The Lady - Ein geteiltes Herz

With such a fascinating subject matter this movie would have been an interesting watch no matter who directed it but I think Luc Besson did a good job showing he is more than just an action thriller director. Of course there are some violent parts showing the brutality of the Military that are in your face and exciting as expected. He handled the private woman and her personal sacrifice and bravery in a tasteful manner.

Michelle Yeoh does a brilliant job. It's a really good fit for her. She is good in both the intimate moments dealing with her family and in her dignified public persona. She deserves an acting nomination for her work. David Thewlis is well cast as a disheveled looking professor type.

The subtitles are a major part of the movie with lots of dialog in Burmese. But it's still easy to follow the plot which doesn't jump around too much and is well laid out. It deserves a place among the better political true life movies. While not as dramatic or gut wrenching as "Cry Freedom" or "the Killing Fields", it still delivers a powerful message. Those interested can also watch "Beyond Rangoon" with Patricia Arquette which is a more adventure style portrayal of the events in Burma.

Wish the movie could have shown more recent events including her recent release. Reminds us there is still a long way to go in Burma.

Touching and a must watch.

Politically, the late eighties and nineties were the most hopeful period in recent history. Throughout the world, especially in Eastern Europe and Latin America but also in Africa and the Far East, dictatorial regimes were giving way to democracy. Activists such as Lech Walesa, Vaclav Havel and Nelson Mandela were exchanging their prison cells for their countries' Presidential Palaces, and it seemed that Burma (I will not call it "Myanmar"), which had been governed by a repressive military junta since 1962, would be the next democratic success story. Opposition to the regime was led by Aung San Suu Kyi, the beautiful and charismatic daughter of a national hero who enjoyed the devoted support of most of her compatriots. It seemed inevitable that "people power" would sweep away the junta, just as it had swept away the Marcos regime in the Philippines and the Communist dictatorships of Eastern Europe.

And yet this did not happen; the Burmese regime succeeded in maintaining its iron grip on power. Perhaps the reason was that, unlike many other tyrannies, it lacked any recognisable ideology beyond an Orwellian vision of "a boot stamping on a human face, forever". Communism collapsed when it became clear that it could not perform its ostensible ideological function, the protection of the economic interests of the working man. This in turn provoked the collapse of right-wing dictatorships like Pinochet's in Chile or Suharto's in Indonesia, which had justified their existence by claiming to defend their countries against Communism. Apartheid collapsed when it became clear that the economic interests of black and white South Africans were so closely intertwined as to make nonsense of the idea of "separate development". Than Shwe's junta, lacking any ideology which could be discredited in this way, could resist the forces of change for as long as it could maintain the loyalty of its troops and its own will to power.

"The Lady" depicts the life of Suu Kyi, known as "the lady" to her followers. It is not a complete biography, as it shows little of her early life, apart from the assassination of her father Aung San when she was three years old. The main action begins in 1988, when she was in her mid-forties and returned to Burma to visit her ailing mother, having previously been living in England with her husband Michael Aris, an Oxford professor. Her visit coincided with an uprising against military rule, which was followed by a brief period of liberalisation. She was persuaded to lead the country's nascent pro-democracy movement, and her party, the National League for Democracy, won a convincing majority in the 1990 parliamentary election. The military, however, refused to recognise the result and reimposed martial law. Suu Kyi was placed under house arrest and all political campaigning was forbidden. The junta seemed quite unmoved by international condemnation; even the award of the Nobel Peace Prize to Suu Kyi in 1993 could not persuade them to release her.

The film was directed by Luc Besson, who was perhaps not the ideal director, as he had previously best been known for making action movies such as "Nikita". He had made a previous biography of a national political heroine, "Joan of Arc", but even there the action scenes are the best thing about the film. It is perhaps therefore unsurprising that "The Lady" is rather slow and ponderous and shows signs of having been made by a director unused to this style of film-making. Visually, however, the film is often attractive, with effective contrasts between the green, tropical lushness of South-East Asia- these scenes were shot in Thailand rather than Burma itself- and the grey stone of Oxford, a city often seen in the snow.

To be fair to Besson, he appears to have been deeply committed to this film, and it is possible that without his commitment it might never have been made. He was fortunate in having a leading lady, Michelle Yeoh, who was just as committed as he was; indeed, it was she who persuaded him to take on the project. Yeoh here gets to show, as she did in "Memoirs of a Geisha", that she is more than just a Bond Girl, more than just a kung-fu action heroine. She has the advantage of bearing a striking resemblance to the woman she is portraying.

