Phas Gaye Re Obama

Satires in their relatively rare existence have proved to be difficult to work upon in our film industry. For every 'Jaane bhi do yaaron', we also have a 'Peepli'. Director Subhash Kapoor sets his talented cast in the aftermath of the global recession with an outrageous mockery of the President's Yes We Can slogan. From its harshness about recession in America to the hilarious slump time for the local underworld, Phas Gaye Re Obama works in all aspects.

The once millionaire, now in-debt Om Shastri (Rajat Kapoor) is on the verge of bankruptcy with his home on the brink of foreclosure in a month's time. Unless he finds means to pay off the bank, the recession threatens to bring his family on the street. In a desperate attempt to salvage a family fortune, Om travels to his homeland only to find that the recession has hit the hinterland as well and it will be impossible to sell the ancestral Haveli. However, the news of a millionaire NRI reaches the ears of Bhai Saab (Sanjay Mishra), a dejected yet ambitious small time gangster who kidnaps Shastri in broad daylight. Now, not only does Shastri have to salvage his home, but he also has to escape from the clutches of the tiered underworld of rural India involving Bhai Saab, Ali Bhai, Munni and an aspiring minister who secretly runs a very well organized kidnapping business.

While the film gradually gathers pace in the first half after introducing its characters, the audience is entertained through hilarious scenes and dialogues that suggest nothing loud and ridiculous but are wacky and genuinely funny. The second half of the film is where the director shows his adroitness in dealing with suspense, drama and comedy in a satire while making it all sensible. As the screenplay draws your attention through a narrower tunnel, the focal point becomes Shastri's ingenious suggestion of his 'idea' to the goons, leading you to rejoice, applaud or grab another handful of popcorn till the next part unravels. Phas gaye re Obama is witty and without being nonsensical, it tries well to elaborate the plight of an opportunist in adverse circumstances that often tend to be seriously funny. The film's strengths lie in the director's ability to engage the actors into their characters leading to their laudable performances, the crisp screenplay that leaves no room for fillers, the witty dialogues however silly and a smooth blend of comedy stirred into serious circumstances. Often times, the film looks very serious but the characters have been introduced so well, that one cannot control the smirk even in a serious scene. While its comedy may not be a constant throughout, the lack of excessive has led to this film being worthy of a watch.

Rajat Kapoor is a versatile actor and here, he leads his co-actors while showcasing a fine understanding of Om Shastri's circumstances. Sanjay Mishra was always capable of being more than a sidekick to someone and here, he proves that he is dependable in all comic avatars. Manu Rishi plays the pro-American Anni who works for the gangsters but deep within, is a friend-in-deed of Om Shastri. Neha Dhupia, in a shorter role, does better than her attempts at anything else in her glamorous career and Amole Gupte as the sly politician is convincingly brilliant. The sequence with 'Tyagi English Coaching classs' is sure the bring the house down while many dialogues and scenes involving Sanjay Mishra, Amole Gupte and Manu Rishi hold the comic bits together.

Phas Gaye Re Obama is new age non-formulaic cinema that is funny unlike the attempted comedy of errors that we are subjected to so often. This is an effective satire with the recession's repercussions experienced by likable characters who are enriched by the director's adept writing and screenplay. If you enjoyed 'Tere Bin Laden', then you have no reason not to embrace this tribute to Obama.

8.110 on a scale of 1-10.

PHAS GAYE RE OBAMA(2010) comedy Cast-Rajat Kapoor,sanjay mishra,Manu Rishi chadha,Neha Dhupia. A NRI man gets bankrupt on the period of recession and comes to India to sell his house to pay his loans back.The film starts when he is kidnapped assuming him to be a millionaire. Jolly LLB series director Subhash kapoor has written a classic script involving the recession period.It is very difficult to make a comedy film in India which manages to keep both script and humour simultaneously convincing and only a few films are able to do and this film is among those few flicks. Rajat Kapoor is excellent as the intelligent NRI businessman.Sanjay Mishra is brilliant in his role.Manu Rishi Chadha steals the show with his effortless role of a man living with the dream of living in USA.The rest of cast has also done a good job.The English coaching class scene is iconic and one of the best comic scenes in Bollywood, the film not just make us laugh but it also depicts the reality of our society. The power of the film is the story, an equally competent screenplay. There is difference between pure comedy films like Dhamaal,De Dana dan,Golmaal franchise and Witty ones like PK,Peepli Live.The movie proudly sits on the latter category. The film is unpredictable and will keep u guessing till the end.

