Zwei unbeliebte queere Highschool-Schüler gründen einen Fight Club, um vor dem Schulabschluss Sex zu haben.Zwei unbeliebte queere Highschool-Schüler gründen einen Fight Club, um vor dem Schulabschluss Sex zu haben.Zwei unbeliebte queere Highschool-Schüler gründen einen Fight Club, um vor dem Schulabschluss Sex zu haben.
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Now here's a high school, that you'd love to go to, as anything goes - nothing's taboo, where two single girls, who aren't looking for pearls, start a club to find love, that gets quite misconstrued. There is punching and kicking, a shove with a push, the dialogues quite racy and might make you blush (if you're of a certain age and demographic), a battle of sexes, as pairs become exes, the romance is there, but it just isn't mush. Growing up can be tough if you're different from others, once being a woman kept you under the covers, now the rules of engagement, don't lead to enragement, and a progressive world - just will not be smothered.
People were hyping this movie up like it was the second coming of Brian. But not only did it fail to evoke any response mildly resembling a laugh, it in fact made me wonder what people even consider to be funny these days.
It's over-the-top satire, sure, I get that, and I even get what this movie tries to poke fun at, but I just found myself being unable to enjoy or even connect with this particular style of annoying teenage humour. I don't know if this is a generational thing or a cultural thing... it could be both. All I know is that it just wasn't for me.
I don't think I'll ever recommend this to anyone, but neither would I recommend against it. Because humour is extremely subjective, and maybe this might be the funniest movie you'd have seen.
It's over-the-top satire, sure, I get that, and I even get what this movie tries to poke fun at, but I just found myself being unable to enjoy or even connect with this particular style of annoying teenage humour. I don't know if this is a generational thing or a cultural thing... it could be both. All I know is that it just wasn't for me.
I don't think I'll ever recommend this to anyone, but neither would I recommend against it. Because humour is extremely subjective, and maybe this might be the funniest movie you'd have seen.
This movie is an acquired taste. At first, I thought it was just silly. Then I thought it was extremely silly. Eventually I laughed my butt off. There is no scene that they don't take over the top. Whether they are mocking teen movies or parodying David Fincher or using Marshawn Lynch to comment on feminism, the entire cast completely goes for it. The humor and raunchiness are extreme, but my family laughed so much that I think we missed 25% of the punchlines. Ayo Edebiri and Rachel Sennott absolutely kill this one (no pun intended).
PSA - Just be careful watching this one with your parents or children. It is rated R for a reason.
PSA - Just be careful watching this one with your parents or children. It is rated R for a reason.
I have always loved high school comedies and was hoping to love this one too. I liked it. I just wished it was more grounded in reality.
On the plus side, It was refreshing to see two queer female best friends as the main characters. They were outcasts at school but embraced it. The chemistry between the two was strong and their scenes together were funny and at times touching.
As for the cons, the film felt low budget. I didn't mind this at first but by the second half, the film falls into lapses of logic and ridiculousness. This is a high school that only seems to have one teacher. Insane things happen between students and no one intervenes. The last 20 minutes are especially nuts to the film's detriment. I started to long for the polish of a Clueless or Mean Girls.
Overall a decent effort in desperate need of some fine tuning.
On the plus side, It was refreshing to see two queer female best friends as the main characters. They were outcasts at school but embraced it. The chemistry between the two was strong and their scenes together were funny and at times touching.
As for the cons, the film felt low budget. I didn't mind this at first but by the second half, the film falls into lapses of logic and ridiculousness. This is a high school that only seems to have one teacher. Insane things happen between students and no one intervenes. The last 20 minutes are especially nuts to the film's detriment. I started to long for the polish of a Clueless or Mean Girls.
Overall a decent effort in desperate need of some fine tuning.
Bottoms tells the story of two friend deeply in love with the school's top cheerleader. During a chance meeting, they discovered how they were horribly treated by their boyfriends. With the increasing reports of attacks on woman, they hatched a plan to help their crushed or actually just have loving hugs with them by opening up a 'Fight Club'-inspired self-defense club.
I would say that I have some reservations with Bottoms BUT I think the clearest thing about this is that Seligman is a great fundamental director.
I think the script for this could definitely hit harder. The lesbian elements, and the crassness and quotability, for a film like this can definitely been higher. The overall flow of the story and the commentary is somewhat haphazard BUT definitely leans on that its self serving and can be annoying - which is rare for modern films like this. Who tends to glorify it for the sake of cookie points. The allotment of improv somewhat disrupts whatever it is trying to go for at times.
Acting-wise, no one is really noteworthy. Senott and Ayo were fine. They are acting but did not elevate the material particularly. Very disappointed with Galitzine, especially since he is one hit away from stardom. His role here is a foil BUT can definitely amped up in Austin Abrams in Do Revenge kind of way. He just rested in pretty, which was disappointing.
BUT, I see a director who has a vision in what product she wants to tell. Its an imperfect film but I think Seligman can course herself into something big if she turned up the writing.
Recommended. Will definitely seek Shiva Baby.
I would say that I have some reservations with Bottoms BUT I think the clearest thing about this is that Seligman is a great fundamental director.
I think the script for this could definitely hit harder. The lesbian elements, and the crassness and quotability, for a film like this can definitely been higher. The overall flow of the story and the commentary is somewhat haphazard BUT definitely leans on that its self serving and can be annoying - which is rare for modern films like this. Who tends to glorify it for the sake of cookie points. The allotment of improv somewhat disrupts whatever it is trying to go for at times.
Acting-wise, no one is really noteworthy. Senott and Ayo were fine. They are acting but did not elevate the material particularly. Very disappointed with Galitzine, especially since he is one hit away from stardom. His role here is a foil BUT can definitely amped up in Austin Abrams in Do Revenge kind of way. He just rested in pretty, which was disappointing.
BUT, I see a director who has a vision in what product she wants to tell. Its an imperfect film but I think Seligman can course herself into something big if she turned up the writing.
Recommended. Will definitely seek Shiva Baby.
Wusstest du schon
- WissenswertesMarshawn Lynch was initially unsure about accepting the role. He ended up taking it as a way to rewrite his regret of mishandling his younger sister coming out to him in high school.
- PatzerWhen Hazel places a bomb beneath Jeff's car, Isabel and Josie are seen sitting in the front seats of the van, about to kiss. However, fifteen seconds later when the bomb goes off, Josie and Isabel are somehow in front of the van with the rest of the group.
- Crazy CreditsThe first half of the credits features many outtakes and alternate line readings.
- VerbindungenFeatured in eTalk Daily: Folge vom 28. August 2023 (2023)
- SoundtracksPain
Written by Shawn Everett, Tobias Jesso Jr., Nicholas Alex Long and King Princess (as Mikaela Straus)
Performed by King Princess
Courtesy of Zelig Music, LLC/Columbia Records
By arrangement with Sony Music Entertainment
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 12.036.071 $
- Eröffnungswochenende in den USA und in Kanada
- 461.052 $
- 27. Aug. 2023
- Weltweiter Bruttoertrag
- 12.976.079 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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