Eine Mutter verliebt sich in einen jüngeren Mann, während sich ihre Tochter zum ersten Mal verliebt. Mutter Natur spielt mit ihrem Schicksal.Eine Mutter verliebt sich in einen jüngeren Mann, während sich ihre Tochter zum ersten Mal verliebt. Mutter Natur spielt mit ihrem Schicksal.Eine Mutter verliebt sich in einen jüngeren Mann, während sich ihre Tochter zum ersten Mal verliebt. Mutter Natur spielt mit ihrem Schicksal.
- Brianna
- (as Stacey L. Dash)
Empfohlene Bewertungen
Audience reaction to this film -- plus the fact it was packaged by a Spanish production company -- pretty much tells us that her batting average is not quite what it was.
On paper it must have looked clever. A Rom-Com with a built-in 10 year age difference (older woman, younger man) starring one of the most personable male leads ever (Rudd) and one of the most beautiful women since the Sumerians started keeping records (Pfeiffer), along with a wonderfully precocious teen star (Saoirse Ronan) as insurance.
Mix in a (incredbly horrific) trope involving "Mother Nature" appearing in the story at random, and add one of Heckerling's favorite (but most over-rated) actors (Stacy Dash) and -- in theory -- you should have a hit.
In fact, all you have when the dust settles is Rudd's charm and Pfeiffer's beauty and a very forgettable script.
A lot of this isn't delivered with all of the best execution- certainly it's hard to figure on what exactly makes the Tracy Ullman bits funny as they're slipped in with some awkward soft-focus and at ill-timing- and there's something kind of fishy about putting such an actress like Michelle Pfieffer, who is still incredibly beautiful for any age, in the role of an insecure woman who can't see herself with such a younger man after such a long break from being with a man. At the same time, there is a good deal that does work to Heckerling's advantage, such as the bond between the mother and daughter in the story that doesn't ring as being sappy or trite like in other rom-coms or flicks with mother-daughter talks and such. And almost in spite of the bright lighting, Paul Rudd lays on the same charm and wit carried over from the Judd Apatow comedies (if, of course, nowhere near as funny in the sensibility of crudeness). And who can't love Jon Lovitz or Fred Willard?
So with I Could Never Be Your Woman, it's good for a rental, but that's not really the point with the release issue. It's the kind of movie, as with Heckerling's others, that play for laughs with a big audience, and are perfect for a certain niche of female viewers and die-hard rom-com afficionados. It's light and slight and not too terrible, if not much memorable either.
I am a massive fan of romantic comedy, i hear you all say but you are a bloke whats wrong with you !!! Who can forget Love Actually which basically has some of the all time funniest moments in cinema. I could never be your woman unfortunately does not hit these highs but you will laugh and the characters have a certain warmth.
The film really focuses on the relationship between Pfeiffer and her daughter which is unusual in the fact the most of the good comedy moments arise from the daughters relationship with her mother and her mothers personal life. You have to love Jon Lovitz, the guy is a genius. He is barely in the movie but his dead pan matter of fact character is a perfect foil to Pfieffers Character.
On the whole i would say watch this, probably wait for DVD but its certainly worth a rental. The film had the potential to be both funnier and also some pointless Scenes especially with Mother Nature.
On a final note i know this is only a film and it was 90 minutes long but if i have children in the future i would like to be a parent like Pfieffers Character. Honest, open with a great relationship with her daughter.
Wusstest du schon
- WissenswertesSaoirse Ronan's debut.
- PatzerWhile calculating the age differences in an inner monologue, Rosie mentions that her first writing job was for the sitcom Alle unter einem Dach (1989) in 1986 when this show hadn't been developed yet.
- Zitate
Older TV exec: Courtney Love?
Producer: Drugged-out hag.
Older TV exec: Faye Dunaway?
Producer: Don't call us, we'll call you!
Older TV exec: Sharon Stone?
Producer: Hag.
Older TV exec: Geena Davis?
Producer: Hag.
Older TV exec: Sigourney Weaver?
Producer: Hag.
Older TV exec: Kim Basinger?
Producer: Hag.
Older TV exec: Emma Thompson?
Producer: Brit hag.
Older TV exec: Susan Sarandon?
Producer: Red-state-alienating hag!
Older TV exec: Meg Ryan?
Producer: Too much plastic surgery.
Older TV exec: Melanie Griffith?
Producer: WAY too much plastic surgery.
Older TV exec: Patricia Heaton?
Producer: *Pointless* plastic surgery.
Older TV exec: CHER.
Producer: *Insurmountable* amount of plastic surgery!
Rosie: [who's been overhearing all this from the next chair & getting increasingly annoyed, swings round & grabs the Producer by the chin] Listen, you little bird of a man, where do you come off insulting these women? How many hit songs did you sing? How many Oscars do *you* have? Could you look cute next to Warren Beatty? Or live with Don Johnson? Or act with Ted Danson? You're not worthy of kissing Cher's tattooed ass!
- Crazy CreditsA short series of outtakes appears before the closing credits.
- SoundtracksHeaven
Performed by Lorraine
Written by Richard Butler and Tim Butler
Published by EMI Music Publishing Ltd
(p) 2006 Waterfall Records Limited under exclusive license to Columbia Records/Sony BMG Music Entertainment Limited
Licensed courtesy of Sony BMG Commercial Markets (UK)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Nunca podría ser tuya
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 9.576.495 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1