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IMDbPro

Shut Up Little Man! An Audio Misadventure

  • 2011
  • Unrated
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,6/10
1377
IHRE BEWERTUNG
Shut Up Little Man! An Audio Misadventure (2011)
When two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.
trailer wiedergeben1:48
4 Videos
35 Fotos
DokumentarfilmDramaKomödie

Füge eine Handlung in deiner Sprache hinzuWhen two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.When two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.When two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.

  • Regie
    • Matthew Bate
  • Drehbuch
    • Matthew Bate
  • Hauptbesetzung
    • Eddie Lee Sausage
    • Mitch Deprey
    • Daniel Clowes
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    1377
    IHRE BEWERTUNG
    • Regie
      • Matthew Bate
    • Drehbuch
      • Matthew Bate
    • Hauptbesetzung
      • Eddie Lee Sausage
      • Mitch Deprey
      • Daniel Clowes
    • 15Benutzerrezensionen
    • 41Kritische Rezensionen
    • 57Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Nominierungen insgesamt

    Videos4

    Theatrical Trailer
    Trailer 1:48
    Theatrical Trailer
    Teaser 2
    Trailer 7:10
    Teaser 2
    Teaser 2
    Trailer 7:10
    Teaser 2
    Teaser 1
    Trailer 0:46
    Teaser 1
    Shut Up Little Man! An Audio Misadventure
    Promo 0:31
    Shut Up Little Man! An Audio Misadventure

    Fotos35

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    Topbesetzung27

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    Eddie Lee Sausage
    Eddie Lee Sausage
    • Self
    • (as Eddie, 'Eddie Lee Sausage')
    Mitch Deprey
    • Mitchell D
    • (as Mitch, 'Mitchell D')
    Daniel Clowes
    Daniel Clowes
    • Self - Comic Artist
    Ivan Brunetti
    • Self - Comic Artist
    Mike Mitchell
    Mike Mitchell
    • Self - Film Director
    Robert Mothersbaugh
    Robert Mothersbaugh
    • Self - DEVO
    • (as Bob Mothersbaugh)
    Ursula Mothersbaugh
    • Self
    Henry S. Rosenthal
    Henry S. Rosenthal
    • Self - Film Producer
    • (as Henry Rosenthal, Henry S. Rosenthal)
    Tony Newton
    • Self
    Mark Gunderson
    • Self - Radio Host - The Sound of Plaid
    • (as Trademark G, Mark Gunderson aka Trademark G)
    Christy Brand
    • Self
    • (as Frillypants, Christy Brand aka Frillypants)
    Gregg Gibbs
    Gregg Gibbs
    • Self - Artist…
    David Stein
    • Self
    Dan Augustine
    • Self - Fan
    Doug Levy
    • Self - Obsessive Fan
    • (as Doug Levy, Douglas Levy)
    Patrick Frost
    • Peter Haskett
    Doug Wiggins
    • Raymond Huffman
    David Riessen
    • Tony Newton
    • Regie
      • Matthew Bate
    • Drehbuch
      • Matthew Bate
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    6,61.3K
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    Empfohlene Bewertungen

    9chatemorgan

    A guilty pleasure

    I tried as hard as I could not to laugh at the recordings of two drunks hurling abuse at each other. It was impossible, my moral code failed beneath the sheer brilliant beauty of the dialogue that takes place. Some of the lines from Peter and Ray are pure comedy gold, I wish I could remember as many of them as possible.

    The film itself is very well made, weaving together exciting visual eleemnts to accompany the auditory subject matter. There is a distinct nod to Erroll Morris in the Interrotron, to-camera style of interviews as well as the re-ennactment of the scenes taking place inside the Pepto-Bismol Palace.

