IMDb-BEWERTUNG
7,2/10
1800
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuEmma (Autumn Reeser) travels to Italy to teach and research a wedding veil said to bring its owner love. While there, she meets Paolo (Paolo Bernardini), the son of a local lace-making famil... Alles lesenEmma (Autumn Reeser) travels to Italy to teach and research a wedding veil said to bring its owner love. While there, she meets Paolo (Paolo Bernardini), the son of a local lace-making family.Emma (Autumn Reeser) travels to Italy to teach and research a wedding veil said to bring its owner love. While there, she meets Paolo (Paolo Bernardini), the son of a local lace-making family.
- Regie
- Drehbuch
- Hauptbesetzung
Wanja Mary Sellers
- Natalia
- (as Wanja Sellers)
Anastasia Levordashka
- Student #1
- (as Anastasiya Levordashka)
Empfohlene Bewertungen
This is the second film in Hallmark's Love-u-ary The Wedding Veil trilogy and is about the second of three college friends who purchase a veil together in San Francisco at an antique shop. The veil has a legacy of love and it is said that whoever has the veil will find true love.
The veil started with Lacy Chabert's character, Avery Morrison an aspiring Art Curator at a museum in Chicago. She meets and marries her true love while in possession of the veil, a wealthy trust fund baby and benefactor of the museum. Avery and her now husband uncover a lost Italian painting at the museum that seems to depict their exact veil on the portrait of a woman.
In this, the second film, The Wedding Veil Unveiled, Autumn Reeser's character Emma Lowell takes the veil back to Italy with her to see if she can find the origin or provenance of the veil. Emma is a professor of art and is to teach a section on American art in Padua, Italy. Her search for the origins of the veil lead her to Verona where they are famous for their lace and their still exists some of the oldest lace shops in Italy. During this excursion she meets Paolo...who just happens to be a relative of the woman in the painting and of the house where the lace was made. They are still in the business. The three girls think Paola's grandmother should have the veil and they agree to give it back to her. But there is some unfinished mysteries left...like why is Adrianna (the woman in the portrait) wearing the veil for the portrait...but then doesn't wear it for her actual wedding? As Paolo, a widower, and Emma try to find the answers they not only find a family secret, but find that they have feelings for one another.
This was sweet and romantic without being overly gushy. It hit just the right note...and the Italian scenery was different but still absolutely gorgeous. It was nice to see a big Italian family who works together and has their weekly business meeting over a table with food. There are some nice references to vintage films...both American and Italian and a several Italian proverbs are discussed...mainly about slowing down and being in the moment (something most Americans can take note of).
This was a wonderful second chapter in The Wedding Veil story and I can't wait for Alison Sweeney in part three! This is a must see for a romantic...in fact I enjoyed it so much I looked up the author who wrote the original books this series was based upon.
The veil started with Lacy Chabert's character, Avery Morrison an aspiring Art Curator at a museum in Chicago. She meets and marries her true love while in possession of the veil, a wealthy trust fund baby and benefactor of the museum. Avery and her now husband uncover a lost Italian painting at the museum that seems to depict their exact veil on the portrait of a woman.
In this, the second film, The Wedding Veil Unveiled, Autumn Reeser's character Emma Lowell takes the veil back to Italy with her to see if she can find the origin or provenance of the veil. Emma is a professor of art and is to teach a section on American art in Padua, Italy. Her search for the origins of the veil lead her to Verona where they are famous for their lace and their still exists some of the oldest lace shops in Italy. During this excursion she meets Paolo...who just happens to be a relative of the woman in the painting and of the house where the lace was made. They are still in the business. The three girls think Paola's grandmother should have the veil and they agree to give it back to her. But there is some unfinished mysteries left...like why is Adrianna (the woman in the portrait) wearing the veil for the portrait...but then doesn't wear it for her actual wedding? As Paolo, a widower, and Emma try to find the answers they not only find a family secret, but find that they have feelings for one another.
This was sweet and romantic without being overly gushy. It hit just the right note...and the Italian scenery was different but still absolutely gorgeous. It was nice to see a big Italian family who works together and has their weekly business meeting over a table with food. There are some nice references to vintage films...both American and Italian and a several Italian proverbs are discussed...mainly about slowing down and being in the moment (something most Americans can take note of).
This was a wonderful second chapter in The Wedding Veil story and I can't wait for Alison Sweeney in part three! This is a must see for a romantic...in fact I enjoyed it so much I looked up the author who wrote the original books this series was based upon.
Actually more than what my title says. Romance. A Quest. A Travelog. History.
I noted a while back that Lacey Chabert had done a string of Hallmark movies that were stories set in interesting places. Travelogs. I find it interesting that Chabert was the architect of this series, yet Reeser gets to do the travel story.
While the story itself had no great highs or lows, surprises or tension (other than the romantic), with all those things above going on it still is enough to be worth watching.
