IMDb-BEWERTUNG
5,3/10
7509
IHRE BEWERTUNG
Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.Rassismus kollidiert mit der Gier der Unternehmen, wenn neun Fremde - einer von ihnen hat eine Bombe - in einem Aufzug an der Wall Street gefangen sind.
Aníta Briem
- Celine Fouquet
- (as Anita Briem)
Luis Jose Lopez
- Party Security
- (as Luis Lopez)
Johannes Alfvén
- EMT
- (as Johannes Alfven)
Empfohlene Bewertungen
"I've been taking this elevator everyday, ten times a day, we all have for six years and it's never once gotten stuck." A group of people on their way to a party for work are starting to pile in an elevator. When the limit is reached they begin the ascent to the top floor. Tensions start almost instantly and when the elevator gets stuck in between floors things get worse. While talking to each other the discover that one of them has a bomb. They now have another reason to try and find a way out, fast. I know not many people do, but I really like these movies that take place in one confined area. There is something tense and terrifying about that. This one is no exception. Much like the movie "Devil" this one takes place in an elevator but instead of being a straight horror movie this one is more dramatic and full of tension. The characters are all interesting and believable. Some of the movie is a little out there, but overall a pretty believable movie. Overall, if you like movies like "Devil" or "Buried" then you will like this one too. I did. I give it a B+.
This film begins in New York with a lavish party being held in the penthouse of a high-rise building on Wall Street. To that effect, the CEO of the corporation holding the event, by the name of "Henry Barton" (John Getz), joins several other people in the elevator to take them to the event. In the elevator with him is his young granddaughter, "Madeline Barton" (played by both Rachel Pace and Amanda Pace), along with several employees who work for Henry Barton. Also included in this group is a stand-up comedian by the name of "George Axelrod" (Joey Slotnick), who is extremely claustrophobic and lets everybody know how he feels about the elevator being too crowded. Being quite mischievous, Madeline decides to play a prank on him by pressing the emergency stop button near the 49th floor. What she doesn't realize, however, is that the gears on the elevator are in need of repair, and as a result, there is no immediate way to get out of their current dilemma. Even worse is the fact that one of the other people in this group has brought a bomb into this elevator, which is set to detonate within two hours, and this may not be enough time for maintenance to correct the situation. Now, rather than reveal any more, I will just say that this turned out to be a fairly entertaining movie which managed to keep my attention pretty much from start to finish. Admittedly, the film could have also used a bit more suspense here and there, but even so, it was good enough for the time spent, and I have rated it accordingly. Average.
Look at the title. You see that one word title, now tell me, what do you expect from a movie like that? I actually think it provides exactly what it is supposed to. Maybe a bit more. Not a lot more, but I did like the (obvious) characters. It's not amazing or earth shattering, but it is more than decent.
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
Nine diverse people get stranded in an elevator of a corporate building after the head honcho's spoiled daughter hits the emergency button. Soon a person with a makeshift bomb makes his or her devious intentions known.
This movie, while filled with movie clichés, still manages to be somewhat tense and pretty watchable due to fairly competent acting from almost everyone involved (I personally didn't care for either the kid nor Joey Slotnick, the latter I can't recall anything good he's been in). It's not the best movie about people stuck in elevators but it's not the worst either.
This movie, while filled with movie clichés, still manages to be somewhat tense and pretty watchable due to fairly competent acting from almost everyone involved (I personally didn't care for either the kid nor Joey Slotnick, the latter I can't recall anything good he's been in). It's not the best movie about people stuck in elevators but it's not the worst either.
ELEVATOR has a decent set-up: a group of characters are trapped in a stuck lift, and one of them holds a secret that's going to put them into a dangerous situation. It's a clear copy of the recent Shyamalan-produced horror movie DEVIL, except this one's non-supernatural. The box proclaims that it's the film that DEVIL could have been, but that's a downright lie.
Because ELEVATOR is a disappointment. Sure, the set-up is fine and the character mix is okay. You can't really fault the acting, either, even if most of the cast are unrecognisable aside from THE FLY's John Getz playing a typically jerkish character. Everyone puts in solid, if unspectacular performances, and I did like Joey Slotnick as the loud-mouthed comedian despite his character's brash, irritating nature.
The problem with this is the script. It's fair to say that nothing really happens in ELEVATOR, and there's certainly nothing here to make this unmissable viewing. I can think of two good, suspenseful sequences in the entire movie, and the rest of it is just endless build-up leading to a pay-off that never arrives. I actually enjoyed the first half more than the second, purely because of the expectation value. The ending is particularly disappointing and lightweight.
This should have been much better than it is, because Stig Svendsen does a good job of shooting within the claustrophobic confines of his small-scale set and there are all the right ingredients; it's just that they don't amount to much in the end. And the incredibly irritating girl in it should have been killed; it was criminal that she never got punished for her daft actions.
Because ELEVATOR is a disappointment. Sure, the set-up is fine and the character mix is okay. You can't really fault the acting, either, even if most of the cast are unrecognisable aside from THE FLY's John Getz playing a typically jerkish character. Everyone puts in solid, if unspectacular performances, and I did like Joey Slotnick as the loud-mouthed comedian despite his character's brash, irritating nature.
The problem with this is the script. It's fair to say that nothing really happens in ELEVATOR, and there's certainly nothing here to make this unmissable viewing. I can think of two good, suspenseful sequences in the entire movie, and the rest of it is just endless build-up leading to a pay-off that never arrives. I actually enjoyed the first half more than the second, purely because of the expectation value. The ending is particularly disappointing and lightweight.
This should have been much better than it is, because Stig Svendsen does a good job of shooting within the claustrophobic confines of his small-scale set and there are all the right ingredients; it's just that they don't amount to much in the end. And the incredibly irritating girl in it should have been killed; it was criminal that she never got punished for her daft actions.
Wusstest du schon
- WissenswertesThe newspaper clipping in Jane Redding's wallet says:
Neil Redding, Tragic Victim of Collapsed Economy. By Samantha Halbert, Cleveland Spectator.
Neil Redding, 76, was pronounced dead yesterday, the apparent victim of a self-inflicted gunshot wound. The body was discovered at 6:20 PM, by his wife, Jane Redding. She told investigating officers that her husband had become increasingly depressed after learning that their life savings was lost by a New York investment firm. Investigating officers ruled out any suggestion of foul play, and determined the death was suicide. The wound was caused by a U.S. Army service revolver once owned by ther son, Jeffery Redding. Jeffery Redding died in the US invasion of Iraq. Ms. Redding said, "After Jeffery's death, my husband found it hard to regain his footing. When we lost our money, it was too much." Ms. Redding said that a memorial service would be held for close friends at a date yet to be determined.
- PatzerNo buttons are pushed in the elevator. Incorrect, many buttons are pressed on many occasions.
- Zitate
[last lines]
Martin Gossling: [composing himself on now being trapped with a bomb] Well... I guess... I'm the hero
- VerbindungenReferences Das Rettungsboot (1944)
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Details
Box Office
- Budget
- 200.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 14.221 $
- Laufzeit
- 1 Std. 24 Min.(84 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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