. Will Smith as the devil is another matter entirely. John Hurt has to deliver dialog so weak he must have been wincing inside. Even the beautiful Jennifer Connelly seems to have been lost in the production and is relegated to astonished glances.
Farell, no slouch as an actor, has a gift for getting lost in a role and that really helps him here. He does an OK job.
The two actors who steal their scenes are Jessica Brown Findlay, who is supposed to portray a young woman whose inner beauty lights up every scene she is in .... AND SHE DOES.
And whatever animal they borrowed from the Animal Actors Union to play the magic horse does a great job too. Hopefully they gave him extra carrots as a reward.
You really need to leave critical judgement behind if you are planning on watching this. This is for example a scene at the 1:20 mark where the continuity is so out of sync with the screenplay that Farrell has to break about 75 once sacred "film rules" and deliver a short speech which is 100% backstory, just to make sense of what is happening. Ouch!
And here is a Special Bonus for the lucky IMDb reader who got this far: if you liked this film at all, here are two films that handle the same theme in a slightly different way, and you MUST SEE THEM (no, I don't get a commission if you do). Each rates a perfect "10":
1. The original HERE COMES MR JORDAN with Robert Montgomery
2. The more recent I ORIGINS
The film leaves out how they fell in love.
In the novel, they spend more time in her home on more than one occasion, they make love the first time they meet. And after they arrived at her father's winter home, they tie up a carriage to their horse so Peter and Beverly can take the kids for rides around the frozen lake. One evening they take them across the lake to a tavern with music and drinks so the kids can dance.
Little Willa falls asleep in Peter's lap on the way home. Beverly's heart melts.
Peter Lake's upbringing in America shouldn't have been passed over. He was raised by a local native tribe in the city, until he was sent out to discover the world on his own, ended up in an orphanage for Irish orphans, and thus he developed an Irish accent.
That's as much as I'll get into. I hope I've provided some context. And shame the studio that wasted all of the great talent with this script.
Not gonna lie I cried a few different times in the movie, I laughed, and felt so many other things while watching. I'm also a secret hopeless romantic so this movie is great for my fellow love story lovers. Honestly I knew from the previews it was going to have a spiritual and magical story line which I really liked. It's nice to watch films that make you think afterwards and during. So don't go expecting to see a typical story line, because that's not at all what you will get.
When you go see this movie which I definitely recommend, have an open mind and just appreciate what you're watching, honestly it's moving!
I actually read the entire book by Mark Helprin, unlike most of the professional critics, so I knew what type of movie it was going to be and I had appropriate expectations. The book was around 700 pages and it wasn't a Harry Potter-type 700 pages. The novel is a very complex, wordy, difficult to read and oftentimes very confusing piece of work, jam packed with very descriptive imagery. I found myself reading parts over and over to gain an understanding of it that I still wasn't completely secure with when I was finished. In fact, most people I know have ATTEMPTED READING it, and end up abandoning the book because of the reasons I just mentioned. After I finished the book, I scoured the internet trying to find any reviews of the book to help me understand and see if I "really got it". To my frustration, you really can't find any complete reviews of the book because I'm pretty sure most people (like me) had a lot of confusion with the story as well!
In most of the reviews I read, people are ripping Akiva Goldsman apart saying his adaptation is awful, but I strongly disagree. He had to leave out some of the aspects of the book in the interest of time (For example, a whole storyline of characters from the middle of the book are missing from the film.) He kept the really important parts of the novel and successfully makes them stand on their own.
Leaving the theater, I feel like Goldsman's interpretation ACTUALLY CLARIFIED a lot of the book for me. Incidentally, I went to see the film with someone who had NOT read the book and knew nothing about it, and he thought it was way better that the reviews said as well. As a matter of fact, I definitely liked Goldsman's ending better than Helprin's! I finished the book with the feeling of "What? That's it??? Is my book missing pages?" The movie version is the way I wanted the book to end.
Additionally, Helprin's wordy descriptions played out in my minds eye of the beautiful (and the not-so-beautiful) aspects of the story were brought clearly to life in the movie with the expertly executed "tug-on-your-heartstrings" musical score and cinematography.
So, if you're looking for a curse-them-out, shoot-em-up, or futuristic outer space, or reality-based movie, Winter's Tale would be better rented on DVD. If you're looking for a more philosophical, romantic, thought-provoking fantasy as an escape from most of the usual movies in theaters today, it's worth the ticket price.
Wusstest du schon
- WissenswertesSteven Spielberg bought the film rights in 1983, soon after the book was released.
- PatzerAram Khachaturian's "Masquerade Suite" plays during the 1914 New Year's ball. Khachaturian wrote the suite in 1941.
- Zitate
Beverly Penn: We are all connected. Each baby born carries a miracle inside. A unique purpose and that miracle is promised to one person and one person alone. We are voyagers set on a course towards destiny, to find the one person our miracle is meant for. But be warned: as we seek out the light, darkness gathers and the eternal contest between good and evil is not fought with great armies... But one life at a time.
- Crazy CreditsThe opening logos for Warner Bros. Pictures, Village Roadshow Pictures, and Weed Road Pictures all end by being placed on old-fashioned paper.
- VerbindungenFeatured in Film '72: Folge vom 19. Februar 2014 (2014)
- SoundtracksMasquerade Suite
Written by Aram Khachaturyan (as Aram Khachaturian)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Un cuento de invierno
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.600.231 $
- Eröffnungswochenende in den USA und in Kanada
- 7.297.694 $
- 16. Feb. 2014
- Weltweiter Bruttoertrag
- 30.800.231 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1