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This deliciously smart comedy from writer-director Subhash Kapoor stars Rajat Kapoor as Om Shastri, a desperate NRI from America, who must sell off his ancestral village property so he can save his home in New Jersey from being repossessed by the bank. Within days of arriving in the village, however, he is kidnapped by local crime-pin Bhaisaab (played by the excellent Sanjay Mishra), who dreams of a fat ransom in exchange for the NRI's release. When Shastri reveals that he's lost everything in the recent financial meltdown, Bhaisaab's dreams are crushed. That is until Shastri himself, along with Bhaisaab's trusted right-hand man Anni (played by Oye Lucky Lucky Oye's Manu Rishi), comes up with a shrewd new plan that will make both the kidnapper and the victim richer by several lakhs.

Constructed from a terrific script that's strong on plot and packed with crackling dialogue, 'Phas Gaye Re Obama' is consistently engaging. Shastri plots his own 'sale' from one wisened gangster to the next unsuspecting crook, in what becomes a chain of hilarious cons. Along the way we're introduced to a string of quirky, original characters that add colour to this palette.

Neha Dhupia stars as Munni, a dreaded don who despises men, and who's dubbed herself the female Gabbar Singh. She surrounds herself by an army of tough-looking henchwomen with names like Kareena, Deepika, Madhuri, Rani and Preity, and spends her free time chipping away at male statues. Amole Gupte plays a permanently constipated minister who runs a professionally managed kidnapping-and-extortion company, where you're provided with a receipt on payment of the ransom, and a one-year guarantee against a repeat abduction.

But the star of the film is Manu Rishi, who brings just the perfect degree of naïvete to his role of a gangster's moderately-educated sidekick yearning for a better life. His character, Anni has his heart set on moving to America, and insists he's got what it takes – he's watched reruns of Obama's famous 'Yes we can!' speech repeatedly, he's taking English lessons at a local coaching class, and he hasn't missed a single one of Sylvester Stallone's greatest action hits.

'Phas Gaye Re Obama' is unpredictable and surprisingly relevant, even if the film's title (which seems to squarely blame the US President for the recent global recession) is a bit of a stretch. Cleverly written and sharply cast, it's a film that delivers hearty laughs. Don't miss it. It's one of those rare Hindi films that's funny and smart at the same time!

One line review of the movie – Simply add the name Subhash Kapoor to the group of new extremely talented directors who are capable of teaching new lessons of cinema to all the big names relying entirely on Big Stars and their glossy film- making styles to save their reputed names in the Industry. PHAS GAYE RE OBAMA is a loud and tight slap to all those starry directors and it clearly reminds them the first lesson of cinema which says that Film-making solely depends on writing, writing and writing alone.

A worth watching experience, not to be missed, PGRO is a big relief after the dull period of watching all those mediocre films coming from the big production houses. In short, this is one of those few movies released this year whose script should be used in all the film making institutes operating in the country to teach the art of script writing and even editing. Not dependent upon any saleable star or hit item song, PGRO is a delightful film to watch which is very intelligently neither made as a complete comedy (like Golmaal series), nor it has been especially designed as a deliberate satire (like Peepli Live).

Brilliantly and thoughtfully written around the subject of WORLD RECESSION, it's a film which smartly touches many important issues prevalent in our country dealing with crime and politicians. Revolving around the plot of a visiting NRI in a remote area, it mainly deals with his kidnapping being planned by all the DONS operating in the region. How he manages to make fool of each one of them and successfully flies back to America with more money on his side then expected, is what the story is all about. Amusingly written around this thought of an NRI dealing with all the criminals, the writer showcases several major drawbacks of our society in a comical manner.

