IMDb-BEWERTUNG
6,5/10
11.037
IHRE BEWERTUNG
Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.Suzie, eine Amerikanerin, die in Japan lebt, und Sunny, ein Haushaltsroboter, der von der Firma ihres Mannes hergestellt wurde, decken die dunkle Wahrheit auf.
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Empfohlene Bewertungen
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Apple have done it again. Their content is often quirky and unusual and Sunny is no exception.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
I'm only through 5 episodes but am pleasantly surprised. I tuned in because of Rashida Jones but have stayed for its delicate moments. For a sci-fi thriller this show takes a softer hand and is more creative than I expected. The plot is nicely decorated with philosophy and culture, of which none is overtly stated. The plot develops nicely and preserves its mysteries but it's the scenes in between that are memorable. My favorite so far comes at 23 minutes into Ep 5 and prompted me to write this review. No spoilers from me so if you can handle its loose grip then you may be as pleasantly rewarded as I've been for staying tuned.
I thought the first 3 episodes were great, lots of mystique, interesting plot line and a broad spectre of characters. It was attention grabbing. But at some point it just took a turn in to a surreal japanese game show-esq story with no clear plot. It tries to explore moral questions but it quickly becomes flat and uninteresting. It fails to keep your attention, and although it has an interesting problem : can a robot (AI) have free will, an intriguing and relevant philosophical question, it fails to connect on an intelectual level. At a point I just stop caring about the protagonists or the problem in hand. Loads of potential but it just seems like the writers had no idea how to explore the plot in an interesting way. It's as if the Matrix turned in to a Disney cartoon midway...
The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
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- WissenswertesThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- VerbindungenReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- SoundtracksSukiyo Aishite
Performed by Mari Atsumi
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