IMDb-BEWERTUNG
2,7/10
10.646
IHRE BEWERTUNG
Zwei Freunde entdecken in Mexiko eine Rätselschachtel, die den Zenobiten Pinhead freisetzt.Zwei Freunde entdecken in Mexiko eine Rätselschachtel, die den Zenobiten Pinhead freisetzt.Zwei Freunde entdecken in Mexiko eine Rätselschachtel, die den Zenobiten Pinhead freisetzt.
- Regie
- Drehbuch
- Hauptbesetzung
Fred Tatasciore
- Pinhead
- (Synchronisation)
Empfohlene Bewertungen
I gritted my teeth and gave it a chance, but in the end there is no escaping it. No Doug Bradley, no Pinhead. No Pinhead, no Hellraiser. It's not worth talking through the awful script, the mediocre effects or the below par acting, others have covered those in existing reviews. My only comment would be that the actors on screen know they are making a fail movie and it shows on screen. And when the fake Pinhead arrives on screen, it's game over. After watching this, I looked up the interviews with Doug Bradley to find out why he didn't get onboard with the project, after all, he's been involved with every Hellraiser film so far. I would recommend watching the interviews BEFORE the film, it might save you 90 minutes of your life that you won't get back.
None of the films have been as good as the first three in this series. This one is no different.
Most of the acting, especially by the lead antagonist, Nick Eversman, is terrible. The effects and gore are nothing more than copies of scenes from the other movies with nothing new added to make it any more interesting.
I love the original Pinhead character, played by Doug Bradley in all of the other films. Stephan Smith Collins who portrays Pinhead in this sequel tries to recreate him but manages doing a poor man's imitation, instead of bringing anything new to the screen.
To future writers of any more sequels: STOP! Either come up with a new lead so we don't miss Bradley's performance so much or reboot the series from the start and try to come up with something new. Maybe consult with Clive Barker to see where he would go with it. Or better yet, put together some real money and have him write it instead.
Most of the acting, especially by the lead antagonist, Nick Eversman, is terrible. The effects and gore are nothing more than copies of scenes from the other movies with nothing new added to make it any more interesting.
I love the original Pinhead character, played by Doug Bradley in all of the other films. Stephan Smith Collins who portrays Pinhead in this sequel tries to recreate him but manages doing a poor man's imitation, instead of bringing anything new to the screen.
To future writers of any more sequels: STOP! Either come up with a new lead so we don't miss Bradley's performance so much or reboot the series from the start and try to come up with something new. Maybe consult with Clive Barker to see where he would go with it. Or better yet, put together some real money and have him write it instead.
In this ninth installment of the Hellraiser franchise, two friends discover a puzzle box in Mexico, which opens a gateway to Hell.
I hardly even want to write a review about this crock of rubbish, because others already have and have done a better job.
Dread Central wrote, "Not only does this entry make all the other sequels seem great in comparison, you could easily confuse this for some Hellraiser mockbuster from the folks at The Asylum." This is spot-on, as they have stolen everything good from the first two films -- Pinhead, the mattress rebirth, the homeless man -- and made them into pale comparisons.
No one has been harsher than Scott Weinberg, who called the film a "contractually-mandated piece of intentional garbage that exists for no other reason than pure, simple greed... This is amateur hour stuff all the way, and it'd be almost endearingly, stupidly enjoyable if this witless cinematic refuse wasn't dancing on the grave of a true classic of the genre." Ouch!
But seriously, what is with the chubby Pinhead who has somehow lost his British accent? The only way this even makes sense is by assuming it just happens to be another demon that imitates the look.
I hardly even want to write a review about this crock of rubbish, because others already have and have done a better job.
Dread Central wrote, "Not only does this entry make all the other sequels seem great in comparison, you could easily confuse this for some Hellraiser mockbuster from the folks at The Asylum." This is spot-on, as they have stolen everything good from the first two films -- Pinhead, the mattress rebirth, the homeless man -- and made them into pale comparisons.