Starting with the scene of groom-kidnapping, it talks about the still existing charm of going to America for earning dollars, the kind of English being taught in the remote areas by self proclaimed teachers, the influence of OBAMA and his slogan "Yes We Can" on the whole world, the kidnapping racket run with the aid of gangsters and politicians and the power of media to change the course of things in just a few hours.

In the next few days you are sure going to hear praises for the movie from all your friends and critiques. But regarding that I would like to state that don't take PGRO as an out and out comedy in any case. The movie is not anything like GOLMAAL series but is more like a OYE LUCKY LUCKY OYE kind of project where you will enjoy each & every development on the screen with a big smile on your face along with few laughs at regular intervals. Here the director neither uses any silly comic sequence to make you laugh nor does he uses extensive abusive language in his dialogues to make some deliberate ripples in the theater (as done in Peepli Live). But still he manages to impress you hugely with his skillful writing and perfect characterization of his few characters in the script and literally excels in that.

Based on a purely novel thought incorporating the subject of RECESSION in the world of GANGSTERS and UNDERWORLD, it is indeed a first in the world of cinema. The lead hero of PGRO is its well written script which both starts and ends on equally shining notes and leaves a long lasting impact on the viewer. In fact this is a kind of movie which will largely satisfy the cinematic urge of ever true movie lover and student of cinema world-wide. For instance, just carefully look at the costumes, dialogues, gestures and expressions on the face of every actor on the screen, which clearly explains the contribution made by its director in adapting the taut script for the celluloid in such a splendid way.

Performance wise there are several small gems scattered throughout the film, delivered by some familiar names. With no one interfering or overlapping each other in the acting department it is a rare balanced show put up by all the actors. Rajat Kapoor as the NRI is as usual fine in his calm and cool approach. Sanjay Mishra as the disheartened gangster is excellent. Manu Rishi as the "Security" in each deal is simply wonderful. And Amol Gupte in the second half as the corrupt criminal minister is outstanding. He should really do more such films for the sake of good cinema and its hungry viewers. In the female lead, I really loved the look and feel of Lady Gabbar Singh played by Neha Dhupia magnificently. In fact I found her looking more sexy and beautiful in the get up of a lady gangster (with eyes filled with surma) than her usual glamorous looks we normally get to see. With class acts delivered by the entire star cast, PGRO, a songless film, unarguably is one of the surprise packages of the year which once again proves that Hindi Films does not only mean love, song, dance and big stars without any so called script.

In nutshell, it's a highly recommended flick which at last provides us the much needed break from all the silly romantic projects seen in the last few months. So, do yourself a favour by watching PHAS GAYE RE OBAMA at the earliest and encourage directors like Subhash Kapoor to keep on giving us more such projects in the near future. And thanks to Warner Brothers for supporting such a non-starry product, which solely depends on its merit of exceptional writing.

Nothing about this movie should attract you if you are a selector when it comes to watching a Bollywood movie, but Subhash Kapoor has made a mighty big impression with this incredible story if you have or happen to be watching the ending credits. If there is something called as sensible humor, then this movie draws upon a real world theme and blends it with a tactfully written plot which only gets increasingly entertaining and curious before the perfect finish.

The movie draws the audience with true to happen, yet hard to believe state of affairs in village gangs and Anni is a character that sticks like glue right away. While the pristine performances of all not so popular actors are brilliant, the true hero here is the script. Backed by authentic, crackling, and situational dialog's, the movie paces comfortably and makes every scene enjoyable. And if that is not impressive, a few scenes like the YES WE CAN chant and the English class turn this into truly memorable movie watching. Rajat Kapoor is very himself in the role while Neha Dhupia and Amol Gupte are very good. The page turner and the star of the show is Manu Rishi (Anni) and his brilliant performance. His portrayal of aspiration, honesty and comic timing will make you watch this movie again. Sanjay Mishra is over the top again with the character of Bhaisaab.

Not plaguing this story with item numbers, unneeded songs or illogical twists makes this a "Diamond" in the golden Bollywood ring!