IMDb-BEWERTUNG
7,1/10
3311
IHRE BEWERTUNG
Das idyllische Leben von Katrine, Tochter einer Norwegerin und eines deutschen Besatzungssoldaten, gerät aus den Fugen, als sie sich nach dem Fall der Berliner Mauer weigert, bei einem Proze... Alles lesenDas idyllische Leben von Katrine, Tochter einer Norwegerin und eines deutschen Besatzungssoldaten, gerät aus den Fugen, als sie sich nach dem Fall der Berliner Mauer weigert, bei einem Prozess gegen den norwegischen Staat im Namen anderer "Kriegskinder" auszusagen.Das idyllische Leben von Katrine, Tochter einer Norwegerin und eines deutschen Besatzungssoldaten, gerät aus den Fugen, als sie sich nach dem Fall der Berliner Mauer weigert, bei einem Prozess gegen den norwegischen Staat im Namen anderer "Kriegskinder" auszusagen.
- Auszeichnungen
- 7 Gewinne & 7 Nominierungen insgesamt
Jürgen Rißmann
- Detective Lattoch
- (as Jurgen Rissmann)
Ellen Brigitte Winthe
- Marit
- (as Ellen Brigitte Winther)
Mathias Harrebye-Brandt
- Danish Interrogator
- (as Mathias Harrebye Brandt)
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This drama takes place in 1990, shortly after the demolition of the Berlin wall had begun. This was a time when a young Norwegian lawyer felt that there was a good chance of winning a lawsuit against the Norwegian Government for reparations for the children of the Nazi Lebensborn program. Begun in 1935 the goal of the Lebensborn program was to produce more Aryan children for the Third Reich, mainly by way of Nazi leaders producing plentiful offspring. The program was expanded to occupied countries whereby Nazis would mate with with local unmarried women with many, but not all, of the offspring brought back to Germany.
The story unfolded in a way to keep my interest. On the one hand Katrine, the main character, is seen as the wife of a Norwegian submarine captain--part of a close, happy family. But early on she is seen on a flight out of the country where she completely transforms her appearance. At that point I was hooked to find out what her story was and I appreciated the slow reveal leading to some intensely dramatic scenes. The story is complicated enough to make it hard to describe without revealing plot details.
I had never heard of the Nazi Lebensborn program and this movie shows how focusing on personal experiences can explicate history in a more attention grabbing way than reading a history book. I wish there had been more explanation of the basis for the lawsuit against the Norwegian government. A little research on the topic explains how shabbily, and even cruelly, the Lebensborn children were treated, with the assent of the Norwegian government.
All the actors are in fine form--it's good to see that age is not keeping Liv Ullman off the screen.
The story unfolded in a way to keep my interest. On the one hand Katrine, the main character, is seen as the wife of a Norwegian submarine captain--part of a close, happy family. But early on she is seen on a flight out of the country where she completely transforms her appearance. At that point I was hooked to find out what her story was and I appreciated the slow reveal leading to some intensely dramatic scenes. The story is complicated enough to make it hard to describe without revealing plot details.
I had never heard of the Nazi Lebensborn program and this movie shows how focusing on personal experiences can explicate history in a more attention grabbing way than reading a history book. I wish there had been more explanation of the basis for the lawsuit against the Norwegian government. A little research on the topic explains how shabbily, and even cruelly, the Lebensborn children were treated, with the assent of the Norwegian government.
All the actors are in fine form--it's good to see that age is not keeping Liv Ullman off the screen.
The story has 2 elements that I find intriguing: East Germany spy network, and the post 1945 healing of Europe. In this movie they deal with both topics (plus the human impact in one family), but I believe that it would be better if the film focused on one topic only. First of all, why was DDR interested in Norway? What kind of intelligence were they seeking? And what happened with all the Stasi operatives after reunification?
I felt like the movie did not delved deep into those topics
I felt like the movie did not delved deep into those topics
8OJT
A tight, clever and well done drama based on similar true events, as much a a psychological thriller which is not difficult to recommend. Straight away I got the same feeling as when I saw the German Oscar winning film Das leben der Anderen (The life of others) back in 2006. And this Norwegian/German story has similar elements in some ways, though not to be exaggerated, with consequences going back to when the Berlin wall fell, in this great casted movie which has managed to make Liv Ullmann making a comeback.
In a thriller-like manner we follow a woman in 1990 hiding her identity before going into a children's home archives in Germany in search of a secret. Then we jump to Norway, two weeks earlier to find out why this search has started, then understanding the woman is a German with a family living in Norway. We watch her being confronted with old memories, when a lawyer with German accent approaches her at work, wanting her to participate in a lawsuit regarding the so called Lebensborn-kids deported to Germany due to them having a German father during the second world war. The trouble is that she has a secret history in her life, which now is threatening to surface...
