Shame

Michael Fassbender's commitment is overwhelming. He must trust his director, implicitly. Good for him. Very rarely we've been exposed to so much sex without an ounce of erotic flavors. Well, that was not the intention, clearly. This is a remarkably serious film about addiction.To make matters even darker I had seen Michael Fassbender as Jung only a few days before. What an actor! Now I feel I'm as familiar with his anatomy as Mrs. Fassbender must be. I must admit the film stayed with me because within its mathematical coldness there is a palpable element of horror. Was it me or Fassbender shows the face of death in one of the many sexual occasions? Chilling really. I will take my chances and recommend it, as long as you don't take your children - I guess you can't NC17 - or your grandparents.

I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.

Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.

Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.

Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.

Steve McQueen's delivers a realistic and vivid film about sex addiction, anger, self loathing, fear, loneliness, and the meaning or lack of meaning of relationships. Shame's premise is not depicted in film very often, which makes it a very unique effort as well. Micheal Fassbender's performance as sex addict is brillant, as he gives the audience his character's fear, self hatred, anger, and loneliness in full perspective. Carey Mulligan also gives a stellar performance as a needy, dependent, and affectionate musician. Steve McQueen directs this film in a laid back yet ruthless way, as Shame pits into darkness and trauma with somewhat of an elegance, while still maintaing a manic aesthetic. Narratively, Shame can get breifly lost at points, but Overall, McQueen's film is a honest and realistic depiction, with one great performance, and a good one as well. Shame is a small film, but can bring about emotions, panic, trauma, and darkness in a evocative and grim way.

This film instantly drew me in. Fassbender's performance is complex and truly believable.I can honestly say that if you are not haunted by the torment of both Michael Fassbender's and Carey Mulligan's performance, then you are in denial. The pain is apparent, the intrigue of what happened to these siblings is staring you in the face throughout the film. The role's Fassbender has chosen lately have made me an ultimate fan! Another McQueen movie, HUNGER, also stars Fassbender as an Irishman in political protest against the corrupt government of the "80's. I tremendously enjoy watching him on the screen. Michael Fassbender relays raw emotion and true passion to create believable and relatable characters. Im looking forward to future projects.

Mental Illness done with an outsider looking in. The trauma in their childhood must have been great for these two to suffer what the viewer is witnessing. Any addiction is difficult to watch. I was exhausted after watching this film. Like a hunter Brandon's thirst could never be quenched. He is existing not living. There are so many facets to this fim that are interesting: the boss David's ability to have a family and indulge in sex on the side, people's willingness to go to a bar and have sex with a stranger and then go on with their lives, unaffected. Yet Brandon, with no ties to anyone, is smoldering and suffocating in the weight of his obsession. A good study in human behavior. I don't like sex in film for sensationalism but the sex in this film was like another character, the antagonist.