Neighborhood Watch

Came to watch it for the two main stars not knowing too much about the plot but stayed because of how the film was executed.

The chemistry between the two main characters is great even though at first they had nothing in common (although I wouldn't mind if they had fleshed it out a little bit more).

The plot is easy to follow and had a couple of nice quirks that I liked.

Almost every scene in the movie has a purpose and nothing is spoon fed to the viewer.

The ending was very rewarding and I liked the fact that the world the movie took place in was so down to the ground.

And the hand sanitiser gag had me chuckle more than I'd like to admit.

Good stuff.

Wholesome movie.

Give it a try :)

8/10.

There are elements of this film that really shine. Overall, I liked it. There are a few spots I'd normally nitpick on but Jack Quaids performance (at least to me) was great. I also think Jeffrey Dean Morgan could have done more with his role but the script hampered his performance. Still, he made the most of what was given to him.

The movie is executed well in terms of direction, lighting, cinematography and sound, but the dialogue was wooden at times - the director should have realized that and listened to his actors. This didn't happen often but when it does, you notice it.

Ultimately, it's about a retired cop and a person with mental health issues working out a friendship between them. That is possibly the most appealing aspect of this movie. You'd think it'd be minor thing. But Morgan and Quaid pulled it off!

I kind of love this movie. It's a slow-burn, but it knows what it's about. It reminds me most of the great (if rather more substantial) film Cutter's Way from the seventies, in terms of characters who, somewhat despite themselves, are drawn in to the obsessive pursuit of justice, whatever the cost.

The two main leads are really good. Not perfect perhaps, but convincing in the roles they play. Quaid does a solid job as Simon, a haunted, self-doubting psychotic, who, whatever his personal demons, knows exactly what he must do, when duty calls, even if he doesn't know quite how to do it.

Cue Jeffery Dean Morgan's maverick ex-campus security 'director' who reluctantly gets drawn into Simon's to find a kidnapped girl.

It's mostly low key, but really works, and there are some nice set-ups and pay offs.

I watched this and felt oh so very slightly better about the world by the time the credits started rolling.

I don't want to suggest this is going to rock your world - it won't - but at the same time I wish there were more films like this.

The movie felt Fargoish which very entertaining. The characters were well defined and believable.

After Simon (who has issues with schizophrenia) reports to the police about the abuction of a women he witnessed. The police didn't take it seriously so he started his own investigation. He sought help from his retired and somewhat disgruntled neighbor. The investigation turned into a bit of comedy of errors but the end result was satifying.

The pair end up forming a bond that would never have happened if not for the abuction of the girl. It was heartfelt.

It is nice to see some great acting from lesser known stars. Kudos to the director, cast, and crew.

I highly recommend it.

The film mostly worked for me because of the odd pairing of the rough and decisive ex-cop played by Ed Deerman (Jeffrey Dean Morgan) and the diminutive and tormented Simon McNally (Jack Quaid) who struggles with schizophrenia. The unlikely duo prove they have unexpectedly strong chemistry as they form an unlikely alliance to find a woman that Simon believes he may have seen being kidnapped.

The actual procedural aspects of Deerman and McNally's investigation are the weakest aspect here from my perspective. They sort of just wander around encountering violent criminals for most of the film's brief runtime. But there are elements to the film that we don't typically get in these types of films, so I will give it a pass for neglecting the procedural aspects somewhat.

I adored Duncan Skiles' previous film, the vastly underrated serial killer thriller The Clovehitch Killer, and he shows all the same strengths as a director here that he did in that film. The story never lacks a sense of purpose, and the sparkling interactions between its two leads keep the story rolling steadily forward to a satisfying if unmemorable conclusion. I think a couple frightening scenes and potentially a violent encounter at the film's conclusion might have helped to make this more well-rounded as a thriller.

The exploration of Simon's mental health struggles is quite well done and integrated effectively throughout. The film even puts the audience somewhat in Simon's situation where we're not entirely sure what's real and what isn't. We feel the effects of Simon's struggles in a similar way to how he does because we too are uncertain to what extent what we are seeing is real and how much we can trust our senses.

Deerman, while not as likable as Simon, has a nice character arc as he comes to respect Simon and rethink his dismissive treatment of him as a "nutjob." A third-act sequence in which Deerman helps Simon to cope with his paralyzing demons is well-acted and powerful to behold. Deerman is the kind of rogue cop with a heart-of-gold that we can't help finding lovable even if we shouldn't. Even if his methods are problematic, his unimpeachable desire to save an innocent young woman keeps the audience in his corner.

Visually, the film feels like a 70s period thriller due to the sepia-tinged cinematography. This is in spite of the fact that the characters use iPhones and other technology. But I think Skyles was perhaps emphasizing retro aspects intentionally to create a more old-fashioned noir feel. At any rate, this doesn't feel entirely like it's set in the present day even though it ostensibly is.

All in all, Neighborhood Watch may not break new ground as a crime thriller, but its emotional resonance and strong performances make it a quietly compelling film for genre stalwarts.