Du wirst schon noch sehen, wozu es gut ist

To all of those people out there commenting on how bad the acting was or how poorly the script was written or how there was no plot to the movie. You. Are. Wrong. As someone who read, and absolutely loved, the book I would like to say how much it meant to me that someone else enjoyed this book enough to craft it into a movie. When I first found this piece I was incredibly moved by it. Having gone through trials and tribulations as James had, finding someone out there, even fictional, who had experiences similar to my own was a godsend. I'd been there. I knew the pain of not belonging and the pressure to do so. I'd had those same hopeless thoughts. This book, if not saved than severely changed my life. So to all of you ragging on this movie because of its "flaws", you don't understand the message behind it, and I feel extremely sorry for you.

Someday this pain will be useful to you – Trash It (D) Well this is as bad as its name, a rich teenager finding meaning for his life and hating what he has is ridiculous. Even in the end we don't see finding him any meaning of his life which makes it even more badly. The director somehow manages to nab brilliant ensemble but even their performances couldn't save this lousy script. Toby Regbo was amazing in "Mr.Nobody" so I was really excited to see this but here he is just another Looney wandering in the streets of New York. Deborah Ann Woll is amazing beautiful as always. Marcia Gay Harden, Lucy Liu and Stephen long etc are good in their parts. On the whole, its waste of money and time, better to watch Toby Regbo is Mr.Nobody and Deborah Ann Woll again in True Blood.

If you're like me, the phrase "coming of age story" is about as exciting as the phrase "nature documentary about corn". That said, this coming of age story ranks among the best I've seen and kept me interested from start to finish.

At its heart is the familiar story of a teenage loner who's much too wise for his own good, living in NYC and simultaneously battling a dysfunctional family and the malaise of life. The book "Catcher in the Rye" comes to mind as do the films "The Squid and the Whale", "Igby Goes Down" and "City Island" (yeah for someone who doesn't like coming of age stories, I sure manage to see a lot of them). All follow the same basic structure: we observe a few days in the life of a troubled teen, seeing different vignettes that are not necessarily related to each other but give us insight into the character's isolation from family & society.

What sets this apart from the others is the masterfully suspenseful way it's told. That is, even though there is no traditional plot line, the film leads us on with anticipation of events to come. How is this done? Well, for one it starts with a scene of the boy standing on a rooftop ledge preparing to jump to his death. How's that for a hook? It keeps us guessing throughout with references to "what happened in DC" - an episode which is not explained until near the end of the film. Dramatic lighting & cinematography also augment the tension in a subtle way. In this way, the film presents a gnawing mystery which should keep you interested despite the lack of traditional action.

Two other things kept my interest going, the first is the playful sense of humor (seeing the absurdity of peoples' actions contrasted with the calm exasperation of the main character--sorta like you'd find in an 80s John Cusack comedy). The second is the acting of the main character himself. The 17-year-old hero James (played by actor Toby Regbo) is a very colorful character. Though his emotions are muted and his interactions with other characters are equally suppressed, we still manage to get close to him somehow. Perhaps it's because of his expressive face even when he's not expressing emotions. Maybe it's just his body language. Or maybe it's the way he connects with his little dog. For whatever reason, I felt instantly connected with him even though my own life has nothing in common with his.

Great supporting performances by every other character, most of whom play comedic oddballs or such extreme caricatures that you can't help but laugh at their every expression. The father (Peter Gallagher) had me laughing, and Aubrey Plaza (though a very small role) had me in stitches with her signature weirdness.

If you like slightly satirical films about real life, and if you don't require car chases, shootouts and sex scenes, then this is a good one. I would also add if you like films set in NYC this has some great scenery and nostalgic locations. Even if you aren't thrilled at coming of age stories, this one is worth your time, as are the others I've mentioned. "Someday This Pain" bears a slight resemblance to my favorite coming of age flick "Archie's Final Project" about a troubled teen who wants to film his suicide for a high school film class.

Now if someone could just make a nature documentary on corn so interesting, my life will be complete.

James Cameron's story SOMEDAY THIS PAIN WILL BE USEFUL TO YOU is coming of age tale that is, at turns, funny, sad, tender, and sophisticated. As adapted for the screen by director Roberto Faenza with Cameron and Dahlia Heyman this becomes an experimental film that will delight many and confuse some. The cast is excellent and once the audience moves into the rhythm of the narrated story it is difficult not to re-live youth and pull for the lad whose story this is.

James Sveck (Toby Regbo) is a lonely young teenager who is tortured by his grossly unstable home environment and is fraught with hating people, suicidal thoughts, depression, and the preference for solitude. It is the summer before he goes off to college at Brown University and he is conflicted: his vain Lothario father (Peter Gallagher) insists that he go to college, his gallery owner mother (Marcia Gay Harden) has just returned form Las Vegas and her third failed marriage - this time to a compulsive gambler (Stephen Lang); his sister Gillian (Deborah Ann Woll) is writing her memoir and falling for an older married Polish professor; and James is working with his mother's gallery director (O'Ryan Graves), trying to make since of art, people, relationships and the chaos of the world that confuses him - the last thing he wants is to enter the college world. His mother lines him up with a Life Coach (Lucy Liu) and slowly James begins to come to grips with a past bad memory and to learn to accept who he is as someone worth living. James only loving connection to the world is his grandmother (Ellen Burstyn) and from her he learns a lot about the vagaries of life and how to cope. The story is told in the first person narration which helps give an intimate inside view of James as he works through his life at the therapy sessions which his parents insist he attend and it is in this manner that we learn about James's past and present through the stories he tells and his recounting of previous therapy sessions and the ambivalences and uncertainties of adolescence.

The film manages to balance teenage angst and relationship failures with an equal amount of drama and comedy. This is one of those films that linger in memory long after the final credits.

Grady Harp

This movie kind of reminds me of The Art of Getting By, but the main character was not as likable or accessible. Most of the time, I though he was annoying and affected. Many of the scenes rang false and the accompanying dialogue seemed to be written by a first-year psychologist student. However, the saving grace is the second-half of the film. Once the life-coach aspect comes into play, the movie improves dramatically. The main character's scenes with Lucy Lu felt real and not like the psycho-analysis that permeated the first-half of the movie. I really enjoyed the scenes in Washington and they really captured the claustrophobic feeling of the main character. Finally seeing what happened made the main character more sympathetic and less insufferable. Decent film