Yeoh described the film as "an incredible love story", and the element most emphasised in the film is the relationship between Suu Kyi and her husband, from whom she was separated for many years. She would have been free at any time to leave Burma and rejoin him and their two sons in England, but always refused to do so, knowing that if she ever left the country she would never be permitted to return. David Thewlis as Aris is perhaps even better than Yeoh, playing him as an unworldly academic and devoted family man who nevertheless selflessly insists that his wife remain in Burma, knowing that if she leaves the country this will be a great blow to the pro-democracy movement. His premature death from cancer, possibly brought on or exacerbated by the stress of his situation, is the film's most tragic moment.

Suu Kyi's house arrest has now been lifted and Burma is now ruled by a civilian government, although it remains to be seen whether it will evolve into a genuine democracy; the elections in 2010 were widely denounced as neither free nor fair, and the new government as a mere front for a continuing military dictatorship. The expulsion of Michelle Yeoh from the country last year would suggest that the authorities are still very touchy about criticism. The film, however, performs the valuable service of reminding the world of the problems of a country which was for too long one of the last bastions of tyranny. I certainly preferred it to "The Iron Lady", the other recent biopic of a major female political figure. 7/10

I personally like biopics & this one was very helpful in giving me a glimpse of what's happening in Burma. Much has been said about the fight for liberty in this country as well as about the fierceness of Suu Kyi & watching this film made me more interested with how our counterparts in Burma are working towards their full liberation.

Suu Kyi's situation reminds me of our very own, Cory Aquino, who herself was an icon of democracy.

The movie gave me an insight of Suu Kyi's struggles & sacrifices just like Mrs. Aquino herself. One thing that the movie did is for viewers to appreciate the liberty we currently have & the closeness we will feel to Suu Kyi.

Great acting chops for Michelle Yeoh & David Thewlis. I wonder why they were not even nominated for an Oscar. Magnificent cinematography too.

A highly recommended film.

The 1991 Nobel Peace Prize laureate, Aung San Suu Kyi, is played wonderfully by Michelle Yeoh. I knew little about this famous person as I suspect many also didn't. The movie provides you with historical information you should be happy to learn. This kind of movie is a departure from what we are accustomed to see from director Luc Besson, and it is a pleasant discovery. Yeoh delivers a beautiful performance and so does Davis Thewlis, who plays her husband.

The movie is a truly beautiful love story, one that touches on the human spirit as few movies do. It is inspirational, nothing less. You will be moved by the story. The movie depicts the life of a people under military dictatorship and how the whole nation rallies behind the person that was destined to lead it despite all odds. You are likely to be following Aung San Suu Kyi ongoing real life story from that point on, as she is still very much the people's leader today. I could not recommend this movie more strongly.

Making a commercial film about a struggle for human rights and democracy is a real struggle because most audiences want entertainment and not politics. So the producers have to find an 'angle'. In 1987, "A World Apart" told the story of the fight against apartheid in South Africa but through the prism of the strain that this put on ANC activist Ruth First's relationship with her young daughter. A similar approach is used here in this account of the life of Aung San Suu Kyi, the eponymous lady and leader of the National League for Democracy in the dictatorship that has ruled Burma for most of the period since post-war independence from Britain. So it is not politics as such which is to the fore here but Suu Kyi's relationship with her husband, Oxford academic Michael Aris, and most especially the regime's brutal refusal to allow Aris to see his wife one last time when he was dying of prostate cancer. It is a gut-wrenchingly sad tale.

Malaysian-born actress Michelle Yeoh - a Bond girl in "Tomorrow Never Dies" and pugilist star of "Crouching Tiger, Hidden Dragon" - looks perfect in the leading role, giving a performance which, while often understated, is deeply moving. David Thewlis (various "Harry Potter" films and "The Boy With The Striped Pyjamas") is very effective as the long-suffering husband. The exotic locations and local faces in Thailand serve the movie well and original music by the French Eric Serra plus some Mozart enhance the emotional power of the work. It is perhaps no surprise that the script for what is in essence a love story comes from a female writer - the British Rebecca Frayn - but one might not expect the identity of the director for this Anglo-French film: Luc Besson, best known for such action movies as "Nikita", "Leon" and "The Fifth Element".

"The Lady" may be a bit one-dimensional and lack nuance, but it highlights a long struggle for human rights that is not sufficiently well-known and the timing of its release (I saw it in January 2012) is poignant. When filming started, Suu Kyi was still under house arrest, as she had been in total for some 15 years, but by the time the film was finished she had been released. At the end of the movie, the iron grip of the regime and the number of political prisoners are highlighted but, in the weeks around the film's release, the generals instituted a series of liberalisation measures including the freeing of most political prisoners. If all this augurs an era of genuine democracy in Burma, "The Lady" will be a wonderful testimony to the power of personal courage and sacrifice to effect political change.