The Place Beyond the Pines

I had no idea what to expect from this, but I'd seen and liked Ryan Gosling in DRIVE so I thought I'd give it a go. And the director has clearly been taking a few pointers from that film, because stylistically it's very similar: slow paced, scenes shot the same way, the same type of music. Hell, even Gosling is playing a similar character, a guy who best communicates through violent action.

The first hour of this film is fantastic: gripping, edge-of-the-seat stuff, with another excellent performance from the star. Then things go in a different direction for the second hour, with the less-interesting Bradley Cooper becoming the focus of the story. This part's still pretty good, if more familiar. It all rounds out again with a third act which ups the suspense to a satisfying climax.

THE PLACE BEYOND THE PINES is an actor's film, and indeed there are some great performances here: Gosling, an almost unrecognisable Eva Mendes, Ben Mendelsohn, and Dane DeHaan all give very good performances, and it's a treat to see Harris Yulin (SCARFACE) on the screen again. But the technical values and the mature script easily match the calibre of the acting, making this an all-round winner. It's not perfect - some sections are too slow, and some characters just don't hold the interest like others - but fans of DRIVE should like it nonetheless.

The place beyond the pines was a bold and magnificent effort by filmmaker Derek Cianfrance.

The movie is set with three major acts. The first focuses on Ryan Gosling, a motorcycle stunt rider who turns to robbing banks to support his new born child. This first act was executed with excellence. Gosling's character is a joy to watch, the soundtrack is phenomenally executed and the cinematography is so beautiful, not to mention Gosling's partner in crime also manages to give an outstanding performance.

The second act focuses on Avery Cross (Bradley Cooper), a rookie cop trying to move up the ranks with a family of his own. The second act was also executed with utter brilliance. Cooper's acting was beyond brilliant, his best yet in my opinion (including his recent Silver Linings Playbook). Cooper deserves to be rewarded for his beyond excellent portrayal of a good cop merely trying to fulfill his duties in a corrupt police department trying to profit from proceeds of crime. Cooper's conflict with the corrupt detective (Ray Liotta) is tension filled and a joy to watch.

The third act focuses on the son's of both Cooper and Gosling, who have both grown up to become teenagers. This is by far the weakest act in the movie in my opinion. Although I would rate this act as "good" of itself, it simply felt like it detracted from the overall viewing experience of the phenomenal first two acts. Although it seems the overarching purpose of the movie was to demonstrate the impact fatherhood (or lack of) has on kids, I felt that this last act was simply unnecessary.

The place beyond the pines was set to be an exceptional experience with the first two acts if it was tied up there, but the attempt to install the third act went too far. The attempt to demonstrate the impact fatherhood (or lack of) has on kids felt too rushed for it to have sufficient impact on me. The first two acts of themselves were extraordinary and the movie should have been left there! It didn't need to be stretched out to achieve some extended purpose sought out by the director.

Nevertheless, what we have are two excellent acts and one good one, which, in my opinion, would equate the movie to a "very good" viewing experience (as opposed to "excellent", "extraordinary" or "top of the range").

In my final opinion, I would highly recommend this movie for the first two acts alone.

PS I might also add that the introduction of Cooper's cop character Avery has to be one of the best introductions ever! It was so subtle and realistic. I loved it!

What he have here is a story about fathers and their sons. In fact, three separate stories - each one leads into the next. A lesser movie would have just told one story, but "The Place Beyond the Pines" is larger in scope and needs all three parts to tell the complete story. A life is not just about your life but those you affect and those you leave behind for years to come.

The first father is Luke (Ryan Gosling) who didn't know he had a son until a girl whose name he happens to remember shows up with a one year- old son. Prior to that moment he was a daredevil with no ambitions, no money, and no care for his life. Now he's a father. A father with no money nor job. Wearing a dirty, inside-out, torn t-shirt and tattoos covering his arms, neck and face, he is the epitome of trash. But you know, the quiet, reserved, soulful, good-looking trash. And now that he's a father, he's going to care for his son however he can. He hooks up with his partner in crime, literally - Robin (Ben Mendelsohn). Together they are like a Hall & Oates version of Bonnie and Clyde.

In Schenectady, New York - the place beyond the pines - the only thing dirtier than the trashy criminals are the cops themselves. And then the second father is introduced. The character of Avery (Bradley Cooper) is carefully crafted into what should be the greatest human being on planet Earth. And he's a cop. And he's a father. And he's a son to a father who might have been but probably wasn't the greatest human being on planet Earth.

The film went for editing and filming styles to echo the characters' situations and actions. You can guess what that would look like when Gosling is racing through the forest on his motorcycle. But as we approach the more expansive ending, there are some beautiful shots of the trees lining Schenectady's countryside roads. That works particularly well with Cooper giving a remarkable performance of Avery constantly coming to grips with his life.

