Alex Cross

This moving picture contains thrills , unstoppable action , fighting , pursuits and lots of deaths , as it has a high body count . The cop and psychologist Alex Cross (Tyler Perry) works for the Detroit Police Department along with his colleague Tommy Kane (Edward Burns) , and promising rookie Monica Ashe (Rachel Nichols) investigating deaths of some criminals . At the beginning , it seems to be a reckoning. Alex Cross is on his last police duty and along way he finds out the murders result to be commited by a killer series nicknamed Picasso who's been torturing and killing wealthy businessmen in Detroit . While Cross is dedicated to his work , he's just as committed to his home life, and is excited to be aware his wife Maria (Carmen Ejogo) is pregnant once again . Soon when the assignment gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all. Don't ever cross Alex Cross !.

The film contains high-energy action , noisy thrills , struggles, emotion, and spectacular scenes with an impressive climax . It's a passable action movie plenty of thrills, chills , explosions , firepower, gun-play and breathtaking chases . The picture is thrilling and exciting, though also a routine actioner with no much sense at times . The flick contemplates the old themes of trust , friendship , vengeance , humiliation and cold violence . There are echoes here of many other action movies and behind the deceits , plot twists and manipulation . An adrenalitic thriller with unstopped action-packed and grisly violence , being loosely based on the novel Alex Cross by James Patterson and particularly on the character of the expert Forensic psychologist Cross . This is a nail-biting picture stars Tyler Perry, who's plunged into a highly dangerous cat and mouse game , vengeance and deception - where things are not always what they appear to be , in which the stubborn investigator refuses to be defeated , as he battles his way to an overwhelming ending . Morgan Freeman who played the two previous roles suggested the British Idris Elba (Mandela) ; however , eventually the charater was to Tyler Perry playing a lawman torn between justice and personal vendetta , he is a good actor but more adequate in his ordinary comedy genre than in mystery/thriller genre . His antagonist turns out to be Matthew Fox , famous from ¨Lost¨ series , here he lost weight with a strict diet and doing gym to earn muscle for playing the role , as he took about five months to prepare for his character which he felt was enough time not only to get his body into shape . There are continuous remarks in the novel "Alex Cross" to both Morgan Freeman and Tyler Perry, the references to Freeman pay tribute to his role as Cross in ¨Kiss the girls¨ (1997) by Gary Fleder and ¨Along came a spider¨ (2001) by Lee Tamahori .

The film is produced with high budget by John Friedberg , George Furla and writer James Patterson himself. The motion picture was regularly directed by Rob Cohen . A nice director of hits and one of the 1970's "baby moguls", Rob built a thriving career as a producer, before concentrating full time on directing from the 1990's, with high adrenaline action blockbusters such as ¨xXx¨ (2002) and ¨Dragon, Bruce Lee life¨ (1993). He is the creator of ¨The Fast and the Furious¨ (2001) saga , Universal Pictures' biggest franchise of all time. He often directs high-energy action films as ¨Daylight¨ (1996), ¨The Fast and the Furious¨ (2001), ¨xXx¨ (2002), and other inferior successes such as ¨Stealth¨ , ¨Skulls¨, ¨Dragonheart¨ , among others. Rating : 5/10 . Mediocre , only for Alex Cross saga followers.

The third outing for James Patterson's fictional detective Alex Cross, following on from two adaptations of his work in the 1990s: KISS THE GIRLS and ALONG CAME A SPIDER. This one's a mess of a film, which is largely down to a poor choice of director and two poor choices for the main actors.

The narrative involves Alex Cross and his chums who are on the trail of a psychotic assassin who enjoys inflicting pain upon his victims. As the story progresses it becomes clear that this bad guy will stop at nothing to complete his job, which leads to a handful of mildly memorable moments including a great twist thrown in that you won't expect or indeed see coming.

A shame, then, that the execution is so muddled, with Rob Cohen once again proving a poor choice as director. You just can't take the story seriously, somehow. Tyler Perry replaces Morgan Freeman as the crusading detective, replete with Holmesian-style deductive reasoning, and I can't think of a poorer replacement. Freeman is one of those guys who constantly gives solid performances no matter the film whereas Perry's character might as well be a walking corpse. There's no emotion from him, just cold stiffness.

Equally stiff is a lamentable Matthew Fox as the supposed villain. Although Fox certainly looks imposing, when it comes to his acting it's rather dire. I've never liked this guy, and his attempts at wide-eyed menace fall flat every time. Lower down the cast list we get a bloated Jean Reno and the walking plank of wood that is Ed Burns. Even the requisite fight scenes and action bits can't lift this lifeless thriller out of the doldrums.

