Zeit zu leben

Most of us like me have all found out about family secrets in our life, and when they are revealed many years later they surprise us and it does impact and affect our lives. It's so true everyone has skeleton's in their closets. And this touching and heart felt film "People Like Us" relates to all of those issues. It proves that in life a family always have life altering choices to make.

The story which was inspired by true events has Sam(Chris Pine)a grown salesman who one day with his love Hannah(Olivia Wilde)gets a call in New York and the news is bad his record producer dad who he hasn't seen in years has just passed away on the west coast in L.A. Also Sam's mother Lillian(Michelle Pfeiffer)has fallen ill with a heart condition, so he takes a trip to California to have his life turned upside down.

Soon Sam will have revealed that his father had a hidden past life this was in the form of another sibling it's a half sister in Frankie(the sexy Elizabeth Banks). And Frankie who's an outspoken provocative sexy single mother has her hands full raising little one son Josh(Michael Hall). Along the way this triangle comes a bonding of friendship and love even though at times it's a struggle it's life changing for all as it's a money change for Frankie and Josh as this sexy lady can finally leave bar tending and get a good fresh path to a better life. And Sam has dropped everything after the connection so he can start anew with his true love Hannah.

Overall good film of finding out hidden special secrets, it proves love last with family as a new connection that was once secret starts a better life for all. And that's special and important because a loving family connection is ever lasting love.

Michelle Pfieffer and Elizabeth Banks both give A+ performances in this movie and they both deserve to be remembered at Oscar time. It is a joy watching these two outstanding thespians at work. It is amazing the intensity and depth they bring to their performances. They bring these tortured characters to life and you feel their pain. When I was getting ready to write this review, my first instinct was to say that there wasn't a really likable character in the film. That instinct was wrong. Its not that the characters aren't likable, its just that they are flawed and in deep emotional pain because one man didn't do his job as a responsible husband and father and the pain he caused lives after his death. This is a very dark film, very depressing, gritty and true to life. No "Brady Bunch" happy endings here folks. Surprisingly, I think it makes it a better movie. The only major beef I have with this film is the character of the boy Josh. He is without a doubt the most appalling child character since Wesley on Mister Belvedere. I kept wanting one of the adults to give him a good smack in his little fresh, dirty mouth. I always hate it in movies when they show smart aleck kids who talk to adults more strongly then real life kids would dare do!

"People Like Us" has a fine cast, a fairly stimulating (yet safe) plot, and some heartfelt life lessons thrown in for good measure. The next paragraph contains a gentle spoiler about this films' themes.

A man (Pine) receives some bad news about his family. He needs to do the right thing, grow up, and bust through the defenses he has spent years hiding under. As he makes a reunion of sorts with family members, the plot unfolds. Each character deals with their own personal set of challenges.

I'll confess that I had hesitations about the casting. Pine is cute as-a-button, and I tend to be drawn to actors who are a bit rough around the edges. But I was wrong to doubt his abilities. He layered his role with some interesting nuances. His interactions with the Elizabeth Banks character were entertaining and fairly genuine. The young actor Michael Hall D'Addario was absolutely wonderful. Banks and Pfeiffer each turned in very sturdy performances. Wilde was also effective, but she needed more screen time.

Kudos to the director Alex Kurtzman for his reasonably light touch. It seems like he allowed the actors a long leash in developing their characterizations. This is no easy task, because Kurtzman also co-wrote the script.

The musical score had some strong moments, particularly when they highlighted classic rock tunes from decades ago. There were periodic sentimental tunes, which seemed a bit manipulative. And there was a beach scene which was a bit deflated, because it was so typically pretty. I wish this film would have taken more risks, and navigated through an even murkier emotional landscape.

At the end of the day, I would recommend this, and I look forward to seeing more films from Kurtzman. If you're still with me at this point, I beg your pardon. Uh, bartender... I'll have an extra dry martini with 2 olives, please.

My wife and I saw this film without having any idea of what it is a about. All we knew was some guy's father died and he went through a life decision change. For all we knew that meant he could have become gay (he didn't, and it had nothing to do with that).

This is an adult family film. It's PG-13 rating is not for nudity, swearing, or violence. It is rated that because it is a mature look at dysfunctional family problems. So while little of that is shown, they are referred to through the dialog, thus making it a mature film for teens and up.

From the opening credits of Dreamworks, the artistry of the film was evident. Instead of the usual music for the kid fishing from the moon, we hear conversations in a recording studio. In our opinion, every actor and actress gave outstanding performances. While the topic could have had a heavy handed approach, it did not. It was deftly edited and paced.

In summation, this movie was art because the content was all heart. I have deliberately avoided talking about specifics because I want all viewers to be as surprised as we were in the viewing. I give it a ten, and intend to watch it again.

This has to be under everyone's radar and that's a true shame. I can't recommend it enough if you're looking for a truly moving film about fractured families and fractured souls.

I was completely blown away by this movie and by every single performance. If I were an Academy member and I saw this film I would immediately place the names Chris Pine, Elizabeth Banks and Michelle Pfeiffer at the very top of my Oscar nominations lists. Honestly, everyone is just that good in these roles especially Banks. Hers is the best performance I've seen this year bar none. The movie itself is so wonderfully written and packs true emotional resonance. The plot may sound cliché but nothing is handled in a predictable or unreal fashion. Secrets are revealed and it sheds new life on family and the meaning of love. To paraphrase: what seems important now really isn't and what's may seem not important now really is… there's a lot to digest about this film. One thing's for sure, if you "lean in to it" and give this movie your time and undivided attention you will not be sorry that you saw it.