    This film is a riot, great for fans of the tapes and those who know nothing. Highly recommend.
    8StevePulaski

    Makes swearing look sort of classy

    It's difficult to believe that simple recordings of unorthodox arguments had the ability to go viral in the 1980's. It may seem unfathomable, but Tribeca's new documentary Shut Up Little Man! An Audio Misadventure assures us that it happened. In 1987, two young punks named Eddie Lee Sausage and Mitchell "Mitchell D" Deprey moved into a bright pink, low rent apartment (eventually coined the "Pepto Bismol Palace") and were consistently bothered by their next door neighbors loud, inane arguments that would happen throughout hours of the night.

    The neighbors were apparently on a life long welfare and alcohol binge. They were bigoted and homophobic Raymond Huffman and openly homosexual Peter Haskett. Though it appears them living together was a contradiction in itself, sources claim that the two were close friends when sober. Which, as we can assume from watching the film, wasn't too often.

    Peter and Raymond would argue like a married couple, using profanity so explicit it may be questioned why they weren't thrown out. They would exchange insults back in forth with Peter usually yelling "shut up, little man!" at Raymond. After growing weary of the yelling, and after an attempt to stop them did not work, Eddie and Mitchell decided to tie a microphone to a ski pole and raise it out the window so they could record their neighbors' mindless rants for their personal record. They recorded them to a cassette tape, and the newly discovered mechanism of evidence and defense eventually became used for enjoyment and curiosity. They continued doing it for the logical reason of human nature; to see how far they would go next time. The result makes for a surprisingly entertaining documentary. Just like the documentaries F**k and Winnebago Man, it proves that the topic of swearing, if taken seriously and effectively, will produce a very interesting breed of films.

    What makes this documentary so interesting was it shows how things went viral before computers. What if the "Shut Up Little Man" recordings had Youtube under their belt? They would've spread uncontrollably, but due to the primitive technology, it took longer for them to be heard.

    The film was made for two major reasons; the first being because, at one time, three separate films from three separate groups were trying to make a film on this subject, including Eddie and Mitchell, and all were rejected or stuck in development hell. And the second reason because one big question lingers over Eddie and Mitchell's heads "do they owe Peter and Raymond anything?" Both men died in the nineties, but is it fair to market their recordings for a profit without giving them something in return? It's a little late, but the duo do the best they can to try and make amends. This involves tracking down a third member of some of the infamous recordings. To say what happens when they meet him would be criminal. Shut Up Little Man! An Audio Misadventure is funny, engaging, and genial. There's nothing to really be biased about, which is why I believe the documentary didn't feel like a burden at all. Just like with Winnebago Man, things could've quickly spiraled into a whirlpool of mindless swearing and inconsistencies. Luckily enough, the film doesn't get preoccupied with ridiculous, directionless comments which is a lot more than can be said about some of the actual recordings.

    Starring: Eddie Lee Sausage and Mitchell Deprey. Directed by: Matthew Bate.
    JohnDeSando

    Not Eliot.

    Imagine, if you will, a couple of cartoonist Harvey Pikars living in the next apartment in 1987 San Fran; only these two aren't savage cartoonists and don't have Harvey's wit or wide-ranging interest in humanity. They're just a couple of aging men, roommates, one gay one straight.

    Shut Up Little Man! An Audio Misadventure is the strangest documentary you'll see this year or almost any because nothing really happens except that filmmakers Mitchell D and Eddie Lee Sausage tape their two old neighbors, who, when drunk, verbally abuse each with the same repetitive expletives, the most memorable being Ray's, which is the first part of the film's title.

    Two elements of the experience are worth noting: a viral fame came by way of a world-wide network of lending tape organizations (remember, no You-Tube or Internet), and talk of litigation about privacy rights appears and then vanishes.

    These two topics could have been the heft needed to counterbalance the repetition of Ray and Pete's rants, which are strangely uninteresting except for our voyeuristic interest in loser humanity and the sheer banality of their lives, perhaps reminding viewers of their basest moments of stupidity and anger against a loved-one.

