Diana

Fatigued dramatization of Princess Diana's complicated love life in the final years before her untimely death in a Paris car accident in 1997. Stephen Jeffreys' screenplay (inspired by Kate Snell's book, "Diana: Her Last Love"), asserts that Diana was on the rebound from a broken love affair with a Pakistani heart surgeon when she died, and was using Dodi Fayed (who was killed alongside her) to stir up publicity and perhaps a bit of jealousy. As seen from a distance playing the piano, or filmed from behind getting out of cars or walking down corridors, Naomi Watts bears a passing resemblance to Diana (her coif is the only thing which will evoke memories of the ill-fated Princess, and even this isn't very convincing when seen in close-up). It isn't necessarily Watts' fault--she gives the part a noble try--but no modern actress should be expected to walk in Diana's shoes and pull off a feat of magic (even the real Princess of Wales found the role difficult to play!). Perhaps it's too soon to reenact this sad bit of history. In any case, the attempt is both crass and pointless, with the jet-setting locales and elaborate camera set-ups only adding to the discomforting feeling of wasted money, effort and time. ** from ****

The last few years of Diana's tragic life post separation and divorce is depicted in this biopic. It is fascinating, voyeuristic and quite moving.

Good points: Naomi Watts acts well. She has a satisfactory Diana accent and good imitations of her facial expressions. She captured Diana's essence despite being much more petite in build and having more delicate facial features than Diana. Good effort to recreate famous photographic moments and wardrobe and clothes. Physical resemblance isn't a must. After all Helen Mirren doesn't look like the Queen but she still won an Oscar. So Naomi's portrayal should be nominated at least.

The story highlights Diana's efforts in the campaign against land mines. And it gives her life a meaningful legacy. The hounding of the press and photographers, and her intimate daily life are fascinating to watch. Also the tragedy of her personal isolation and quest for happiness are very moving.

There are some faults. The balance of the screenplay was off when it came to her romantic life. Other TV biopics have shown the disintegration of her marriage but not so much the later relationships. However in this movie too much was spent on the affair with Dr Hasnat Khan. Naveen Andrews wasn't dignified enough for the role of a specialist doctor. He seemed crude and coarse. Quite disturbing to see her in his squalid flat. More screen time on the relationship with Dodi Al Fayed would have helped show contrast and give a more complete picture about her last months. The scenes on the yacht and Ritz Hotel are nicely done and should have been longer.

Overall worth a watch for the perennially fascinating subject matter.

I went to see this movie almost without any expectations. Granted, in my mind, Naomi Watts's performance in "Mulholland Dr." was exceptional, but that was over ten years ago, so I made a deliberate effort not to compare the roles. I had not seen any reviews and did not know anything about the movie, except its title character. I knew the main outlines of Diana's life and had seen some of her interviews, although I was more familiar with her death. Thus I had no opinion of Diana herself, except that I had heard a little of her famous charity work. With these things in mind I went to the theater. To me the movie was excellent. The atmosphere was enchanting and at times haunting. Watts played Diana like a shape shifter, matching her every move when the character presented herself to the media, while breaking her facade in private. She portrayed tons of difficult emotion that had to convey an aristocratic filter created by the character's upbringing. Diana's life was presented as a complex mixture of personal and public, feelings and constraints, that lead to her being slowly crushed by the outside pressures she could not control. The movie's purpose was obviously apolitical and tried to convey Diana's driving force that was interpreted in the movie as love. It succeeded in this very convincingly. The credit for this goes not only to Watts, but also the director Oliver Hirschbiegel (who, I now notice, directed "Der Untergang", an exceptional film in its own right) and Naveen Andrews, who played his role with credibility and originality. Altogether I found the movie to be on-par with the best biographical dramatizations in film, even coming close to "King's Speech".

Now that I had seen the film, and had been thoroughly impressed by it, imagine my surprise when I tuned in on IMDb. At this moment the score was 4.9. I immediately noticed a pattern. Of all the 2900 voters 446 (15.4 %) had voted 1. In fact the value 1 dominated the chart, being the most frequent vote of all the values. I interpreted this is a symptom of pure ignorance. Obviously the movie is not the worst of all time, like for example "The Room", "Manos: The Hands of Fate" or "Plan 9 from Outer Space". There in fact seems to be an almost organized effort to trash the movie. I do not think this has much to do with the film itself, but is a continuation of the politicization of Diana's life. I would recommend, when reading reviews, to recognize the critics who judge the film based on their own preconceived notions and those who judge the film on its own merits.

My score for "Diana" is between 8 and 9, which rounds it up to 9.

DIANA was almost universally panned on its release in September, and continues to attract negative comments from users. In truth it is not as bad as it was made out to be, even though some of the details seem implausible (would Diana (Naomi Watts) be able to leave Kensington Palace on her nocturnal visits to Hasnat (Naveen Andrews) so easily, without being discovered or hounded by reporters?) Nonetheless Oliver Hirschbiegel's film does a competent job of portraying the sheer loneliness of Diana's existence in Kensington Palace, surrounded by servants but with no one to love her. Although tremendously popular with people and the media alike, she cannot get close to anyone; and when she does, her love-affair is doomed. Watts does not resemble Diana facially, but she does a good job of conveying both the good and not-so- good sides of her character; her desire to help people, her feeling of alienation from all families, and her tendency to manipulate the media to suit her purposes. The film suggests, perhaps controversially, that Diana brought much of the press harassment on herself, especially when she asks a trusted photographer to take snaps of herself and Dodi Fayed (Cas Anvar), with the sole purpose of making Hasnat jealous, and thereby encouraging him to call her again after a long interval. She certainly knows how to portray herself on screen - as seen, for instance, in her celebrated interview with the BBC's Martin Bashir (Prasanna Puwanrajah), where she deliberately adopts a pose for the camera so as to obtain maximum sympathy from viewers. Nonetheless the film does suggest that she was more sinned against than sinning - a victim, perhaps, of the contemporary obsession with fame and celebrity.

Diana, not making a peep upon its release nor since, is one of those movies that simply exists where neither its content nor the way it was put together, where the techniques used to convey a well-known story, brought about no great insight, revelation or even valid emotional impact that only served to re-enforce the fact there was no reason for it to exist. It seems no matter how much director Oliver Hirschbiegel thought he might bring an interesting point of view to this film his attempts end up being completely ineffective in the fact that a majority of the people interested in the figure of Diana, Princess of Whales likely knew everything this movie would be bringing to the table (or had already read it in Kate Snell's book on which the screenplay was based) and thus found no reason to watch famous people play dress-up and re-hash the events of their beloved Diana while no doubt dramatizing it as much as possible. There was no need for a film though not because we all know how it turns out, but because Diana was such a figure that the public felt like they knew so well, personally even, that it is almost a betrayal to them to see this actress portray a part of the peoples princess they might not have seen before. This is no fault of the writers, filmmakers or actors and obviously is an element they have no control over, but while it may have felt like a valiant effort, a story worth bringing to a feature film the end result is something that points to every reason why it wasn't a good idea. All of that being said, there is indeed an effort put forth here and despite the bad press it received before it was given a chance there is a Naomi Watts performance here that while she no doubt had much higher hopes for it should be recognized as what it is: convincing on what were impossible levels. The same stigma that applied to the movie applies to the person picked to play Diana and the performance they ultimately gave. What Watts is able to do is somehow transcend the barrage of images we've all seen and do what the movie as a whole wasn't able to do and that is make us believe in this material. No, I didn't necessarily enjoy the film or find much of it interesting, but it has its moments and it had enough to show there is a solid biography to be made about Diana, but this just isn't it.