Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
- Juror #1
- (as Julienne Kim)
Empfohlene Bewertungen
There are some standalone scenes that are pretty solid but there's also some questionable ones that feels a bit random.
It's listed here as a crime/drama/thriller, but the crime elements is very limited and thriller even more so There is a subplot about a random murder-case involving a character played by Christian Slater but it doesn't have that big of importance in the long scheme of things, at least the movie didn't manage to convey it as it did.
The movie is about memories and perceptions of reality and how that can change in time.
The message and idea behind the movie is pretty clever and the acting is pretty good (save for maybe Amber Heard who feels a bit empty) and it's decent enough visually but for some reason it just doesn't quiet work as a whole.
Franco is covering the trial of wife killer Christian Slater and as the testimony rolls he sees some of his own life especially in his relationship with his estranged father Ed Harris who sees the same incidents and others he prefers to remember a bit differently. Franco and Harris have some great scenes together they are the heart of the film.
Editing our memories is the phenomenon this film chose to explore. If not the best of explanations it's a valiant attempt.
The enigmatic Franco plays a deeply troubled writer who is trying to come to terms with his traumatic past and the heartbreakingly tumultuous relationship he had with his father. Along the way, he meets the beautiful Amber Heard. This is why I did not give the movie more stars. If it was the writers intent to portray her as damaged as he was, it was an epic fail. She came across as strong and self-assured -almost cocky at times - not what you would expect from someone reeling from childhood trauma. It was no fault of Heard's - her character was just badly written. Ed Harris rocks the screen, as usual, as the domineering father who haunts his dreams and creates the clouds of his past that he can't see through.
The mind is amazing - we can do all sorts of things to protect ourselves. The ability to alter our memories is only one tool of many. This one is worth your time.
Wusstest du schon
- WissenswertesStephen Elliott (played by James Franco) reviewed the film negatively, stating that the final result had little in common with his memoir and wondering "why calling the character Stephen Elliott was necessary." Stephen Elliott, born December 3, 1971, is an American writer, editor, and filmmaker living in Los Angeles who has written and published seven books and directed two films.
- Zitate
[last lines]
Stephen Elliott: You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.
Neil Elliott: I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.
Stephen Elliott: Wanna go for a drive? I don't wanna see you for an hour.
Neil Elliott: Nah, we'd just argue.
Stephen Elliott: Fine. Then we'll just go. We'll agree not to talk. It doesn't matter. None of it matters.
Neil Elliott: All right. You gotta help me up here. Help your old dad get up...
- VerbindungenFeatured in Half in the Bag: 2016 Movie Catch-up (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- True Deception
- Drehorte
- New York City, New York, USA(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 13.191 $
- Eröffnungswochenende in den USA und in Kanada
- 5.517 $
- 17. Apr. 2016
- Weltweiter Bruttoertrag
- 15.364 $
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1