Tajemnica Westerplatte

This is a pseudo-psychological reinterpretation of the defense of Westerplatte. It is full of hysterics, pregnant pauses, unsubstantiated in documents conflicts and dramas. The unit defending the outpost was in reality hand-picked, and the commanders were seasoned and battle hardened. Instead the movie is trying to portray them all as screaming, hysterical old women, running back and forth. This is an awful movie with some decent albeit low budget special effects.

Perhaps the movie was trying to be trendy and "questioning", but questions it is trying to ask are unsupported by evidence, and the answers are confused and consisting primarily of emotional outbursts.

Add to this subpar play by the actors who occasionally seem surprised by the script, and you have a recipe for a D movie. Skip.

"If we go to war no one will back us up." September 1st, 1939, the Polish city of Gdansk is an important port city that the German's are looking to take control of. Trying not to scare the entire country the army decides to send a small group of 600 soldiers against the Germans with only one goal, hold out for at least 12 hours. When it becomes clear that no support is coming for them and with dwindling supplies and medical aid they have to decide to fight till the last man falls or surrender. This is a true story of the first battle of WWII. This is not a terrible war movie at all and is worth seeing but it is pretty slow moving and the war scenes leave something to be desired. The movie is interesting though and really makes you understand what the Polls went through in the beginning of Hitler's advance but it is just a little too slow in some parts to stay fully focused on. Overall, a true war movie that is worth watching but don't expect wall to wall excitement. I give it a B-.

The topic fascinated me, and seeing Polish soldiers in action is such a rare treat that I just had to buy this film. Unfortunately, many important action scenes happen off-screen, and we are just told about them later.

It almost seems as though the director was embarrassed to make a "simple" action movie, and so felt compelled to engage in psycho-drama to fill out the tale. I liked most of the actors, though, as an American, I was unfamiliar with them. I liked the sets, weapons, uniforms, and so forth.

Overall a disappointment, but a nice try.

This film may be viewed as a remake of 1967's Polish classic, Westerplatte, and in some ways it is a real remake, as many scenes were very precisely reproduced, the scenery is almost identical to old black and white version. And many battle scenes are also very close to that old film. As well as some characters. Yes, full color version seems better, as well as many video FXs and some sound production. Yes, the morbid reality of deaths in action is shown pretty well, too. And then, some weaker moments creep in. The camera work is often repeating the excellent ideas of 1920. Bitwa Warszawska, but this time in a more amateur way. The heavy handed play of almost all main actors makes this already plodding film a real slow snail at a painful pace. Many moments seem very odd and totally unnecessary. What is really bad, the film often badly borders on a sheer amateurism and therefore the tragic feel of loss and failure is lost wholly. Thighs film can be watched once, for the knowledge reasons, and then quite quickly dismissed as a languid attempt at really exciting and very interesting page of History.

Imagine the King Leonidas meme screaming in your face:

WAR!

IS!

NUANCED!!@!!!!

Followed by subtlety & believability getting kicked screaming into a bottomless pit in glorious slow-mo.

This film is supposedly tackling a sacred cow of Polish war history (and national mythology), namely the heroic defense of Westerplatte against all odds. In doing so, it asks us to scratch beneath the surface of the heroic warrior narrative and see the reality of that event, in all its complexity and nuance and human frailty, warts and all. Unfortunately, it's a bit hard to appreciate this nuance when the film spends two hours beating our skulls with a sledgehammer and screaming in our faces about how complex and subtle the real situation was.

The characters seem to have two emotional settings: zero and ten; catatonic and hysterical, stoic and screaming. This is not subtlety or nuance. It's binary, and it rings false. The performances are soap opera melodramatic, with lots of Drama School overacting. The old 1967 version is so much better in every respect.

How can the Number 1 & 2 ranking officers spend several days issuing contradictory orders and directly undermining each other without the entire thing falling to pieces? That's absurd. Either the commanding officer would lock up the second-in-command for direct insubordination (and perhaps treason) and get on with business, or that guy would go through whatever military procedure is available to relieve his commander of duty, and then take corrective steps to right the sinking ship. You can't spend several days in the middle of combat with the top dog issuing orders and his underling simply saying "no" again and again. This is absurd.