Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehme... Alles lesenSteve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.
- Auszeichnungen
- 2 Nominierungen insgesamt
- York Arms Receptionist
- (as Mercè Ribot)
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I admit/know that many WILL hate watching this film about two British comedians (Steve Coogan and Rob Brydon playing "loose" versions of themselves by reprising their "characters" from the earlier film Tristram Shandy: A Cock and Bull Story) driving around the North Country (of England) eating in pubs and fine-dining restaurants while making fun of wine, food and culture snobs with little witticisms, bon mots and uncanny impersonations of some of Britian's top exports. There is also a lot of film and pop culture references to go along with the literary history thrown-about as the pair trek the highlands of some of Britian's late-greats (poets, writers, historians) and explore castles, manors and northern Moors.
The "story" is that Coogan has been tasked by The Observer (a British magazine) to travel the northern portions of England and write a food/wine/travel piece about his experience. As Steve's girlfriend backed-out of the trip at the last moment to fly to the states and his other go-to friends have all declined his invite, Steve reluctantly asks his old friend Rob to accompany him. Too bad for Steve; but "hahaha" for us!
The film is NOTHING more than these two getting on the other's nerves; making fun of snooty things (themselves included); eating in fine-dining establishments (glorious food prep/food porn here!); and making people laugh. If you aren't a British humor enthusiasts, avoid this one! It isn't slapstick/Benny Hill bawdy comedy here ... it is all understated, subtle humor in the delivery of lines of what these two men observe.
I found this to be somewhat of a treat to listen to (these are two highly gifted comedians) ... the beautiful Lake District and countryside of Britain was just an added bonus to it.
90% of the film is just back and forth banter between the two British comedians, mostly impressions. They compare their Michael Caine impressions and they are amazingly spot on. They also try out Anthony Hopkins, Ian McKellan, Roger Moore, and a host of others. Intercut between these impressions and other comedic diatribes is a deeper and more personal story. Brydon has a wife and newborn waiting for him back in London but Coogan is in a rough patch with his younger American girlfriend and proceeds through a few one night stands during the trip. There are scenes showing his insecurity with her and a few which show the two friends comparing careers and who is more successful. Coogan is more internationally known but Brydon gets recognized more on the street in northern England.
The last film starring these two was Tristram Shandy: A Cock and Bull Story which was about how utterly hard it would be to film the novel Tristram Shandy. That film was comedic genius and still makes me laugh to think about it. The Trip does not rise to that Tristram Shandy's level, but there are plenty of moments to enjoy here, especially if you are at all familiar with Steve Coogan and Rob Brydon. If you have never heard of these guys before, you will not get too much out of The Trip except for some laughs at their impressions and a spectacular scene in their Range Rover about improving the line "We rise at dawn."
8/10
(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.
6/10
I really just want to salute the movie as a triumph that says you don't need bombs, explosions or farts to make a film enjoyable. The conversations ran so smoothly. One would have thought them natural as in a cinema verite...........I knew nothing of the stars nor their UK experience and CV.............I just enjoyed listening to them without any prior historical context...........it also made me want to visit northern England to enjoy the food, scenes and outdoors. Worth a watch on a nice quiet peaceful American night. Maybe it will rub off on us.
If you are a fan of American comedy that is unfortunately coming out of Hollywood at the moment, such as The Hangover, Horrible Bosses etc, this will not be your cup of tea. I wonder after seeing this, how would it have been if Monty Python ever created a road movie of this sort?
Wusstest du schon
- WissenswertesThere is no credited writer. Majority of the film is improvised.
- Zitate
Rob: You could have a costume drama here, couldn't you?
Steve: I would love-I'd absolutely-I'd just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, 'cause I've seen so many horrors that I'm sort of immune to them, and I'd say something like, "Gentlemen, to bed! Gentlemen, to bed, for we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime affliction."
Rob: Nice.
Steve: To bed, for we rise at daybreak!
Rob: Very good. Very impressive.
Steve: But they always, they always leave at daybreak. They never leave at, you know, nine-thirty. "Gentlemen to bed, for we leave at nine-thirty!"
Rob: Ish.
Steve: Ish. "Gentlemen to bed, for we rise at... What time is the battle? About, oh, twelve o'clock? Twelve o'clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?"
Rob: Eight-thirty for nine.
Steve: "Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after daybreak. Seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot."
Rob: Do you want to have a run, sire, in the morning? Just to loosen up, sire.
Steve: Yes.
Rob: Another thing they never say is, "Right! Well! We'd better make a move. I want to get back in daylight. We'd better make a move."
Steve: To bed! Tomorrow we ride! We leave at ten-ish.
- VerbindungenEdited from The Trip (2010)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El viatge
- Drehorte
- Cartmel, Grange-over-Sands, Cumbria, England, Vereinigtes Königreich(Steve and Rob go to L'Enclume)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.030.962 $
- Eröffnungswochenende in den USA und in Kanada
- 77.904 $
- 12. Juni 2011
- Weltweiter Bruttoertrag
- 3.945.217 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1