John Dies at the End

Had much fun with this! 7.5!

If you want to have a good time and when you are 'open' for something different, you will like it.

It's a nice genre mix of comedy, horror, splatter, fantasy and scifi!

...and it was. I also expected it to be funny, and it was that too. I had not read the book previously and knew nearly nothing about the story, but if you've seen the trailer, that is pretty much adequate preparation for the strangeness you subject yourself to as you watch this movie.

Several scenes are just outright setups for jokes, and if this film was just set em up, knock em down - it would not be worth an 8. What makes this movie better than that is that it is, at it's core - psychotic in the best way possible. You never know if what you are seeing is real or not, and just when you think you couldn't see or handle anything weirder, something hilarious happens to shift gears.

"John Dies at the End" is not a film for everyone. It's incredibly strange, practically impossible to describe and has no conventional plot elements. It's really like combining "Bill & Ted's Bogus Journey", "Men in Black" an "Evil Dead" film and lots of LSD. It's incredibly strange and trippy...and something conventional film viewers probably won't enjoy. As for me, I enjoyed it once I stopped trying to understand it!

The story is a bizarro tale of Dave and his friend, John and their weird lives once they try a weird drug they dub 'soy sauce'. Once it's in their systems, they get caught up in a weird battle between parallel worlds and none of it makes the least bit of sense. What follows is one weird CGI explosion after another--and I do recommend you try it if you have a high capacity for the strange. I would try to say more...but this film truly defies description though it does look like the filmmakers possibly intended to make sequels.

Like many independent movies, this one has a interesting idea at its base and some fairly decent acting but runs out of steam far too early. The end is almost Austin Powers like (i.e. silly). The technical quality fairly good but it is never able to get over the weak story line in the second part of the movie. I imagine Paul Giamatti's involvement was to lend a bit of credibility to the project. However, it is fairly clear that his scenes were shot in a single day (all are in the same Chinese restaurant), so the result is actually the reverse since the commercial motive of the casting is so evident. To sum up, they had me interested at the start and hopeful in the middle but bored and disappointed at the end.

Greetings again from the darkness. It's been more than a decade since writer/director Don Coscarelli added quirky humor to his toy box with the wonderful Bubba Ho-Tep. Previously Coscarelli was known for his classic horror franchise that started in 1979 with Phantasm (and three sequels). Coscarelli has a real knack for oddball humor and along with the source material from David Wong's book, he delivers a comical, cross-dimension, alien-fighting, time travel buddy film that draws recollections to Men in Black 3, Big Trouble in Little China, and Bill & Ted's Excellent Adventure.

Coscarelli has had his opportunities to join "big budget" Hollywood, but has always chosen to remain true to his roots in horror/fantasy for his loyal followers, resulting in many cult films and midnight movie favorites. In this newest story, Dave (Chase Williamson) and John (Rob Mayes) are slacker buddies who end up feeling the effects of a new street drug called soy sauce. The story is told in semi-flashback form as Dave meets with a reporter played by the great Paul Giamatti. As Dave tells the story, we get the visuals as if they were currently happening. This works because it's never really clear when we are in the present, past or future.

This is one big fun and entertaining ride if you let it be. Terrific characters are provided by Clancy Brown (Shawshank Redemption) as Marconi, some type of powerful mystic (or something else); Glynn Turman as a relentless, yet beaten down detective; Doug Jones (Pan's Labrynth) in yet another creepy role; and Fabianne Therese as Amy, whose missing limb plays a vital role.

Further analysis would prove meaningless as the sole purpose of this film is to entertain and engage. It's escapism at its finest and yet another creative gem from Don Cascarelli.