Lebensborn is a dark page in the past war history. During the second world war many German soldiers had relationships to Norwegian women. The women was called German-whores due to the hard feeling between the two countries in war. Due to Nazi ideology the children of these relationships was seen upon as extremely valuable, as pure aryan raced kids. Lebensborn was forced adoptions of these small "children of shame" during and after the occupation, bringing them to Germany as orphans, losing their parents. This story is based in these tragic destinies.
The film keeps interest way through, and is well acted and directed. A strong story making lives difficult several decades later.
In a thriller-like manner we follow a woman in 1990 hiding her identity before going into a children's home archives in Germany in search of a secret. Then we jump to Norway, two weeks earlier to find out why this search has started, then understanding the woman is a German with a family living in Norway. We watch her being confronted with old memories, when a lawyer with German accent approaches her at work, wanting her to participate in a lawsuit regarding the so called Lebensborn-kids deported to Germany due to them having a German father during the second world war. The trouble is that she has a secret history in her life, which now is threatening to surface...
Lebensborn is a dark page in the past war history. During the second world war many German soldiers had relationships to Norwegian women. The women was called German-whores due to the hard feeling between the two countries in war. Due to Nazi ideology the children of these relationships was seen upon as extremely valuable, as pure aryan raced kids. Lebensborn was forced adoptions of these small "children of shame" during and after the occupation, bringing them to Germany as orphans, losing their parents. This story is based in these tragic destinies.
The film keeps interest way through, and is well acted and directed. A strong story making lives difficult several decades later.
10Bonz99
You can read summaries of this movie's plot line elsewhere. This movie is all about Juliane Kohler's heart-searing portrayal of a woman coming to terms with her past. For me, five stars on Netflix, ten stars on IMDb.
Some have written that the plot is implausible. It is not. It is fascinating. I had never before heard of Juliane Kohler until coming across this movie on Netflix, but I now expect to see everything I can find with her. She is absolutely riveting. Her astonishingly expressive face is the centerpoint of every scene. In fact, at nearly fifty years of age, she is more beautiful than photos I have seen of her in movies ten and twenty years earlier.
Too, Liv Ullman is wonderful as her mother. I haven't see Ms. Ullman since her films with Ingmar Bergman in the late 50's and 60's, followed by the wonderful "The Emigrants". She has been too long away from the camera.The rest of the cast is also excellent. But Ms. Kohler: oh my, oh my, oh my.
Some have written that the plot is implausible. It is not. It is fascinating. I had never before heard of Juliane Kohler until coming across this movie on Netflix, but I now expect to see everything I can find with her. She is absolutely riveting. Her astonishingly expressive face is the centerpoint of every scene. In fact, at nearly fifty years of age, she is more beautiful than photos I have seen of her in movies ten and twenty years earlier.
Too, Liv Ullman is wonderful as her mother. I haven't see Ms. Ullman since her films with Ingmar Bergman in the late 50's and 60's, followed by the wonderful "The Emigrants". She has been too long away from the camera.The rest of the cast is also excellent. But Ms. Kohler: oh my, oh my, oh my.
"Two Lives" is one of the best movies I've seen in a long time. I watched it on Netflix. It's a German movie that takes place in Norway shortly after reunification of Germany. Part of the story is about a woman, played by Liv Ullman, who fell in love with a German soldier during the war and they had a daughter. After the war, such women were shunned and the children sent to orphanages in Germany. To say more would give away too much. It's a masterfully written screenplay about fictional people, but such events did happen. One small part I could have skipped, otherwise an excellent portrayal of a sobering story. It's the kind of movie where you watch all the credits roll by at the end because you can't turn it off.
Wusstest du schon
- WissenswertesGermany's official submission to the Best Foreign Language Film category of the 86th Academy Awards 2014.
- PatzerThe photo printing shop that Katrine works in featured the Fujifilm Frontier 350, a laser printer with a digital scanner attached. This photographic printer was not released onto the market until 2000.
- SoundtracksI Once Lived Here
by Christoph M. Kaiser / Julian Maas
Label: 2013 Colosseum Music Entertainment GmbH
© 2013 Farbfilm Verleih AG
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- Auch bekannt als
- Two Lives
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Box Office
- Bruttoertrag in den USA und Kanada
- 22.620 $
- Eröffnungswochenende in den USA und in Kanada
- 1.303 $
- 2. März 2014
- Weltweiter Bruttoertrag
- 1.649.260 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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