Eine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Col... Alles lesenEine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Colleges kennenlernt, der möglicherweise der Sohn ist, den sie vor Jahren in einer anonymen A... Alles lesenEine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Colleges kennenlernt, der möglicherweise der Sohn ist, den sie vor Jahren in einer anonymen Adoption aufgegeben hat.
Empfohlene Bewertungen
I would recommend this movie to those who aren't overly critical on every detail and aspect of a movie, to those who like sensitive movies that overcome pasts and trials and fight for people and ideals, and to those who can weigh the value of people who are not perfect or who do things perfectly, but who change and grow and fight to do better.
The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.
The title is built around a pun which is the turning point of the movie—an admission, or at least a revelation, about a long lost child. The leading woman is the wonderful Tina Fey who I wish I could say was wonderful here. She plays an admissions official at Princeton, and lots of Ivy League clichés and would-be jokes parade by.
And that's the overview—a pre-packaged kind of routine film, not very imaginative to start with and never pushed or pulled the way a comedy, or a romance—or both!—ought to be.
Fey, it seems, wants to be a serious romantic leading actress, and she's chipper and cute and she could, with a much better script, pull off a kind of sympathetic Meg Ryan type. That's at least what I smell here. Her romantic partner, the sometimes very funny Paul Rudd, is again weighted down by having little to really make funny.
I'm not sure how a director like Paul Weitz keeps getting work. He has a whole series of disappointing movies, even a hand-me-down like "The Little Fokkers," and I'm sure some have made some money, but they would have been better (and made even more money) in better hands. The proof is in all this pudding.
On the surface you might think there are funny paths to take in "Admission," and maybe even some hilarious pratfalls (Fey's mom is more happily over the top and has some moments), but it's just a mildly enjoyable fizzle all the way. You won't walk away angry, just a little flat.
Wusstest du schon
- WissenswertesPortia's mother Susannah (played by Lily Tomlin), has an art piece on her wall showing a fish riding a bike. This is in reference to Irina Dunn's quote "A woman needs a man like a fish needs a bicycle", later popularized by Gloria Steinem. This is thrown in to show Susannah's feminist views. She also quotes Erica Jong at one point.
- PatzerWhen someone tells Jeremiah to tuck in his shirt he does, but it varies inconsistently between untucked and tucked-in in subsequent shots.
- VerbindungenFeatured in Maltin on Movies: Pacific Rim (2013)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Solicitud de admisión
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.007.317 $
- Eröffnungswochenende in den USA und in Kanada
- 6.154.984 $
- 24. März 2013
- Weltweiter Bruttoertrag
- 18.637.201 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1