Eine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Col... Alles lesenEine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Colleges kennenlernt, der möglicherweise der Sohn ist, den sie vor Jahren in einer anonymen A... Alles lesenEine Zulassungsbeauftragte der Universität Princeton, die für eine bedeutende Beförderung in Frage kommt, geht ein berufliches Risiko ein, nachdem sie einen unkonventionellen Schüler des Colleges kennenlernt, der möglicherweise der Sohn ist, den sie vor Jahren in einer anonymen Adoption aufgegeben hat.
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As an Alumni Admissions interviewer for over 30 years at Georgetown University, I find much of the story ringing true from the overachieving candidates nurtured by ambitious parents to the underachieving but brilliant and risky individualists. Portia must struggle with the boxed-in role of continuing the Princeton tradition (read stereotypes) or breaking away to push for a student who calls himself an "autodidact" with low grades but perfect scores on achievement tests for courses he never took.
Amid the plot's fierce applicant battle for a slot, Portia and John dance to the usual romantic formula of disliking each other to . . . Well, you know the drill. However, it's their reactions to the admission process that provide the authentic tension as he has developed students with independent minds, and she is used to the cookie-cutter candidates who lack the passion of those independents.
Director Paul Weitz knows something about family dynamics and children with his About a Boy, In Good Company, and Little Fockers among the more obvious examples. Signing up Lily Tomlin to play Portia's feminist mom was inspired; like the ubiquitous aging Alan Arkin, Tomlin should now have plenty of work.
Admission requires no small amount of sympathy for the messy business of growing up and getting ahead—Weitz navigates the vagaries of family ambition well. If the double-meaning of the title seems too precious to you, don't worry, the rest of the story is almost unambiguous.
Although Admission is mostly about applicants to an upper-tier college, it also poses the unethical means some might employ to gain entrance. Even Portia is not blameless, a touch I found in the film's favor while it deals with the unreal segment of our population smart enough to be considered for admission.
Paul Weitz directs a film about an overworked Princeton admissions officer named Portia Nathan who on her recruitment trips, meets the highly intellectual Jeremiah takes to the help of an old college classmate named John. Against all odds, she decides to do what she can to get Jeremiah enrolled in Princeton despite his high school mediocrity.
As mentioned before, this film has very likable actors and the chemistry fluidly bounces off with each other. Tina Fey is great and she reminds me of her role as Liz in 30 Rock. Paul Rudd is the perfect man for her because of his charm and he was excellent. Nat Wolff as Jeremiah is very sweet and has come a long way since his Nickelodion series. Finally, I loved Lily Tomlin's character as Tina's mother because she was a hoot!
Overall, Admission was destined to be a so-so movie, but it wasn't so in my eyes. It's not a laugh-out-loud comedy but it's not meant to be despite a few moments when I chuckled. There is a fair amount of drama and romance here to be effective. It's a small movie, but I had a good time with it. I rate this film 8/10.
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- WissenswertesPortia's mother Susannah (played by Lily Tomlin), has an art piece on her wall showing a fish riding a bike. This is in reference to Irina Dunn's quote "A woman needs a man like a fish needs a bicycle", later popularized by Gloria Steinem. This is thrown in to show Susannah's feminist views. She also quotes Erica Jong at one point.
- PatzerWhen someone tells Jeremiah to tuck in his shirt he does, but it varies inconsistently between untucked and tucked-in in subsequent shots.
- VerbindungenFeatured in Maltin on Movies: Pacific Rim (2013)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Solicitud de admisión
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.007.317 $
- Eröffnungswochenende in den USA und in Kanada
- 6.154.984 $
- 24. März 2013
- Weltweiter Bruttoertrag
- 18.637.201 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1