Eine verblassende Berühmtheit beschließt, eine Schwarzmarktdroge zu nehmen, eine zellreplizierende Substanz, die vorübergehend eine jüngere, bessere Version ihrer selbst erschafft.Eine verblassende Berühmtheit beschließt, eine Schwarzmarktdroge zu nehmen, eine zellreplizierende Substanz, die vorübergehend eine jüngere, bessere Version ihrer selbst erschafft.Eine verblassende Berühmtheit beschließt, eine Schwarzmarktdroge zu nehmen, eine zellreplizierende Substanz, die vorübergehend eine jüngere, bessere Version ihrer selbst erschafft.
- Regisseur/-in
- Autor/-in
- Stars
- 1 Oscar gewonnen
- 144 Gewinne & 287 Nominierungen insgesamt
Edward Hamilton-Clark
- Fred
- (as Edward Hamilton Clark)
Zusammenfassung
Reviewers say 'The Substance' delves into beauty standards, aging, and societal pressures through body horror and dark satire. Praised for Demi Moore and Margaret Qualley's performances and its bold approach, the film is criticized for its chaotic ending and reliance on shock value. Despite this, its unique visual style, practical effects, and thought-provoking commentary on modern beauty culture are highlighted.
Empfohlene Bewertungen
The movie started off with an intriguing premise. Seeing Demi Moore back on the big screen, portraying a character grappling with age-related insecurities, was both refreshing and powerful. Moore, as one of the most stunning and graceful mature actresses I've seen, brought a rawness to the role that really hit home. Her character's struggles with the pressure of maintaining physical beauty in a society obsessed with youth and appearance were deeply relatable, and it felt like the film was setting up to explore these important themes in a thoughtful and impactful way.
As the plot unfolded, it continued to develop in a promising direction. It took a darker turn, delving into the complexities of self-perception and the destructive obsession with physical perfection. The themes of fractured identity and a lack of self-love were poignant, and for a while, the film seemed to be handling these modern issues effectively. The storyline, touching on the fragmentation of personalities and the psychological consequences of societal pressures, was gripping. I was fully invested in seeing how the narrative would conclude.
However, when it came to the ending, it all fell apart. What could have been a profound and thought-provoking conclusion instead devolved into a senseless and, frankly, off-putting sequence that left a bad taste. It felt like all the promise of the earlier parts of the film was undone by a chaotic, incoherent, and ultimately unsatisfying resolution. The ending not only failed to tie up the themes but also undermined the strength of the narrative. It was a great idea, but the execution at the end dragged the entire movie down, leaving me disappointed and questioning what it had all been for.
As the plot unfolded, it continued to develop in a promising direction. It took a darker turn, delving into the complexities of self-perception and the destructive obsession with physical perfection. The themes of fractured identity and a lack of self-love were poignant, and for a while, the film seemed to be handling these modern issues effectively. The storyline, touching on the fragmentation of personalities and the psychological consequences of societal pressures, was gripping. I was fully invested in seeing how the narrative would conclude.
However, when it came to the ending, it all fell apart. What could have been a profound and thought-provoking conclusion instead devolved into a senseless and, frankly, off-putting sequence that left a bad taste. It felt like all the promise of the earlier parts of the film was undone by a chaotic, incoherent, and ultimately unsatisfying resolution. The ending not only failed to tie up the themes but also undermined the strength of the narrative. It was a great idea, but the execution at the end dragged the entire movie down, leaving me disappointed and questioning what it had all been for.
Was an enjoyable watch but the last 20-30 minutes got kinda silly and dumb, it lost its intelligence and subtlety too say the least and went to pure dumb gross out scenery, completely unnecessary especially when the messaging wasn't exactly subtle and was evident throughout the entire movie, from the very premise itself tbh, point is they could a ended on a much stronger note before the final change as it added nothing too what it was trying to say or show, not that it should turn anyone off from watching it, it's a good movie that will keep you interested from start too finish but should've been 20 min shorter.
Let me start with the positives. There are a LOT of them. The casting? Perfect. The acting? Pretty flawless. All performances drew me in and added greatly to the story. The concept was phenomenal and super interesting. A really great idea for a movie. The cinematography was unique and very good. The score also greatly added to the suspense. The first 2 thirds of the movie executed all of these things to a T
So why 6 stars? THE ENDING. Took the believable and suspenseful story aspects and threw them out the window in favor of indulging the director's Cronenberg fantasy and desire to max out the special effects budget. It came off as completely disorganized, almost like they had no idea what to do with the ending or any desire to make it interesting. A movie with so much going for it and I left the theater disappointed.
Side notes: enough with the butt shots. We get what you're trying to do, that's enough. Also, if you want to disgust your audience, put in the work in the writers room. Adding over the top squelching sounds to almost every scene is lazy.
So why 6 stars? THE ENDING. Took the believable and suspenseful story aspects and threw them out the window in favor of indulging the director's Cronenberg fantasy and desire to max out the special effects budget. It came off as completely disorganized, almost like they had no idea what to do with the ending or any desire to make it interesting. A movie with so much going for it and I left the theater disappointed.
