Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehme... Alles lesenSteve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.Steve Coogan wurde vom Observer beauftragt, eine Reise durch die besten Restaurants des Landes zu unternehmen. Nachdem seine Freundin absagt, muss er seinen besten Freund Rob Brydon mitnehmen, der gleichzeitig eine Quelle ständigen Ärgernisses ist.
- Auszeichnungen
- 2 Nominierungen insgesamt
- York Arms Receptionist
- (as Mercè Ribot)
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"The Trip" has no real story. As explained in the first 10 seconds of the film, it's simply about Steve Coogan (played by Steve Coogan) who reluctantly invites his quasi-friend Rob Brydon (played by Rob Brydon) in on an assignment reviewing restaurants in northern UK.
What follows is 172 minutes of bizarre, awkward and painful humour which, like in the "Michael Caine" clip, centers around the 2 quirky characters and their polite antagonism of each other. If you haven't already seen the Coogan-Brydon schtick (as in "Tristram Shandy: A Cock & Bull Story") I can only describe it as classic. It's almost a throwback to Laurel & Hardy or Abbot & Costello but with intelligence rather than slapstick. Coogan plays the somewhat superior egotist while Brydon plays the clown (who always gets the better of his counterpart).
"The Trip" was originally a 6-part series that aired on BBC in 2010, strung into a feature film released in 2011. The whole show was largely improvised, and in the excellent bonus features on the film DVD we can see the evolution of their routines as well as some other gags that didn't make it to the final version (such as the hilariously surreal "C-NT SONG" and accompanying dance choreography).
The pacing of the film is somewhat slow, but that works to its advantage. It makes the whole experience flow realistically, not contrived. The gags are like islands of hilarity in a sea of Coogan's otherwise dreary life. Also note, even though I said there's no story, there actually is if you read between the lines. Ironically, it's a rather heavy story touching on the themes of loneliness, dissatisfaction and Shakespearean "sound and fury signifying nothing". I was extremely impressed that director Michael Winterbottom could make such a funny film within such a bleak premise.
Watch it closely and you'll be both entertained and affected. Films I'd compare this to are "Tristram Shandy" (another excellent Coogan-Brydon-Winterbottom collaboration), "Coffee and Cigarettes" (also featuring Coogan in a stylish, artistic comedy by Jim Jarmusch) and some of the Christopher Guest films, such as "A Mighty Wind" and "Best in Show".
8/10
(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.
6/10
The Trip, the film, which I was able to catch at a packed SIFF screening, is an edited version of the television show. The six episode series clocks in at about 180 minutes, and the film, at 107 minutes, feels truncated and rushed comparatively. Both follow these hilarious gents as they review restaurants in the English countryside, but with those seventy-so minutes edited out, much of the nuance and poignancy is lost—the tone shifts from somber (but funny), to seemingly desperate for laughs. The film does often get those laughs (Coogan and Brydon, in their largely improvised conversations, are very humorous), but it fails to really make much impact beyond providing entertainment. The more melancholy scenes retained from the television series often feel tacked-on, and the transition between jokes and sentiment clunky, with quiet moments and breathing time largely cut out.
Audiences looking for droll popcorn fare will not be disappointed, but those wanting to be genuinely moved should skip the flick and instead seek out the superlative television series, using whatever means they can.
I really just want to salute the movie as a triumph that says you don't need bombs, explosions or farts to make a film enjoyable. The conversations ran so smoothly. One would have thought them natural as in a cinema verite...........I knew nothing of the stars nor their UK experience and CV.............I just enjoyed listening to them without any prior historical context...........it also made me want to visit northern England to enjoy the food, scenes and outdoors. Worth a watch on a nice quiet peaceful American night. Maybe it will rub off on us.
Wusstest du schon
- WissenswertesThere is no credited writer. Majority of the film is improvised.
- Zitate
Rob: You could have a costume drama here, couldn't you?
Steve: I would love-I'd absolutely-I'd just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, 'cause I've seen so many horrors that I'm sort of immune to them, and I'd say something like, "Gentlemen, to bed! Gentlemen, to bed, for we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime affliction."
Rob: Nice.
Steve: To bed, for we rise at daybreak!
Rob: Very good. Very impressive.
Steve: But they always, they always leave at daybreak. They never leave at, you know, nine-thirty. "Gentlemen to bed, for we leave at nine-thirty!"
Rob: Ish.
Steve: Ish. "Gentlemen to bed, for we rise at... What time is the battle? About, oh, twelve o'clock? Twelve o'clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?"
Rob: Eight-thirty for nine.
Steve: "Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after daybreak. Seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot."
Rob: Do you want to have a run, sire, in the morning? Just to loosen up, sire.
Steve: Yes.
Rob: Another thing they never say is, "Right! Well! We'd better make a move. I want to get back in daylight. We'd better make a move."
Steve: To bed! Tomorrow we ride! We leave at ten-ish.
- VerbindungenEdited from The Trip (2010)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El viatge
- Drehorte
- Cartmel, Grange-over-Sands, Cumbria, England, Vereinigtes Königreich(Steve and Rob go to L'Enclume)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.030.962 $
- Eröffnungswochenende in den USA und in Kanada
- 77.904 $
- 12. Juni 2011
- Weltweiter Bruttoertrag
- 3.945.217 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1