The final act tells a story very different from, but completely connected to, the two that came before it. It could have been tightened up a bit, but "The Place Beyond the Pines" isn't telling a quick story. It's telling the story of multiple lives, of death, family, love, honour and obedience. Employing overall themes of revenge, ambition, and what it means to be a father, and a son. I say it succeeds in its larger scope, even if it doesn't just tell a story the way one would want it to.

The trailer to this film is rather misleading. It's the equivalent of advertising the whole of Disneyland with just clips of Space Mountain again and again. There's a lot more going on here than Ryan Gosling robbing banks and being a general badass in The Place Beyond The Pines. There are in fact at least three main characters all with their own story. And while the Ryan Gosling section is, a bit like Space Mountain at Disney, the best bit of the package he is only one part of a much bigger picture.

A motor bike stunt rider finds out he has a son so packs in his day job and takes the logical step of robbing banks to provide for him. The story deals with the family life of the man as well as a rookie cop who exposes his police department to be corrupt.

I found the film very absorbing from the start with Ryan Gosling's character development on fast forward so at least 3 massive life events all happen in the first 20 minutes of the film. There's not a lot of action scenes but when there are they're very tense and exciting.

The family life aspect is quite heartwarming and you do believe that his character does love his son and wants to provide for him. There are fantastic believable acting performances all round here with Ryan Gosling and later on Bradley Cooper really showcasing their acting talents. It's engaging and I really cared what happened to both of their characters.

The main problem with the film is it's length and not knowing when to stop. The first part of the film is constantly engaging and would be a nine out of ten if the film stayed like that the whole way through. When the focus shifts from characters however it really doesn't feel as exciting and almost feels like the start of totally different movie. A movie that isn't bad but is nowhere near as good as the one you've just seen.

Every story told is linked obviously but sometimes it feels a tad loose. There is a dramatic time shift when the film reaches the 100 minute mark and what follows really seems to drag. It never really felt like it was going anywhere. It was by no means boring however, it just lost a bit of steam towards the end. The Place Beyond The Pines is worth a watch but just be prepared to have you're socks blown off and then have them planted firmly back on your feet as the film continues.

Greetings again from the darkness. With an extended tracking shot to open the film, we follow Ryan Gosling, a motorcycle stunt rider, from his trailer through the carnival grounds and right into the metal sphere with his co-riders. It's an exhilarating start to the film and introduces Luke (Gosling) as a heavily tatted star attraction on the carnival circuit.

This is director Derek Cianfrance's follow-up to his 2010 critically acclaimed Blue Valentine. While that film painfully presented the misery of a bad marriage, this latest shows multi-generational fallout from poor decisions and even worse father-son relationships. Cianfrance has quite an eye for well-intentioned, but inadequate personality types. This latest is presented in triptych format ... three distinct story divisions. The first segment is mesmerizing and follows Luke's attempt to "do right" by his newly discovered infant son - the result of last year's carnival trip to this same town and a tryst with Romina, a local gal played by Eva Mendes.

Gosling is especially effective (yet again) as he falls in with local mechanic played by a terrific Ben Mendelsohn (frightening in Animal Kingdom). The two hatch a scheme to capitalize on Luke's bike riding skills by robbing banks. These "jobs" allow us to see the other side of Luke, who seems sincere in his desire to provide for the child and win back Romina. Things go badly when Luke crosses paths with rookie street cop Avery Cross (played by Bradley Cooper). Watching Gosling's contradictory personalities is quite amazing ... he flips from quietly charming to cold-blooded brutal bank robber in the blink of an eye.

The story then shifts to follow Avery and his strained relations with his wife (Rose Byrne), their infant son, and Avery's former state Supreme Court judge father (Harris Yulin). A sub-plot brings in police department corruption led by ... who else? ... Ray Liotta. Mr. Liotta still possesses the ability to scare the crap out of his fellow actors and anyone watching the movie. This corruption and the idealistic and ambitious nature of Avery aren't a very pleasant mixture, but it sets the stage for the final act.

Flashing forward 15 years, brings us to a fairly predictable situation that still proves interesting. The previous stories focused on the failed relationships of Luke and his father, Luke and his mis-fired attempt at being a dad, and the awkwardness of Avery and his father. Now we see the resulting mess that are the two now teenage boys. The sons are played by Emory Cohen and Dane DeHaan (who was memorable as Cricket in Lawless). DeHaan especially shines as the Gosling/Mendes prodigy.

Sean Bobbitt is the film's Director of Photography and he deserves special mention for his work with Cianfrance in bringing a different and intimate look to the characters, setting and story. Also, Mike Patton's unusual score fits perfectly and keeps the viewer on track. This is a very uncomfortable movie to watch, but those who enjoy tough, artsy films will be rewarded. www.MovieReviewsFromTheDark.wordpress.com