Side notes: enough with the butt shots. We get what you're trying to do, that's enough. Also, if you want to disgust your audience, put in the work in the writers room. Adding over the top squelching sounds to almost every scene is lazy.
Every scene of this film wowed me at TIFF. The casting, atmosphere, visual and sound design, music, and, of course, the symbolism of it all.
Demi Moore and Margaret Qualley couldn't have been more perfectly cast as leads. Their devotion to the process and trust in their director was clear to me. Their vulnerability pulls this off and leads to a very compelling fever dream.
Everyone involved should be really proud of this film. To me, it's a future cult classic.
It is body/psychological horror, so don't expect jump scares. It's deeper than that. I found myself getting lost in reflection during the film (as a 47 year old woman it really spoke to me).
But it's also extremely fun to watch!
Take it seriously as a true work of art, but don't at the same time, and you'll have a blast.
Demi Moore and Margaret Qualley couldn't have been more perfectly cast as leads. Their devotion to the process and trust in their director was clear to me. Their vulnerability pulls this off and leads to a very compelling fever dream.
Everyone involved should be really proud of this film. To me, it's a future cult classic.
It is body/psychological horror, so don't expect jump scares. It's deeper than that. I found myself getting lost in reflection during the film (as a 47 year old woman it really spoke to me).
But it's also extremely fun to watch!
Take it seriously as a true work of art, but don't at the same time, and you'll have a blast.
This is a desperately overrated film. It's an interesting watch, for sure, but as a whole it falls flat. While the director utilizes artistry for the story, ultimately the plot holes are undeniable, and worst of all, the ending is just ridiculous to the point where everything good that they were selling for the first hour about it devolves into a mess of a movie.
Have you ever heard of the term 'reaching'? That is what the people praising this are doing. They are reaching because in the first hour of the film, the movie showed promise, and they are ignoring everything that came after, which is plot holes galore.
Also, spiritually, it is a negative movie experience. The energy is negative and pointless by the end. There are no moral lessons here of which should have been if they stuck with the depth and substance of the first hour of a woman trying to regain her youth. Instead, it just devolves into a vapid gore fest in the third act that is just meant to stir up publicity and cause shock.
The first hour was pretty decent, but if this is what passes as a "good movie" or a "classic" these days as many reviews are trying to push, then we are in trouble. It has those very few elements at times of a masterpiece like many movies that try to push boundaries do, but ultimately it's a bad movie that doesn't even come close to a Wes Craven Scream film, and those aren't even masterpieces.
We need to cut down the hyperbole these days. Being different is not enough to be a masterpiece, and I feel bad for people who think this is anything great. They must have only seen twenty films in their lifetimes.
Have you ever heard of the term 'reaching'? That is what the people praising this are doing. They are reaching because in the first hour of the film, the movie showed promise, and they are ignoring everything that came after, which is plot holes galore.
Also, spiritually, it is a negative movie experience. The energy is negative and pointless by the end. There are no moral lessons here of which should have been if they stuck with the depth and substance of the first hour of a woman trying to regain her youth. Instead, it just devolves into a vapid gore fest in the third act that is just meant to stir up publicity and cause shock.
The first hour was pretty decent, but if this is what passes as a "good movie" or a "classic" these days as many reviews are trying to push, then we are in trouble. It has those very few elements at times of a masterpiece like many movies that try to push boundaries do, but ultimately it's a bad movie that doesn't even come close to a Wes Craven Scream film, and those aren't even masterpieces.
We need to cut down the hyperbole these days. Being different is not enough to be a masterpiece, and I feel bad for people who think this is anything great. They must have only seen twenty films in their lifetimes.
Wusstest du schon
- WissenswertesRay Liotta was cast in the film in February 2022, but he died in May that year before he could film his scenes. Dennis Quaid replaced him, but Liotta is still mentioned in the director's "Thank You Notes" during the credits.
- Patzer(at around 1h 30 mins) Sue's boyfriend, Diego, looks down at the blood in front of his feet, and it is seen that he's wearing shorts. He then is shown fully nude, without the shorts he was wearing 7 seconds before.
- Zitate
Elisabeth Sparkle: There's been a slight misuse of the Substance. A few extra hours were accidentally added... causing an alteration. So I'm just looking to revert it.
- Crazy CreditsA special thanks in the credits is given to the many extras in the theater scene, who got covered in blood.
- Alternative VersionenTwo versions are known to exist: the original theatrical release, with a runtime of 2h 21m (141 min), and an edited cut for Vietnam running 2h 19m (139 min).
- VerbindungenFeatured in The 7PM Project: Folge vom 20. September 2024 (2024)
- SoundtracksPump It Up
Written by Michael Hall and Leonardo Stella
Performed by Earl Gregory
Produced by Julien Deguines
Top-Auswahl
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- How long is The Substance?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- La Sustancia
- Drehorte
- La Maison du Caviar - 21 Rue Quentin Bauchart, Paris 8, Paris, Frankreich(Elisabeth and Harvey at the restaurant)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.584.795 $
- Eröffnungswochenende in den USA und in Kanada
- 3.205.212 $
- 22. Sept. 2024
- Weltweiter Bruttoertrag
- 77.316.812 $
- Laufzeit
- 2 Std. 21 Min.(141 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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