NYC 22

Though i liked the pilot, the last three episodes have been on a descending slope; oh, hasn't The Killing thought me anything? Well apparently not because i just dedicated a whole day catching up with NYC 22's last outings and i'm noticing more and more of the same: this is purely a "fantasy" police drama.

Now experience tells me that Fantasy and Drama don't normally go well together and there you have it, my review of NYC 22. too many weird, unrealistic things happening which completely befuddle you into thinking, "is this a serious show, i am watching, or complete rubbish?"

Rookie cops defusing bombs, radios that malfunction, specialist jobs being assigned randomly, such as investigations or detainee transport .. these are not beat-cop jobs, and have the writers really run out of ideas after four episodes? If you are going to center your show on rookies then you have to come up with rookies-related stories... other stuff won't do.

So, it's not really horrible, but we've already got CSI for those times when we want a completely unrealistic show and no thanks, we don't need one more, especially when it's this slow.

My vote, a forgettable 5/10

I really enjoy watching this show. I don't really get into "network" shows, I prefer FX, Showtime, AMC, and HBO much more than the network channels. This is a decent show in my Sunday night lineup as there's nothing really going on right now (Boardwalk Empire, Dexter, Walking Dead, etc) Happy to see Terry Kinney on a show. It's decent, nothing groundbreaking yet, but very enjoyable. Even happier that it's a show about the NYPD. The acting is decent. Adam Goldberg is fun to watch. Most shows are slow to find their footing in the first season. The music is pretty good for the show.... Theme song is off the hook. Old school Jay-Z song, "Heart of the City." All in all, it's entertaining and does the job of filling in while my other shows are on break.

It's a cop show that's reminiscent of countless other cop shows. It follows the story of six rookie cops which is so similar to Rookie Blue. The difference being Rookie Blue is probably much cheaper to produce filming in Toronto and not having big stars. The show is led by movie veterans Adam Goldberg and Leelee Sobieski. Both of whom just don't fit the traditional cop character. Leelee looks like a girlie girl, and wouldn't have a chance against most criminals. Adam is way too old. Although they explain it away that he was a former reporter on the police beat, it's still hard to accept. If they wanted to do a show centering on Adam Goldberg's character, they may have something original. But being just one of many, it just seem too gimmicky. It's as if they were trying to figure out what special weird thing can each character get. If they centered it on him, they would have more time to expand on his character.

This is the only show I watch on network TV, which isn't saying much. It has that Jack Webb sense about it in which they show a more polished department and officers, which are always so helpful and has the time to dedicate to the little stuff and solves every crime. These officers are not rookies, they're supercops, able to solve every crime in a single bound or should I say....60 minutes! It does give you a slight insight of the people real police officers have to deal with on a daily basis and the emotions they must feel, now only if they could develop sensorsmell for the TV. It'll have you fleeing your homes.

I was disappointed with one episode in which it looked like the series was heading for most of the officers to start having relations with their partners or other officers in the same precinct. This is why I only watched NYPD Blue for a couple of seasons, it was turning into a soap opera just as ER did and all these other drama's. Why the writers in Hollywood have to ruin these shows is beyond me but if they continue down that path with NYC 22, it'll last as long as Brooklyn South. And for us old fogies, can you lose the opening theme song?

For years I have not seen on TV and a real good series about cops on the street. When I saw the pilot episode, I fell in love in the series. In this series there is no political correctness that has ruined many a series of police. The series follows a group of young officers who were suddenly thrown into the real world. Colleagues who do not like them, rough areas, each of the young police officers has a story that appears in the series. Although there are a couple of clichés, the series was really great refreshment on television.

Message for writers and producers: - Proceed as in the first episode. - Do not turn this into a series of quasi-drama for the housewives - I do not want to go deeper into the love stories of police officers - We want to see their lives and work on the street - Display their private lives just to have as much to do with their work in the police.

Good job, keep going!