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Hara-Kiri - Tod eines Samurai

Originaltitel: Ichimei
  • 2011
  • 16
  • 2 Std. 8 Min.
IMDb-BEWERTUNG
7,3/10
9829
IHRE BEWERTUNG
Hara-Kiri - Tod eines Samurai (2011)
An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
trailer wiedergeben2:25
2 Videos
42 Fotos
Drama

Eine Geschichte über Rache, Ehre und Schande, in deren Zentrum ein Samurai steht, der das Schicksal seines Ronin-Schwiegersohns entdeckt und damit einen spannungsgeladenen Showdown der Rache... Alles lesenEine Geschichte über Rache, Ehre und Schande, in deren Zentrum ein Samurai steht, der das Schicksal seines Ronin-Schwiegersohns entdeckt und damit einen spannungsgeladenen Showdown der Rache gegen das Haus eines Feudalherrn in Gang setzt.Eine Geschichte über Rache, Ehre und Schande, in deren Zentrum ein Samurai steht, der das Schicksal seines Ronin-Schwiegersohns entdeckt und damit einen spannungsgeladenen Showdown der Rache gegen das Haus eines Feudalherrn in Gang setzt.

  • Regie
    • Takashi Miike
  • Drehbuch
    • Kikumi Yamagishi
    • Yasuhiko Takiguchi
  • Hauptbesetzung
    • Kôji Yakusho
    • Munetaka Aoki
    • Naoto Takenaka
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    9829
    IHRE BEWERTUNG
    • Regie
      • Takashi Miike
    • Drehbuch
      • Kikumi Yamagishi
      • Yasuhiko Takiguchi
    • Hauptbesetzung
      • Kôji Yakusho
      • Munetaka Aoki
      • Naoto Takenaka
    • 42Benutzerrezensionen
    • 126Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Nominierungen insgesamt

    Videos2

    Theatrical Version
    Trailer 2:25
    Theatrical Version
    Ichimei
    Clip 2:01
    Ichimei
    Ichimei
    Clip 2:01
    Ichimei

    Fotos42

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    + 35
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    Topbesetzung15

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    Kôji Yakusho
    Kôji Yakusho
    • Kageyu Saito
    Munetaka Aoki
    Munetaka Aoki
    • Hikokuro Omodaka
    Naoto Takenaka
    Naoto Takenaka
    • Tajiri
    Hikari Mitsushima
    Hikari Mitsushima
    • Miho
    Eita Nagayama
    Eita Nagayama
    • Motome Chijiiwa
    • (as Eita)
    Ebizô Ichikawa
    Ebizô Ichikawa
    • Hanshirô Tsugumo
    Hirofumi Arai
    Hirofumi Arai
    • Hayatonosho Matsuzaki
    Kazuki Namioka
    • Umanosuke Kawabe
    Takashi Sasano
    • Sousuke priest
    Ayumu Saitô
    • Fujita
    Gorô Daimon
    Gorô Daimon
    • Priest
    • (as Goro Daimon)
    Takehiro Hira
    Takehiro Hira
    • Naotaka Ii
    Baijaku Nakamura
    • Jinnai Chijiiwa
    Yoshihisa Amano
    • Sasaki
    Ippei Takahashi
    • Naito
    • Regie
      • Takashi Miike
    • Drehbuch
      • Kikumi Yamagishi
      • Yasuhiko Takiguchi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen42

    7,39.8K
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    Empfohlene Bewertungen

    7adrongardner

    Unnecessary, but comes with a few slices of power

    Let's get this out of the way.

    Kobayashi's hard hitting "Harakiri" is a masterpiece. It's one of the great pieces of not only Japanese cinema, but also one of the best movies of the 20th century. While I'm disappointed the film was remade at all, and surprised it came from Miike, there are still good things to be found here. To my surprise, for the most part, this is a good movie and in very small quantities, there are some true moments of greatness. Even if they are very short.

    A good deal of the original film's grit is lost for most of this go around. The cinematography is over-lit and the pacing falls into lulls. But survive to the end and you will be rewarded as the final irony is quite powerful. I mean, no spoilers from me, but even with the cheesy fake snow, I have to say, Ebizô Ichikawa's powerful presence won me over and he truly wins the day when the time calls for it.

    I was never too crazy about all the Kurosawa remakes of the 60s and 70s. Fistful of Dollars always felt like a cheap knock-off, because it is. The Magnificent Seven was sort of a tolerable chuckle. Kurosawa's films were so human, almost populist, because of their themes, his work was ripe for remake, reboot or even plagiarism. Only Star Wars seemed to get the joke and succeed in being something different than a pure Hidden Fortress copy. Kobayashi's Harakiri seemed to escape the trend for so long because of the subject matter - even the title! But here we are. There is still something not right about this "remake," but MIike gets it right in the end, even if never needed to be done in the first place.
    7franklindf

