Stonehearst Asylum - Diese Mauern wirst du nie verlassen

I'd forgotten how much pop scares got on my tits until I watched Stonehearst Asylum. Because it doesn't have a single one. And it's a fine film.

I think it's somewhat miss-sold as a horror, though it's hard to know how else it should have been marketed. There's plenty of jeopardy but scarcely any gore. I guess its most accurately described as a Gothic romance.

It's a loose riff off Poe's "The System of Doctor Tarr and Professor Fether" with a few canny twists.

The cast is stellar: Ben Kingsley, Michael Caine, Kate Beckinsale, Sinead Cusak.

I tend to define films in terms of whether or not I would enjoy watching them with my undoubtedly better half. in this case, yes. It's a cracking film with a rattling storyline, The odd proto- feminist moment and no horror cheap shots. What's not to like?

Surprisingly smart movie. My eyes were glued to the screen. I wanted to watch it again right after I saw it. It has a bit of a "Shutter Island" feel to it, however the only things similar are Ben Kingsley, a Mental institution, suspense, spoilers, a script and story that keeps you pleasantly confused, and solid acting. I was unsure whether or not I wanted to watch this movie because of middle-of-the-road reviews. I'm a serious film freak, and maybe I disagree with critics on movies with style and substance that are THIS original. I gave movies like "Cloud Atlas," "Snowpiercer," "Inception," 9 of 10 ☆s. If you love unique films with plot twists, you'll like "Stonehearst Asylum!"

I like the cast, setting and general idea of the movie, but I think the direction does not go far enough to build tension. The movie is thus only OK, when it had all the ingredients necessary to make it thrilling. The script gives away too much too early to then focus on a less interesting plot. If it were co keep to the original premise of the E. A. Poe short story with a more suspensfull direction it might have been better. As is, it is a sort of OK, but forgetable film.

Reviewed by: Dare Devil Kid (DDK)

Rating: 3.6/5 stars

If you like period pieces, psychopathic characters, excellent actors, and plenty of atmospherics, then "Stonehearst Asylum" should be right up your alley. Between its distinctly modern intelligence and razor-sharp plotting, Director, Brad Anderson's clever contraption almost matches the heights of Gothic grandeur that keep Poe held in high esteem even today.

Anderson clearly takes delight in all the proceedings, which is one of the reasons the film feels fresh. While the film might lack some the macabre drama and dark humor of the original Edgar Allan Poe tale, it still does a fine job of conveying a creepy, engaging thriller with a brilliant Gothic atmosphere and fine performances from its terrific ensemble cast.

There's probably a brilliant, award-worthy film to be made about the inhumane way the medical practice dealt with the mentally ill in the past. This one isn't it, but it is nonetheless a solid, sturdy piece of entertainment. "Stonehearst Asylum" is an insane, Gothic thriller with a lot of chills, thrills, and fun to be had along the way.

Stonehearst Asylum (AKA: Eliza Graves) is directed by Brad Anderson and adapted to screenplay by Joe Gangemi. It's loosely based on an Edgar Allan Poe short story. It stars Kate Beckinsale, Jim Sturgess, David Thewlis, Ben Kingsley, Michael Caine, Jason Flemyng and Brendan Gleeson. Music is by John Debney and cinematography by Thomas Yatsko.

Stonehearst Asylum - Is nothing as it seems?

For his latest foray into the horror mystery realm, director Anderson provides a film that is away from conventionality's. The horror here is the blurry lines between sanity and insanity, and it has plenty of tricks and dark humour up its sleeves as well. You don't have to be a rocket scientist to figure out quite early on what is going on at Stonehearst, the makers leave enough clues, but as the ungodly treatments show their hands, and the caustic observations on mental health and the treatment of such are made, there's a strong mystery element booming out of the screen.

Naturally this is a tale full of weird, wonderful and scary characters, and with that comes equal helpings of brutality and tenderness. The key characters are very Poesque, all magnificently framed by the Gothic surroundings (where the design department have worked wonders), while Yatsko's photography is gorgeous or chilly as required. Cast come up trumps, the right blend of Gothic ham and emotionally driven portrayals. Savaged by many critics upon release, it has risen above that to gain a deserved fan base, the word of mouth on the street crucially preparing newcomers for the tone of the play. 7/10