Silk - Roben aus Seide

It truly was a pretty muddled, empty ending, to what for most every episode was a highly entertaining series. And it could have easily gone on for at minimum another couple seasons had they just maintained average storyline quality. But to end it the way they did really doesn't do justice to the exceptional character portrayal by one of the UK's top-notch actors. One with the greatest dialogue and integrity of the entire lot just disappearing into the night without comment... really??!! That's what they dreamed up this wonderful series coming to.. leaving all to the sleazy, office-manager screwing egocentric!! As it was nearing the end, a first thought was that would definitely like to see them keep the story going, but now they've pretty much ruined all future expectation and excitement for that ever happening. They've blown up that hope in such a way it could never be meaningful again... what an absolute, bs waste.

I believe that the comments of a solicitor (see earlier reviews) are completely true and the series is far from being realistic. But am I enjoying watching House (being a doctor of medicine myself) because it is realistic? Lol. Of course not, if I would judge it from realistic side, time, diagnostic, budget and ethical constrains we have in real life, House is an annoying and superficial series, turning medicine into a tragicomic theater - but I choose to relax and enjoy the show. Same applies to Silk.

Like House, the fun of Silk lies mostly in its dialogs and, to some extent, non verbal communication and narcissistic characters (in and out of the court). Note I agree Silk lacks building of the characters. We only learn about Martha. We are becoming almost obsessed with her, as the camera frequently stays on her face for loooong time. Thus, not much place left for others or to put in some more of a story. However, I need to disagree with the previous reviewer about Clive Reader character. The comment about him was: "When he is not being a jackass, he's as nice and loyal as a puppy." Emmm .... This sounds like a stereotype of a successful alpha man and I definitely know a few like him (unfortunately not that cute to be worth making use of it).

I am a bit puzzled how some characters (Kate Brockman? - I thought she was allowed to stay?) disappear completely out of series as new ones get introduced. We miss the old ones, too. Am very puzzled over John Bright character as well. We are allowed to glance at his stunning and gorgeous appearance in almost every chapter, never to touch under surface - I wonder about his work and why is he sitting in the office ... Acting is good, but many times slightly exaggerated (theater style) - an example would be Jake Milner character. Pushing it a bit too far (but cute anyway).

The series seems underrated to me at IMDb. I promise it wont insult your intellect if you understand the concerns I raised above and have no expectations of any realism. It will give you an interesting drama, tension and sublime interactions. I love it, even though it looses its way at times. I think it is very enjoyable, much more than any other series I have seen.

This show does not disappoint. It is so well done that you might forget you're watching a TV drama not real life events. The characters are believable, powerfully drawn, but the undeniable star of the show is Maxine Peake - her performance just superb! As Martha Costello she is everything that you'd imagine a superior barrister to be. Can't get enough of her credible acting to be honest. The rest of the cast deserves a praise too because it is thanks to them that this BBC drama is so uniquely authentic. Filmed in London (I think), it depicts daily life at Shoe Lane chambers and the work of British barristers, clerks and solicitors. I am professionally interested in law and find it hard to point out any flaws in how "Silk" presents the legal crowd in London. I do see a difference between an American show of this kind and a British one. The former tends to be focused on achievements, career and quirks of personality and the latter...hmmm...basically on the job, meaning you get a believable picture of the life at the chambers. If you're into this sort of thing just see for yourself, you won't be disappointed.

Rumpole fans already know the drill—solicitors (though we don't see much of them) deal with the clients and prepare a brief, barristers plead the case in court, either for the defense or the prosecution, and a small platoon of clerks take care of the business side. Experienced barristers who make the right moves can hope to "take silk," or be appointed to the privileged caste of Queen's Counsel (more prestigious cases, better money, even a bigger wig).

Maxine Peake is refreshingly unglamorous, with her crunchy Northern accent, and projects a wonderful intensity as one such barrister; Rupert Penry-Jones is well matched as a cynical, corner-cutting rival. This series does office politics extremely well; the first time we watched, I was blown away by a couple of brilliant scenes in which Neil Stuke, as Billy, the hard-nosed senior clerk, fights off a coup attempt and turns one of his big earners who's trying to defect. Apart from the climactic murder trial, court cases are a lot less flashy than you'd find in a show like "The Good Wife," but story lines are brisk, engaging, sometime surprising (Colombian drug mule explains why she's better off in prison); interesting that in the UK it's a criminal offense to own (or be) a pitbull. Supporting honors go to GoT's Natalie Dormer as a "spoony" (born with a silver one in her mouth, i.e.) pupil, Tom Hughes as a not-so-spoony pupil and Nina Sosanya as a mutinous junior barrister.

Here's hoping that the next few seasons will turn up before long on PBS and eventually on Netflix.

This is an absolutely spectacular series, please make more episodes, I feel abandoned.