Füge eine Handlung in deiner Sprache hinzuAfter 22 years in prison for drug trafficking, an ex-convict struggles to find work and reluctantly rejoins his former criminal associates, unaware of their illicit schemes involving him.After 22 years in prison for drug trafficking, an ex-convict struggles to find work and reluctantly rejoins his former criminal associates, unaware of their illicit schemes involving him.After 22 years in prison for drug trafficking, an ex-convict struggles to find work and reluctantly rejoins his former criminal associates, unaware of their illicit schemes involving him.
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I grabbed this movie off the shelves of my local library without much thought, because they were closing in a few minutes and I didn't have time to make a proper selection.
When I got home and looked more closely at the cover, I thought, 'Oh, great. This can't be much good.'
Surprise, surprise.
The plot is far from a new one: convicted felon gets out of prison and must grapple with the real world. Old associates make themselves known, and have no good in store.
'Frank' played by Kenny Johnson, is our ex-con. Frank is perennially confused and even a tad bumbling. He quickly learns of the new complexities of the world he's been absent from for the last 22 years, and is quick to give up any notion he's ever going to have a normal life again.
Enter his old gang and boss, the only family willing to take him back, but at a terrible price. Frank is then made an offer that he cannot refuse, or he will die.
While the low-budget production makes itself glaringly obvious from the start, as well as a few bad-acting hic-cups here and there, the story rapidly develops into something intriguing and resourceful. What will our protagonist do? What will his solution be? How will he get out of this?
The movie is a delight, and the soundtrack is excellent.
When I got home and looked more closely at the cover, I thought, 'Oh, great. This can't be much good.'
Surprise, surprise.
The plot is far from a new one: convicted felon gets out of prison and must grapple with the real world. Old associates make themselves known, and have no good in store.
'Frank' played by Kenny Johnson, is our ex-con. Frank is perennially confused and even a tad bumbling. He quickly learns of the new complexities of the world he's been absent from for the last 22 years, and is quick to give up any notion he's ever going to have a normal life again.
Enter his old gang and boss, the only family willing to take him back, but at a terrible price. Frank is then made an offer that he cannot refuse, or he will die.
While the low-budget production makes itself glaringly obvious from the start, as well as a few bad-acting hic-cups here and there, the story rapidly develops into something intriguing and resourceful. What will our protagonist do? What will his solution be? How will he get out of this?
The movie is a delight, and the soundtrack is excellent.
"Few Options," a film by emerging writer/director George Pappy, is one of those movie gems that can pop up unexpectedly from time to time - all the more affecting because audiences get to discover it for themselves without being force-fed by the Big Time film distribution system. This passion project from a movie artist currently outside the mainstream was made with no budget but lots of guts and touching human insight. Clearly, Pappy just said "Damn the torpedoes!" and shot his honest, fulfilling movie on credit cards. But cheap here does NOT mean unsophisticated. This is smart Film-Noir going back to its roots to tell an intense story from the point of view of an ex-con who lives in a murky world of moral ambiguity, no easy answers, and no way out. Pretty much the human condition as we find it today. Bravo, Mr. Pappy. We eagerly await your next.
Loved George's "adjusting to life on the streets after long term incarceration with extraordinary complications" movie. It took me in against my will through timing, plotting, and subtle like a velvet covered sledge hammer intrigue, and there I was, involved. Not necessarily pretty, but very satisfying to me. I will watch it again. Novice nonreviewer cooookie summation. Low key shake hands while tickling the palm beginning; Eerily seductive; And strangely believable middle; bang up, bang down, bang inbetween ending. Bang, Bang, Bang - You got me!!! I will watch this movie again, and maybe twice more. Then it will be like The Green Girl, watched three times, and the enjoyment and satisfaction will grow each time as I wonder and marvel about how it was made so well.
I was drawn up in to the story from the beginning, talk about a character driven plot which took an almost eastern perspective in learning to deal with a constant torrent of life's vicissitudes focused on one outcome - being free of it all. Kenny Johnson gives a solid performance as an ex con trying to escape a sociopath gang boss played very effectively by Brad Dourif. Rainn Wilson demonstrates a range of talent that was unexpected as a spineless cousin making me wish he would show up in more straight dramatic roles diverging from his usual comic characters. The end was completely unexpected yet believable. Impressive well written and directed script with a great cast, good music and compelling performances made me glad I saw this one at the Valley Film Festival.
I attended the screening of this movie last year and very much enjoyed it. It follows the experiences of an ex-con just released from prison as he attempts to reintegrate with society. The cast features such notables as Kenny Johnson, Rainn Wilson and Brad Dourif. Excellent acting, directing and screen writing! It's amazing what the cast and crew has done with a limited budget - the film has some really exceptional storytelling and you become fully invested in the success of the main character despite the feeling that all the odds are stacked against him. If only more movies made this kind of effort to develop the psyches of their main characters!
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- WissenswertesDuring the Q&A session for a 2016 festival screening of the film in New York City, when asked if he had any advice for aspiring young filmmakers in the crowd, writer/director George A. Pappy Jr. replied: "Given my experience over the past ten or twelve years, I'd say this: Making a good film (or two) is certainly possible despite all the odds stacked against you. However, even if you do succeed on that front, it doesn't guarantee that you'll be able to make a viable (and consistent) living as an independent filmmaker, especially someplace like New York or LA, where the cost of living is very high. It's a funny business, especially nowadays, and the financial rewards are not always as merit-based (or inevitable) as you'd expect from virtually any other line of work. It's important to know this going in as it may eventually inform your decision to stay or to leave the industry. Whatever you decide, I wish you good luck.".
- PatzerWhen Frank spins the open cylinder of his double-action revolver, we hear a clicking sound. In reality, the cylinder on such a revolver spins unimpeded and makes almost no noise when rotated in the open position. Clicking cylinders are unique to single-action revolvers.
- SoundtracksBackbone
Performed by Fidelity Hall
Written by 'Gene Schriver' and Darren Griswold
Published by Pint Publishing
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- Few Options, All Bad
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- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit1 Stunde 30 Minuten
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- 1.85 : 1
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