Füge eine Handlung in deiner Sprache hinzuThis is an unashamedly opinionated film. In Gore Vidal's America, the political coup has already happened. The right have triumphed and the human values of the liberals have been consigned t... Alles lesenThis is an unashamedly opinionated film. In Gore Vidal's America, the political coup has already happened. The right have triumphed and the human values of the liberals have been consigned to history. But how did this happen and who organized it? In this film Gore Vidal's acerbic... Alles lesenThis is an unashamedly opinionated film. In Gore Vidal's America, the political coup has already happened. The right have triumphed and the human values of the liberals have been consigned to history. But how did this happen and who organized it? In this film Gore Vidal's acerbic, opinionated and informed approach rips away at the facade of the new America. The film d... Alles lesen
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The movie, directed by Nicholas Wrathall, appears to be meticulously researched and is extremely well presented, utilizing vintage film clips and interviews, as it recounts the most fascinating journey of Vidal's life and career.
Overall, I don't agree with everything Vidal espouses but his anti-establishment writings and spoken words are so vital, as I see it, for any society to have. In my opinion, his genius will live on in perpetuity, and hopefully serve as lessons for the future generations to come.
Scaffolded by a series of interviews conducted with Vidal over the final years of his life, Nicholas D. Wrathall explores the life of a uniquely American figure. One that was a vocal critic of the American establishment yet was born into a family that, one of the featured clips notes, made him essentially one of its charter members. Cynical about the nature of politics, yet compelled to twice run for public office unsuccessfully. Armed with a passion for American history and its politics, yet lived for a great deal of time away from the country that he loved as an ideal but frustrated him with its reality. Wrathall uses the interviews of an elderly but still sharp Vidal to look back on the life and the contradictions built around them.
All the while not losing sight of the things that made Vidal the public figure he was: his wit and cynicism. The wit is on display throughout and, via archive interviews, was evident clearly from a young age. Something aided by a gift for mimicry that ranged from the comedic to the dramatic, depending on the anecdote being told. Whether in interviews or in the famed television clashes with William F. Buckley (themselves the topic of the later documentary Best of Enemies), it's something that's aged well. Not to mention something that feels authentic rather than as part of a persona, something that is also evident from interviews with numerous figures in his circle from Burr Steers and Christopher Hitchens.
And the cynicism? In some ways Vidal was on point and, as the documentary argues, more than a little prophetic. It's certainly difficult to argue with his points on America's swing to the political right starting in the late 1960s that led to Nixon, Reagan, and eventually George W. Bush. The latter being the topic of more than a few of the late-in-life interviews presented here (and led to his falling out with Hitchens who spent of his own final decade supporting and defending the Bush administration's War on Terror).. Nor can it be said that Vidal limited his criticisms given the assessments of JFK, Carter, and the newly elected Obama. The documentary, after all, drawing its title from the author's assertion that "We are the United States of Amnesia, we learn nothing because we remember nothing."
Yet, watching the documentary in 2024, it's hard not to wonder how much of Vidal's cynicism might have been misplaced. Or might, in fact, having unknowingly contributed to the current moment in which this review is being written in. What Vidal would have made of things is anyone's guess but, clearly, he'd have had something interesting to say about it all.
And, if nothing else, the documentary offers plenty of interesting things for those both new and familiar with Vidal to discover. One which draws neatly on the life of a man who raged against the dying of a particular light with wit and cynicism. Offering us all a chance to learn something and, hopefully, remember something as well.
I found that for a man who never had a single, successful intimate relationship in his entire lifetime (where he remained virtually celibate) - Vidal sure had an annoying knack for mouthing-off (with such superiority) about the inadequacy of so many others.
IMO - Vidal's final 4 words in this documentary, pretty much, summed up (in a nutshell) what I think about him (and all of his high-falutin ideals and opinions) - And those 4 words were - (*quote*) "I couldn't care less!" - And, believe me - I couldn't care less, either - No. Not even if I tried.
Wusstest du schon
- PatzerDavid Susskind's name is misspelled as "Suskind," both on-screen during the film and in the end credits.
- Zitate
Gore Vidal: When I first came here, with us was a biographer of mine who was famous for getting everything wrong. I thought it would be a good way to start him on the biography to show him my tomb, to give him confidence. He begins with this desperate passage about Gore Vidal, who has 'a pathological hatred of death.' Anyone who has that doesn't take somebody to see his tomb. With that one mistake, he was off and running, as they say.
- VerbindungenFeatures Einer muß dran glauben (1958)
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- Bruttoertrag in den USA und Kanada
- 140.164 $
- Eröffnungswochenende in den USA und in Kanada
- 13.744 $
- 25. Mai 2014
- Weltweiter Bruttoertrag
- 140.164 $
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1