The provenance of the veil has no great historical import, but it is a nice story. The travel scenery is pretty good in this movie.
Autumn Reeser and Paolo Bernardini have decent chemistry. With so many things going on I'm surprised the movie managed enough screen time to pull of the romantic chemistry.
I noted a while back that Lacey Chabert had done a string of Hallmark movies that were stories set in interesting places. Travelogs. I find it interesting that Chabert was the architect of this series, yet Reeser gets to do the travel story.
While the story itself had no great highs or lows, surprises or tension (other than the romantic), with all those things above going on it still is enough to be worth watching.
The provenance of the veil has no great historical import, but it is a nice story. The travel scenery is pretty good in this movie.
Autumn Reeser and Paolo Bernardini have decent chemistry. With so many things going on I'm surprised the movie managed enough screen time to pull of the romantic chemistry.
In this second part of the Wedding Veil trilogy, Emma (Autumn Reeser) travels to Italy to teach an art class and she meets Paolo (Paolo Bernardini), whose family makes lace products. They set out to uncover the story behind the wedding veil that Emma and her friends purchased in the U. S.
This Hallmark romance focuses on the beauty of the cities where they filmed on Location: Padua, Venice, Verona and Sofia. For that alone, I would watch this film. As for the romance, it develops slowly as they trace the history of the veil through the generations, including another love story that explains the journey of the veil through the years.
Besides beautiful architectural elements, Ms. Reeser's wardrobe is notable for its style. And Mr. Bernardini is charming as the perfect guide for Emma's journey. Together, they make a sweet couple.
This Hallmark romance focuses on the beauty of the cities where they filmed on Location: Padua, Venice, Verona and Sofia. For that alone, I would watch this film. As for the romance, it develops slowly as they trace the history of the veil through the generations, including another love story that explains the journey of the veil through the years.
Besides beautiful architectural elements, Ms. Reeser's wardrobe is notable for its style. And Mr. Bernardini is charming as the perfect guide for Emma's journey. Together, they make a sweet couple.
Really liked the first film in the Wedding Veil trilogy and there was a lot going for 'The Wedding Veil Unveiled'. Seeing Italy on screen is reason enough to see any film and while Hallmark vary when it comes to their films set abroad they always deliver on the beautiful scenery front, and some of the most beautiful scenery comes from Italy. Like Lacey Chabert in the first, Autumn Reeser is one of the best and most consistent regular Hallmark actresses and most of her filmography is worthwhile.
'The Wedding Veil Unveiled' is as every bit as well worth watching level as 'The Wedding Veil' and a good start to the 2022 Loveuary (new for Hallmark that year) output. Personally didn't think that story-wise it was as good as its predecessor, though the male lead character is much more likeable, but it succeeds a lot more than it doesn't and the best of the many good things are very good. Hallmark has always varied when it comes to its sequels, and 'The Wedding Veil Unveiled' is one of the better faring ones.
Not everything works. It would have actually benefitted from not having as much going on. There is a lot of content, and it did feel like there was too much and some of it didn't have much time to be fleshed out. The Italian student subplot sounded very relatable but felt like padding and is too indifferently written.
Pacing can be on the rushed side, especially when things get more eventful later. The ending is a touch too on the neat side.
Reeser however is very bubbly and charming, while Paolo Benardini is very likeable and matches her in the easy going charm factor. It was a great move having real Italians making up most of the cast and all do very well in their roles, loved the energy and how much the film embraced the Italian culture without stereotyping or generalising. Had no problem with the accents and way of speaking, Italian is a beautiful language and the film is set in Italy, it makes sense to have Italian spoken and a lot of it. Chabert and Alison Sweeney appeal in smaller roles. Reeser and Benardini have very sweet and genuine chemistry together, though the romance perhaps could have had more screen time.
Furthermore, the characters do not bore or irritate on the whole, while also not being as stereotypical as Hallmark characters tend to be. The production values are attractive, with Venice (one of the most beautiful cities) in particularly being absolutely sublime. It's directed with assured confidence with no signs of fatigue or disinterest. The music is not unforgettable but it at least fits and is pleasant on the ear. The script has light hearted playful wit and doesn't get too sappy or too sentimental. Any conflict, which is not a lot, is unforced and has tension, which is not always the case with Hallmark, and it goes at a natural flow. Really liked the upbeatness of the storytelling, as well as its endless bags of light-heartedness, cute charm and warm heart.
Summing up, didn't blow me away but very nice film. 7/10.
'The Wedding Veil Unveiled' is as every bit as well worth watching level as 'The Wedding Veil' and a good start to the 2022 Loveuary (new for Hallmark that year) output. Personally didn't think that story-wise it was as good as its predecessor, though the male lead character is much more likeable, but it succeeds a lot more than it doesn't and the best of the many good things are very good. Hallmark has always varied when it comes to its sequels, and 'The Wedding Veil Unveiled' is one of the better faring ones.
