IMDb-BEWERTUNG
4,2/10
2509
IHRE BEWERTUNG
Die Jagd geht los, als ein Attentäter der Regierung aus dem Ruhestand kommt, um einen außerirdischen Mörder aufzuspüren, der die ehemaligen Mitglieder seines Teams in einem alternativen zukü... Alles lesenDie Jagd geht los, als ein Attentäter der Regierung aus dem Ruhestand kommt, um einen außerirdischen Mörder aufzuspüren, der die ehemaligen Mitglieder seines Teams in einem alternativen zukünftigen Amerika ermordet.Die Jagd geht los, als ein Attentäter der Regierung aus dem Ruhestand kommt, um einen außerirdischen Mörder aufzuspüren, der die ehemaligen Mitglieder seines Teams in einem alternativen zukünftigen Amerika ermordet.
- Auszeichnungen
- 1 Nominierung insgesamt
Empfohlene Bewertungen
Ignore the bad ratings on this one - the reviewers mostly got it right. This is an entertaining sci-fi film. It won't go down as a great film, but it's worth the time spent watching.
In this brooding sci-fi police procedural, David Matranga plays Harrison (or "Harry," as he often called here), a melancholy cop in an alternate Earth where America has become a Russian outpost following a nuclear war, an apocalypse that also released previously unknown creatures, Dropa, from the ocean's depths that humankind subsequently almost completely wiped out. The "almost" is the hook on which DROPA hangs, as Harrison spends the movie seeking a renegade surviving Dropa (well played by Jason Douglas with an ironic Russian accent) that is hunting the killers of its species.
The movie's low-key atmosphere accentuates the noir-ish style of writer-director Wayne Slaten, who with each movie further demonstrates a fine command of the medium. His script's concentration on characterization over B-movie action adequately pulls off the ambitious alternate universe story, with its frequent flashbacks into the pasts of Harrison and the Dropa antagonist. These potent asides to the main action bring the somewhat muddy motivations of these characters into better focus. Visually, the Dropa's monstrous look is conveyed with welcome restraint, and the CGI views of a "futuristic" Houston (where the movie was shot) are also thankfully abbreviated and, therefore, more effective. Director Slaten accentuates the up close and personal treatment of the characters by relying upon tight closeups of his actors, further underlining the movie's intimacy. Those looking for a blown out BLADE RUNNER clone may be disappointed here, but the rest will appreciate the thoughtful plot-line, well written dialogue and decent performances.
The movie's low-key atmosphere accentuates the noir-ish style of writer-director Wayne Slaten, who with each movie further demonstrates a fine command of the medium. His script's concentration on characterization over B-movie action adequately pulls off the ambitious alternate universe story, with its frequent flashbacks into the pasts of Harrison and the Dropa antagonist. These potent asides to the main action bring the somewhat muddy motivations of these characters into better focus. Visually, the Dropa's monstrous look is conveyed with welcome restraint, and the CGI views of a "futuristic" Houston (where the movie was shot) are also thankfully abbreviated and, therefore, more effective. Director Slaten accentuates the up close and personal treatment of the characters by relying upon tight closeups of his actors, further underlining the movie's intimacy. Those looking for a blown out BLADE RUNNER clone may be disappointed here, but the rest will appreciate the thoughtful plot-line, well written dialogue and decent performances.
This film has so much potential it could have been a major contribution to the sci- fi genre. The plot is intricate and layered, teasing you along the way and revealing just enough to take you to the next level. Photography is wonderful and some of the acting is equally impressive. The time sequencing is also a big plus. But the film is uneven and for that reason it may not resonate. It's definitely worth watching.
10jb-70140
This is the exact type of movie we all need to be rejoicing. Most Indy films are talking-head types that try to tug on emotional heart strands to make a name for themselves, Dropa throws caution to the wind and takes on the most expensive genre in great fashion. Sure it's not a 100 million dollar film, but would that money have really mattered in the long run? What Wayne Slaten and his team did was next to impossible today. To have the production value they had, not to mention any visual effects at all, in an Indy film of this budget it so rare, and yet they have managed to pull off a film that has the production value of a much more expensive picture.
Cheers to the Indy filmmakers! Cherish them. Without them, then we would all just be subjected to what a few suits in Hollywood want us to see. I gave this feature a weighted 10 because it has heart and was very entertaining to me. The people behind this film are super-talented and passionate and I can't wait to see what they do next, hopefully with a bigger production budget!
jb
Cheers to the Indy filmmakers! Cherish them. Without them, then we would all just be subjected to what a few suits in Hollywood want us to see. I gave this feature a weighted 10 because it has heart and was very entertaining to me. The people behind this film are super-talented and passionate and I can't wait to see what they do next, hopefully with a bigger production budget!
jb
Wusstest du schon
- WissenswertesA number of the characters have the names of U. S. Presidents: Jackson Monroe Carter Taft Harrison Madison Arthur.
- VerbindungenReferenced in Talking Dead: Do Not Send Us Astray (2018)
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- The Last Patriot
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Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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