I have not ready the books or seen either of the previous films. Also I have only seen parts of Tyler Perry's other movies and that was enough to let me know I didn't want to watch any more. That being said, I felt that Tyler Perry's performance was very believable and very different than what I was expecting. At points in the film he is a bad-ass (albeit a bit overweight, but hey not all heroes hit the treadmill) and at others he is quite likable. He has some some quick and funny dialogue that he looked very at home with. All in all I now believe he is a pretty decent actor especially when comparing to his other "characters."

Matthew Fox plays an intense dude. Check out the images section to see what I'm talking about. He plays the insanity factor pretty hard and at times feels like he is nearing the "full retard" line but he never quite jumps the shark. It's sort of hit and miss. At times it's extremely effective and at others it seems a bit overdone. As a whole, pretty effective, and definitely crazy.

I liked Edward Burns as Alex's partner and Rachel Nicols as the third in their team. I was disappointed with basically everything else in the movie. Acting was for the rest of the characters pretty downright bad (with the exception of Dr. Cox who was acceptable). The stunts, aside from a cool fight scene in a business office, were pretty lame. The cinematography was average. The script was too heavy handed and convenient. The dialogue was good but the situations were not so much. It sort of felt like they were trying too hard to be gritty and raw.

Seriously though Tyler Perry is BY FAR better than you are expecting. Go see it just to have your perception of him shattered a bit.

Although I have only given this movie a 5/10 I still don't regret watching it. There are simply a lot of better films out there. It was one I managed to get cheaper tickets for so perhaps that's why I am not as critical as others. I found it entertaining and I was fully engrossed in the story. I felt some of the acting was a bit ropey but then again I thought Matthew Fox was superb. He really did portray a rather scary character, very different from that of Jack in Lost. There was some rather cheesy and altogether cheap parts to the movie, but overall it was a good watch. I can understand why some may have given this film a very low rating, but for me I saw a lot of positives.

It's not hard to figure out what's wrong with this movie. Skeptics may think Tyler Perry was a bad choice to fill in a young Morgan Freeman's shoes, but he was fine in the role. Plus, Matthew Fox as a psychopathic skinhead assassin is a lot of fun. Where the movie fails is in its haphazard direction, bland writing, and godawful editing. It's amazing the actors were able to recite this dialogue with a straight face.

The story of Alex Cross is a simple murder mystery: Alex Cross and his partner investigate a brutal crime scene and discover that they're after a professional killer referred to as Picasso. Things get personal and Cross plans to seek his revenge once and for all - standard crime thriller plot. The problem is when the characters start talking to each other. Honestly, it's laughable how bad some of this dialogue is, especially between Cross and his family. They throw in these "emotional" scenes to break up the action but all they do is make for a really awkward paced movie. It would be passable if the dialogue actually moved the plot forward or added depth to the characters but they don't, at all. There are some subplots that are introduced and never brought up again, e.g. Alex Cross becoming an FBI agent. What was the point of even including that?

The main reason to watch this movie is for Matthew Fox. He plays a sadist who is "fascinated by pain." Not very original but who cares, it's Matthew Fox playing a 130 pound unhinged lunatic. The scenes in which we see him doing his job - stalking his targets, infiltrating their houses, taking out their body guards and whatnot - are the most interesting parts of the movie. He's the only character given a clear cut motive and enough development to make him a passable antagonist.

Unfortunately, Perry isn't given nearly as much to work with. He's a generic detective with the name Alex Cross who acts as a poor man's Sherlock Holmes. His whole objective is to get into the mind of this madman while trying to maintain a steady family life, but instead of weaving tension between these two factors and having them play off one another, the writer/director think it's more effective to jump from one setting to another with no momentum building or rising tension whatsoever. Also, there wasn't enough psychological warfare between Cross and Picasso for there to be a compelling hero-villain dynamic. They try to do that in a couple scenes, but it's so poorly written that you don't believe a word of it.

The lack of good characters and dialogue would almost be forgivable if the action was excellent, but unfortunately that is not the case. The action scenes consist of shaky cam galore, constant jump cuts, and incomprehensible choreography. The climax of this movie, if you can even call it that, is a horrifically edited nightmare. You can hardly make out what's going, and once it ends you're just like, "Okay. Is that it?"

Again, the leads save this movie from being a total bomb. I was admittedly entertained for a good portion of the movie despite its stupid dialogue. None of it is inventive or new; it's just your run-of-the-mill murder mystery that is low on thrills and high on cheese. It's worth a one time watch if it's on TV or something, but the main thing you'll remember from Alex Cross is the criminally wasted talent.