    Mostly a successful effort

    It's a good film. I didn't see the original and so I wasn't tainted by how they compare, or the book either. It probably made this film a little hard to understand because the chronology jumps around and there are a lot of flashbacks - but I stuck with it and it did begin to make sense. The movie is a basically a tragedy that also dissects the samurai code and provides some thought provoking material to consider. The movie is reasonably well paced and for a Japanophile the set design and costumes are very well done. I don't know if Japan was that squeaky clean and tidy 400 years ago, but it seemed well considered and accurate. The movie was a little slow but portrayed a sort of Zen tranquility, so it worked for the mood or atmosphere. You could pick apart this movie, and it may not stand up to the original but if you're a fan of Japanese cinema it's definitely worth seeing.
    6perica-43151

    Much lacking compared to original

    The Japanese cinema used to be much more powerful in the past. This remake of classic masterpiece Harakiri is far worse in many ways. It toned down criticism of authority, that is the core of the original movie. The central story is overdrawn, and it does not bring much new. What is new in this presentation is almost always at a loss, spare a somewhat simpler structure. Acting is also better in the original. But what is most annoying, is that some key subtle points are missing in this version, almost as if they were not understood, or worse yet, almost if hypocrisy of the authorities is to be whitewashed. It is far less powerful rendering of the story, it lacks authenticity that Kobayashi had with his then contemporary comments. By all means, if you can, see the original first. One of the least justified and worst remakes. However, when the original is so great, this lazy if not outright stupid remake still leaves us with a somewhat shabby but not too bad a movie. It is a disappointment coming from a director that had better days, and especially from a cinematography that seems to have grown tired, and has been surpassed by South Korea but also China to an extent.
    9Reno-Rangan

    Once upon a time in Japan a small samurai family lived happily till ...

    Takashi returns to the samurai world after the success of '13 assassins' in 2011. This movie was a remake of 1962 'Harakiri' which was also a massive hit movie. I have not seen the original but this movie blown me away. As usual the story opens slow and hard to identify the situation of the story but at the right middle of the movie the flashback strikes with awesome drama about poverty and family sentiment. Once the flashback was told you will easily say where the movie is heading. The story was classic and the movie was presented with rich cinematography. The first digital 3D movie for Takashi Miike as well the first 3D movie to premier at 2011 Cannes film festival.

    You have to learn a word to understand the movie completely. 'Seppuku' - which means ritual suicide committed by a samurai. So that is why it's called 'Hara-kiri: death of a samurai'. You must have patience during opening sequences, without character and story development you will be in a tough position to understand about what's going on. While the story and character progress with the development you will start to get and you may fall for the emotion parts if you are a tenderhearted. And also you will be uncomfortable during 'seppuku' scene.

    Takashi Miike's career best, this is what already everyone saying about it. But Its to hard to say which was his best, I like many of his works. I might be overwhelmed by the watch but will be happy to recommend it to others. I was very little unhappy for the ending scene otherwise I could have said it is the best of Takashi's work.

    I am so curious about Takashi Miike's upcoming and Hollywood debutante project 'The outside' with Tom Hardy. Expecting it would be another 'The last samurai', I wish a good luck to the team.
    7Jeremy_Urquhart

    No surprises when it comes to this remake, but it is at least well-made

    It would've taken guts to remake one of the most acclaimed Japanese films of all time (1962's Harakiri), but then again, no one could accuse Takashi Miike of being a gutless filmmaker. I was curious to see this because some of Miike's best films are remakes or updates of stories that have already been adapted to film (like 13 Assassins and Graveyard of Honour).

    This remake really follows the original perhaps a little too closely. I think it's just a few minutes shorter, and I can really only think of one scene that was in the original that wasn't in this. Visually, it replicates Masaki Kobayashi's style really well, but maybe part of me was hoping that Takashi Miike would do something a little more out-there or unexpected. Instead, he chose to be reverent to the original, but then again, it is a classic film that deserves reverence.

    There's one infamous scene from the original that feels even harder to watch here, and I think the climax shakes things up a little too, to mixed effect (the final fight is fairly different). Otherwise, the story and all the characters are near-identical, and anyone familiar with the 1962 version is unlikely to find too many surprises here.

    It's strange to try and review this, because it is a high-quality film... yet it's based on a high-quality classic that still holds up extremely well, so I'm not entirely sure what the rationale was behind this. For those who want to see a more modern-looking version of Harakiri in colour instead of black and white, this is very well-made and watchable, but I feel like the original is still more worthy of being watched first, for anyone unfamiliar with either film.

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    Handlung

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    • Wissenswertes
      The first 3D title ever to be shown in official selection at the Cannes Film Festival.
    • Patzer
      As the wooden wakizashi is pushed into the stomach (after the tip snapped off), you can see that the blade is sliding into the handle.
    • Zitate

      Hanshirô Tsugumo: A warrior's honor is not something simply worn for show!

    • Verbindungen
      Featured in At the Movies: Cannes Film Festival 2011 (2011)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 15. Oktober 2011 (Japan)
    • Herkunftsländer
      • Japan
      • Vereinigtes Königreich
    • Offizielle Standorte
      • Official Facebook
      • Official site (Japan)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Hara-Kiri: Death of a Samurai
    • Produktionsfirmen
      • Recorded Picture Company (RPC)
      • Sedic International
      • Amuse Soft
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 75.688 $
    • Eröffnungswochenende in den USA und in Kanada
      • 10.920 $
      • 22. Juli 2012
    • Weltweiter Bruttoertrag
      • 5.435.358 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 8 Min.(128 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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