    The doc is peopled by geeks who spend a large part of their lives pursuing these tapes as if they were the private conversations of Charlie Sheen. Wait! That's the answer: We love the salacious, degraded moments of someone else's life because we feel superior or we need to know that others have the same weird moments we do. I must admit to a fascination with the rhythmic patterns of their language, poetry from the tenement but not T.S. Eliot.

    Its lowness mystifies me, an art house fan, and yet attracts me, as a winsome prostitute might. I know she's not part of my life, but for some reason I'm compelled to invite her in.
    4paul_d_day

    Ultimately, A Rationalization

    In the end, this movie felt like an excuse to milk the tapes for a little more fame and/or money.

    The first 2/3rds nicely chronicle how the whole phenomenon took place. And it truly is fascinating. You get a sense of how strange, serendipitous and organic it must have been to have a personal project turn into a meme.

    But the key word is "organic". Other people drove the Pete and Ray story. The partners, correctly, said "go ahead" since, in effect, it wasn't really theirs to control.

    It's when they take control that movie inadvertently reveals that, rather than a sweet, hapless pair that fell into something, they've staked their identities on this one thing and they've become kind of self-important assholes.

    When Eddie Lee made proclamations about "art" my first thought was - "Really? What other art have you created? Because an artist normally creates more than one piece of art and all you did was tape some guys screaming at each other. Other people picked it up and turned it into something. Duping tapes and giving them to people...well...that's not really art." After that, the pair goes on a quest to do the one thing that art should never do - explain itself. Tracking down Ray, the roommate, felt like a stunt. It was a fishing trip to solve the riddle of whether Pete and Ray were lovers. That's dull and pointless.

    Art, imho, allows people to project themselves into and onto what they see. These two, Eddie in particular, seem to want to prove something that doesn't need to be proved. Wrapping up the film with the Pete and Ray dancing sucks everything that's interesting about the relationship out of it.
    7cekadah

    disturbing, hypnotic, unbelievable, bizarre, funny, pathetic

    this documentary left me feeling giddy but cold. the recollections of ivan and daniel are the best and most human part of this film. the telling of the pete & ray story is a bit creepy, but i just couldn't stop watching.

    it's all real and that is what is so disturbing about this story. two humans treating one another like trash yet the watcher or listener finds it entertaining and at moments a brilliant use of the English language in phrases. i must admit i had to laugh along with the thousands of others - but it's an uneasy laugh!

    this flick is also a wonderful look into the pre-internet subcultures and how it spread nationwide. fascinating! and they also bring up the legal ramifications in their story!

    it's worth watching. they did a good job. it does get to a boring part, but stick with it as that is very short then the pace picks up.

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    Handlung

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    • Wissenswertes
      First feature to be made and released from the South Australian Film Corporation's FilmLab initiative.
    • Crazy Credits
      Archival Material "Bale Out! Christian Bale Remix! Acoustic Version" by EWKUTB
    • Verbindungen
      Features Shut Yer Dirty Little Mouth (2001)
    • Soundtracks
      Too Drunk To Dream
      Written by S. Merritt

      Performed by The Magnetic Fields

      Licensed courtesy of Warner Music Australia Pty Ltd

      © Gay and Loud Music / Notting Hill Music Ltd.

      Administered by Universal Music Publishing Pty Ltd

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    Details

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    • Erscheinungsdatum
      • 25. August 2011 (Vereinigte Staaten)
    • Herkunftsland
      • Australien
    • Offizielle Standorte
      • Adelaide Film Festival Investment Fund (Australia)
      • Closer Productions
    • Sprache
      • Englisch
    • Auch bekannt als
      • Shut Up Little Man
    • Drehorte
      • The Castro District, San Francisco, Kalifornien, USA(Multiple exterior shots.)
    • Produktionsfirmen
      • Filmlab
      • Closer Productions
      • The South Australian Film Corporation
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 23.901 $
    • Weltweiter Bruttoertrag
      • 23.901 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 30 Min.(90 min)

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