El hombre de las mil caras

It was the best in the story and surprise at the end.

Not sure why this film hasn't gotten much attention so far, it's extremely well made with a super interesting (true) story and good acting. Never aiming to go too deep on the emotional side, it's just a very good narrative told in a sleek, stylish and exciting way with some stunning European location shots and the odd sprinkle of some good, dry Spanish wit. Eduard Fernandez in particular gives a great understated performance as the lead, and the instrumental surf-rock score adds a very unique stylistic touch.

All in all a very pleasant watch and would even make a great entry point into Spanish cinema for those less keen on heavy dramas or art films.

Great cast and a very enjoyable film, although hard to follow the convoluted plot in places. Good direction and some very funny lines in the subtitled script. Well worth watching.

That means - it demands some patience from you. A patient viewer is up for treat though. Characters are interesting and nuanced, and, more importantly, believable. None are just good or bad, but complex personalities. Just like in real life. Even small parts are exquisitely meaty and therefore make an impression. The story (being based on a true one) is interesting and also grounded in reality. No big shootouts or car chases. The acting and directing is on point. Very good, believable ending. Well done! 10/10

This one was a little tricky to find on IMDb... on netflix, its "Smoke & Mirrors", but it's original title is actually "Man of a Thousand Faces". Paco Paesa (Eduard Fernández) has been "the fixer", but still a pawn, made so many promises that were never granted. His compadres are on to him, and tell him to watch out for Jesús Camoes, the real boss. He helps big-shots move money around, and takes a commission. Many things are not answered, but that's part of the mystery. When he helps the police commissioner Roldán escape (Carlos Santos), Paco gets caught up in the search for the missing man and the missing money. We ARE judged by the company we keep. it's pretty good. moves a bit slow, but this is one story, so we see every step they take to make the get-away. The lesson here seems to be that when you run, you stay on the run. It's OK. nothing too special. Showing on Netflix. Written and directed by Spanish director Alberto Rodriguez, who has already done several projects.