No one has been harsher than Scott Weinberg, who called the film a "contractually-mandated piece of intentional garbage that exists for no other reason than pure, simple greed... This is amateur hour stuff all the way, and it'd be almost endearingly, stupidly enjoyable if this witless cinematic refuse wasn't dancing on the grave of a true classic of the genre." Ouch!
But seriously, what is with the chubby Pinhead who has somehow lost his British accent? The only way this even makes sense is by assuming it just happens to be another demon that imitates the look.
This was the worst film in the series by far. I understand it was rushed out but the script seems to have been written by a 10 year old.
The characters were cardboard cut-outs. Actually I think I would have had more of an emotional connection to cardboard than the cast.
The storyline and I use the term in the loosest possible sense was so jumbled it was nigh on impossible to keep track of what was happening and when it was happening.
I am so glad Doug Bradley refused to appear in the film as he would have shone so brightly among the others the screen would have just been a white light.
So Revelations. Well if the word is translated as Apocalypse I think I was a valid title.
Don't bother to see this film unless you enjoy staring at wet paint.
The characters were cardboard cut-outs. Actually I think I would have had more of an emotional connection to cardboard than the cast.
The storyline and I use the term in the loosest possible sense was so jumbled it was nigh on impossible to keep track of what was happening and when it was happening.
I am so glad Doug Bradley refused to appear in the film as he would have shone so brightly among the others the screen would have just been a white light.
So Revelations. Well if the word is translated as Apocalypse I think I was a valid title.
Don't bother to see this film unless you enjoy staring at wet paint.
Every review of this movie has ripped it to shreds. Some reviews were fair, however. I'm one of these people who looks deeper into what he sees before him rather than the surface. While it is true that this film is by no means a masterpiece, it certainly isn't the biggest cinematic monstrosity of all time ("Children of the Living Dead" owns that title).
First off: Doug Bradley's absence. I'm a huge Doug Bradley/Pinhead fan, and there will never be anyone to play Pinhead better, but you have to look at what the new guy was up against. Very short shooting schedule and immediate fan ridicule pretty much doomed this poor guy. Overall, I felt he did a decent job with what he was given.
Second: special effects. Come on people, it's a direct-to-DVD movie. Are we looking for 'Star Wars' visuals here? Honestly, I felt the effects here were a bit better than they should have been.
Seriously, if you're a fan of this series, leave high expectations at the door and just give it an honest chance. You never know, you might end up liking it.
First off: Doug Bradley's absence. I'm a huge Doug Bradley/Pinhead fan, and there will never be anyone to play Pinhead better, but you have to look at what the new guy was up against. Very short shooting schedule and immediate fan ridicule pretty much doomed this poor guy. Overall, I felt he did a decent job with what he was given.
Second: special effects. Come on people, it's a direct-to-DVD movie. Are we looking for 'Star Wars' visuals here? Honestly, I felt the effects here were a bit better than they should have been.
Seriously, if you're a fan of this series, leave high expectations at the door and just give it an honest chance. You never know, you might end up liking it.
Wusstest du schon
- WissenswertesAn ad copy for the DVD and Blu-ray releases hailed the film as coming "from the mind of Clive Barker". In response, Barker, who has had no official involvement with the series following Hellraiser 4 - Bloodline (1996), posted a profanity-laden message to his Twitter feed: "Hello,my friends. I want to put on record that the flic out there using the word Hellraiser IS NO FUCKIN' CHILD OF MINE! I have NOTHING to do with the fuckin' thing. If they claim it's from the mind of Clive Barker,it's a lie. It's not even from my butt-hole."
- Patzer(at around 26 mins) The vagrant speaks quite huskily in his first scene. Later when he reappears in front of the house (at around 46 mins), he simply speaks by using his normal voice.
- VerbindungenFeatured in Mad Love in New York (2014)
- SoundtracksWithout Weeping
Written and Performed by s.o.stereo.
Courtesy of Wildtrack Entertainment & Music Supervisor Inc.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Hellraiser: Revelations?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Clive Barkers Hellraiser Revelations - Die Offenbarung
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 350.000 $ (geschätzt)
- Laufzeit
- 1 Std. 15 Min.(75 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen