IMDb-BEWERTUNG
5,9/10
3775
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuCarlos is the most prestigious tailor in Granada, but he's also a murderer in the shadows. He feels no remorse, no guilt, until Nina appears in his life and love awakens.Carlos is the most prestigious tailor in Granada, but he's also a murderer in the shadows. He feels no remorse, no guilt, until Nina appears in his life and love awakens.Carlos is the most prestigious tailor in Granada, but he's also a murderer in the shadows. He feels no remorse, no guilt, until Nina appears in his life and love awakens.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 15 Gewinne & 26 Nominierungen insgesamt
Manolo Solo
- Vecino
- (as Manuel Solo)
Sara Da Pin Up
- Mujer playa
- (as Sara Velázquez)
Sebastián Haro
- Óscar Barroso
- (Nicht genannt)
Empfohlene Bewertungen
Very good movie. Strong and deep acting of Antonio de la Torre. As usual.
A very good script, very artistic and disturbingly aesthetic. Because there is not a lot of things going on story wise it seems like a psychological study of the character. You are almost wanting this monstrous man to get away with what he does and ultimately find happiness. You are going to be rooting for a sociopath.... For a psychopath.
Very intriguing about the Human nature and behavior...
The movie's title isn't ironic. It isn't a metaphor. Carlos really is a cannibal. If you can get past the (few) scenes you should expect as a result, this film will reward you with layers you didn't expect.
Antonio de la Torre plays an understated Carlos. No surprise he's rather obsessive compulsive - makes for one quirky cannibal. The fact that the film doesn't lead you to how exactly he became a cannibal is fine - leaves lots of room for the imagination to work, and there are enough clues to get you started. He also does the majority of his acting without speaking - something one doesn't see a ton of in North American films, and for this I am grateful to the director and writer.
Olimpia Melinte is also very good and understated in her performance, standing up just fine to Carlos as she turns his world upside down.
Kudos to Manuel Martín Cuenca for playing every note perfectly and brilliant casting. And kudos too to Cameron Bailey for putting this in his must see list for TIFF 2013.
Antonio de la Torre plays an understated Carlos. No surprise he's rather obsessive compulsive - makes for one quirky cannibal. The fact that the film doesn't lead you to how exactly he became a cannibal is fine - leaves lots of room for the imagination to work, and there are enough clues to get you started. He also does the majority of his acting without speaking - something one doesn't see a ton of in North American films, and for this I am grateful to the director and writer.
Olimpia Melinte is also very good and understated in her performance, standing up just fine to Carlos as she turns his world upside down.
Kudos to Manuel Martín Cuenca for playing every note perfectly and brilliant casting. And kudos too to Cameron Bailey for putting this in his must see list for TIFF 2013.
Carlos is a successful tailor and also a serial killer who eats his victims. He leads a meticulously ordered and sheltered life until he gets involved with and falls for a woman who moves into his apartment building. An interesting premise and a beautifully shot film, but ultimately this is an extremely slow and uninvolving film. The main character starts and ends the film as a complete cipher.
I have to laugh at how overly sensitive and easily triggered people are any more. My word. If you don't (or can't) appreciate a specific style of film making, then why watch such a film? So you can be triggered by a film snob? I'm thinking someone needs a life.
Good movie, but for the American audience looking for horror, action and sex look for something else
This is a good movie and it does not deserve the current low rating. I will not repeat what most before me have already said. However, I am adding my small comment just for some of the American audience who is used to the Hollywood clichés and can't comprehend that a film, yes a film not a movie, can actually venture in the realm of psychology. For those who are looking for horror, blood and cheap action thrillers look somewhere else.
This film is a deliberately slow and aesthetic act of seduction that introduces the audience into the transformation of the main character, Carlos. Cuenca carefully hides the monstrousness of his main character and carefully shapes an unexpected outcome.
This film is a deliberately slow and aesthetic act of seduction that introduces the audience into the transformation of the main character, Carlos. Cuenca carefully hides the monstrousness of his main character and carefully shapes an unexpected outcome.
Wusstest du schon
- WissenswertesMartín Cuenca's film was one of the 15 selected by The Atelier Cannes Film Festival, that helps with the financing and the distribution for these projects.
- VerbindungenFeatures Ghost Club - Geister auf der Schule (2012)
- SoundtracksConcertos for solo Harpsichord BWV 1052-1059
Composed by Johann Sebastian Bach
Performed by Melante Amsterdam and Bob van Asperen
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 194.948 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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