Caníbal

"Cannibal" summons to mind vague storyline similarities with Patrice Leconte's moody 1990 film "Monsieur Hire" and James Hamilton- Paterson's roman a clef "Loving Monsters."

Protagonist Carlos is a revered tailor in Granada, Spain, who murders and cannibalizes beautiful young women, and ostensibly does so in a way unencumbered by sadism or sexuality. His monotonic cannibalism is never explained, and left as metaphorical vehicle. Horror is not on offer here, and viewers are left free to imbue Carlos's predilection with personal meaning: in other ways, Carlos is fair, just, and honorable. Do even the very best among us have equally abhorrent gaping erroneous zones?

Romanian actress Olimpia Melinte's fresh-faced, highly-abled and confident screen presence work well in two roles here. Mise en scene, vistas and pacing are lovely, and the languid takes, the confident exposition, the story's ability to achieve both enormity and enormousness with an economy of lines and set-ups, make "Cannibal" well worth immersing in.

This is a good movie and it does not deserve the current low rating. I will not repeat what most before me have already said. However, I am adding my small comment just for some of the American audience who is used to the Hollywood clichés and can't comprehend that a film, yes a film not a movie, can actually venture in the realm of psychology. For those who are looking for horror, blood and cheap action thrillers look somewhere else.

This film is a deliberately slow and aesthetic act of seduction that introduces the audience into the transformation of the main character, Carlos. Cuenca carefully hides the monstrousness of his main character and carefully shapes an unexpected outcome.

This is an incredible story that you can't miss if you like movies with deep emotions that will make you tremble about the idea of love and death. The actors are mysterious and the story starts with very surprising images that will make you be prepare to close your eyes for anything that could lead you a possible trauma, but nothing happen but stunning takes and surprising twists. The photography is amazing and you can't take your eyes out of the screen enjoying the views. Initially, the main character is cold and it can feel quite intimidating. But while the story keeps running forwards, you can feel even like you where in their skins. The passion between the characters may not be seen at first, but it's obvious at the end, and it can make you even cry of despair. The loneliness in this movie is very important and without it the film would be meaningless. The emotions of the people involve are represented in beautiful takes. There's few sounds of music in the background but this makes the movie more dark and realistic. This movie explain despair and the possession of the body with the most original way that you can imagine.

A simple story created by inspired storytelling, admirable performance, high minimalism and the gray atmosphere of a car accident and presumed first help, a fridge and the meat contained by it, a tailor shop and the day between good morning and good evening, a neighbor and the help for her and a silent dinner. The ordinary evil can be the first definition. But the film represents more and the seductive end is the basic proof about impeccable gem.

I have to laugh at how overly sensitive and easily triggered people are any more. My word. If you don't (or can't) appreciate a specific style of film making, then why watch such a film? So you can be triggered by a film snob? I'm thinking someone needs a life.