Lola gegen den Rest der Welt

I almost didn't watch this movie based on the low IMDb score, but I found it to be a lovely film. Most of the comedy is generational - so some people might not get it. The story seems true to the complications of modern romantic entanglements and the two main actresses are great. I found the movie much more enjoyable than most of the big budget films that are out there.

I really would consider this more of a drama than a comedy, although it has some comical moments. It's not going to be well liked if you're looking for a romantic comedy. It has some great moments of revelation and is more about soul searching than your typical Hollywood fluff. This is a very nice movie with a nice blend of drama and comedy.

I may understand why Lola Versus is being so underrated, because it's an atypical romantic comedy. A simple, subtle and sometimes naive one when showing a character struggling to repair herself after a traumatic breakup 3 weeks before her wedding with the man she planned to build her entire life with.

So it's completely normal go thru hard times after a situation like that, and always find ourselves in between moments of euphoria and distress, typical symptoms of the dysthymia suffered by any one after the end of a relationship. Her friends, Alice (Zoe Lister Jones) and Henry (Hammish Linklater), will do anything to support her and show other perspectives about the new situation, but every single help seems not enough and will be going thru all the pain that she will finally get self redemption.

After the subtlety of (500) Days Of Summer (2009), people rediscovered what a good romantic comedy means. Lola Versus does not have the same warm appeal or a character that arouses so much compassion like Marc Webb's movie, but it follows the same style when showing human suffering in its purest way, and also the mistakes and flaws attached when overcoming a great disappointment in life. We all had Lola's days and have already been versus the world too at least once in our lives, and this movie couldn't be any more sincere when simply showing all those mixed feelings when you have been caught by surprise like she has. It's easy fall for sympathy for the character and all her anxiety, anguish, confusion and that constant heart pain that is never physically felt but is there somewhere.

It's an uncommon movie and completely different from what we usually see, that's why it may seems uninspired or out of the line, but only who knows what it takes to get the pieces together may understand all the process Lola is going thru, her recovering, her back and forth, and griefs drowned into alcohol and meaningless sex.

A motivating, heartwarming and inspiring movie that develops itself together with the character's step by step progress, with an amazing soundtrack, great dialogs and charismatic characters that are unintentionally funny. For sure is not a movie that will make people talk a lot about or fully understand it at first, but certainly a faithful reproduction of the inner pain, confusion and how people can be so foolish wasting energy trying to repair something that only time heals.

Better appreciated by those who someday were against the world too and exactly know how Lola feels.

I really don't understand the low rating and low metascore for this movie. It's not a deep movie but it certainly is a feel good-coming of age movie that has nothing to envy from these type of movies with a much higher rating here on IMDb! Even so, i think it's more genuine than others, with a much more realistic dialogue and well thought out characters that feel like real people you can empathize with. Greta Gerwig is spot on for this part! A must see movie :)

"I learned everything I know about being a woman from 90210." Lola (Greta Gerwig)

To watch Greta Gerwig play the eponymous Lola dealing with the cancellation of her wedding 3 weeks before the event by her cold-footed boyfriend, Luke (Joel Kinneman), is to watch a young, already accomplished actress deftly play a doctoral student navigating the emotional potholes of breaking up.

Gerwig is worth the watching while the rest of the film meanders in and out of almost-unconnected episodes with some wit and some clichés. She is so convincingly lost among the ruins of her life that she is believable even when the setups are not. Indeed, it's Gerwig who propels the film, not the uneven scrip of director Daryl Wein and his collaborator, Zoe Lister-Jones.

The film is punctuated by make-up, casual, and silly sex as she finds her way out of depression. To help her is the usual rom-com girlfriend, Alice (Lister-Jones), whose wisecracking ("I gotta go wash my Vagina") helps add comic relief to Lola's melancholic life.

Amid Lola's experimentation with her ex's best friend, Henry (Hamish Linklater), and a pickup, Nick (Ebon Moss-Bachrach), at a fish store are random thoughts about finding the right love or going back to the old love. It's a rather tedious conflict that could be rehashed from some soap and not reflective of HBO's gritty "Girls," if I hear right about the TV sitcom.

It's not that Lola Versus is unreal; on the contrary it is an authentic take on the vagaries of breaking up. However, with as few witty lines and imaginative encounters, it doesn't elevate the argument or provide insight into the anguish and remedies that usually accompany a study of this universal experience.

I would much rather have explored the interesting lives of Lola's loose parents (Lenny and Robin, played by Bill Pullman and Debra Winger) or the challenges of her dissertation on silence in novels. Maybe that's what Lola Versus needs—silence.

Lola (Greta Gerwig) has a hard time finding her place in the world. So does the film. What starts out as a romantic comedy-styled drama, turns into a sex comedy, and then tries to find its way as a character study. But the character of Lola will turn off some before the film gets going and bore others who have already solved her life's problems.

It has taken me a long time to warm up to Gerwig but she's surprisingly cute and likable here despite how narcissistic, self-destructive, self-involved, and sullen Lola can be. The opening of the film sees Lola in love, Lola getting engaged, and then Lola getting dumped just three weeks before the wedding.

Cancelling a wedding to a man you were in love with after everything is paid for, would be torture to go through. But Lola didn't have to do that. Lola's mother (Debra Winger) cancelled the wedding for her while she cried in bed. Lola's mother and father (Bill Pullman) were likely the highlights of the film as I did laugh at the majority of their lines.

The writing isn't bad. As the film ventures into sex comedy territory, the writers were going for bold, catchy lines. I disagree with the point of being quotable just for the sake of being quotable, and there are way too many examples of that in this film, but some are funny and some will likely resonate with the target audience.

The target audience is not the 29-to-30 year-olds who are trying to find their place in this world. "Lola Versus" is meant for the mid-twenty-somethings who watch the HBO series "Girls" in between their meaningless, hate-filled sexual flings and their self-loathing obsessions about not having a career. For the majority of the film, that is what Lola and her friends are like. Lola describes herself as a "slutty but good person". Her best friend Alice is even worse who makes jokes about oxycodone giving her orgasms.

Her ex-fiancé, her best friend-turned-boyfriend and her potential suitor were decent characters played by decent actors. Joel Kinnaman as the ex-fiancé Luke wasn't given much to do, which is a good thing for the film, as otherwise we probably would have sided with him instead of Lola.

Lola came to some decent, if unimpressive, observations by the end of the film, that it probably would have served them better if "Lola Versus" was meant as a character study all along. But as is you have to suffer through a lot of moaning which most young heroines are too smart for.