Not everything works. It would have actually benefitted from not having as much going on. There is a lot of content, and it did feel like there was too much and some of it didn't have much time to be fleshed out. The Italian student subplot sounded very relatable but felt like padding and is too indifferently written.
Pacing can be on the rushed side, especially when things get more eventful later. The ending is a touch too on the neat side.
Reeser however is very bubbly and charming, while Paolo Benardini is very likeable and matches her in the easy going charm factor. It was a great move having real Italians making up most of the cast and all do very well in their roles, loved the energy and how much the film embraced the Italian culture without stereotyping or generalising. Had no problem with the accents and way of speaking, Italian is a beautiful language and the film is set in Italy, it makes sense to have Italian spoken and a lot of it. Chabert and Alison Sweeney appeal in smaller roles. Reeser and Benardini have very sweet and genuine chemistry together, though the romance perhaps could have had more screen time.
Furthermore, the characters do not bore or irritate on the whole, while also not being as stereotypical as Hallmark characters tend to be. The production values are attractive, with Venice (one of the most beautiful cities) in particularly being absolutely sublime. It's directed with assured confidence with no signs of fatigue or disinterest. The music is not unforgettable but it at least fits and is pleasant on the ear. The script has light hearted playful wit and doesn't get too sappy or too sentimental. Any conflict, which is not a lot, is unforced and has tension, which is not always the case with Hallmark, and it goes at a natural flow. Really liked the upbeatness of the storytelling, as well as its endless bags of light-heartedness, cute charm and warm heart.
Summing up, didn't blow me away but very nice film. 7/10.
7.8 stars.
I think the reason it's better for me is because I like Autumn Reeser the most out of the three female leads of Wedding Veil. The Italian cityscape and countryside was very welcoming. I don't know how much was filmed in Italy, but let's just go with it, because it appears authentic. This film's magic is in the setting, the charm and energy of the people, and the interactions between the leads. Reeser is single and teaching art history to a bunch of Italian college students who are difficult to please. Her secondary mission is to trace the origin of the Veil. She meets a wonderful Italian man and they fall in love.
I must note there are too many coincidences with him and his family. How many times can you run into the same guy in a city that size, only to find out his family is directly linked to this mysterious artifact (the veil) that grants that you will find true love? However, this story is leaning toward the veil being magical because it's the veil itself that grants true love to those who come in contact with it. So the people don't find true love, the veil creates true love. Hard to explain. Basically, in other words, the veil is like love potion #9. If you drink the potion, you fall in love with that person, so it is with the veil, if you touch it or have it in your possession, you fall in love with someone in close proximity. The veil must be present in that location for love to happen there. At least that's what I've witnessed so far. This may change as I view additional installments of this series.
The family is wonderful, they are classic Italians. They have a multi-generational family business, they share all activities, including lunch every day. They chat, laugh, and argue a lot - vintage Italian. She joins him and his family for lunch and they spend a lot of time together, and the family loves her right away.
Good feeling with this one. I like it better than the first.
I think the reason it's better for me is because I like Autumn Reeser the most out of the three female leads of Wedding Veil. The Italian cityscape and countryside was very welcoming. I don't know how much was filmed in Italy, but let's just go with it, because it appears authentic. This film's magic is in the setting, the charm and energy of the people, and the interactions between the leads. Reeser is single and teaching art history to a bunch of Italian college students who are difficult to please. Her secondary mission is to trace the origin of the Veil. She meets a wonderful Italian man and they fall in love.
I must note there are too many coincidences with him and his family. How many times can you run into the same guy in a city that size, only to find out his family is directly linked to this mysterious artifact (the veil) that grants that you will find true love? However, this story is leaning toward the veil being magical because it's the veil itself that grants true love to those who come in contact with it. So the people don't find true love, the veil creates true love. Hard to explain. Basically, in other words, the veil is like love potion #9. If you drink the potion, you fall in love with that person, so it is with the veil, if you touch it or have it in your possession, you fall in love with someone in close proximity. The veil must be present in that location for love to happen there. At least that's what I've witnessed so far. This may change as I view additional installments of this series.
The family is wonderful, they are classic Italians. They have a multi-generational family business, they share all activities, including lunch every day. They chat, laugh, and argue a lot - vintage Italian. She joins him and his family for lunch and they spend a lot of time together, and the family loves her right away.
Good feeling with this one. I like it better than the first.
Wusstest du schon
- WissenswertesAired as the first of three original films in The Hallmark Channel's 2022 "Loveuary" lineup.
- PatzerAlthough probably done on purpose for North American viewers, the Italian Paolo calls the sport "soccer" when speaking to his family instead of "football" as it is called in Europe.
- VerbindungenFollowed by The Wedding Veil Legacy (2022)
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By what name was The Wedding Veil Unveiled (2022) officially released in Canada in English?
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