IMDb-BEWERTUNG
6,8/10
66.150
IHRE BEWERTUNG
In der Kleinstadt Texas schließt ein umgänglicher Bestatter jedoch Freundschaft mit einer wohlhabenden Witwe.In der Kleinstadt Texas schließt ein umgänglicher Bestatter jedoch Freundschaft mit einer wohlhabenden Witwe.In der Kleinstadt Texas schließt ein umgänglicher Bestatter jedoch Freundschaft mit einer wohlhabenden Witwe.
- Auszeichnungen
- 10 Gewinne & 19 Nominierungen insgesamt
Mathew Greer
- Carl
- (as Matthew Greer)
Sonny Carl Davis
- Townsperson
- (as Sonny Davis)
Empfohlene Bewertungen
Casting Jack Black in the title role of this 2012 dark comedy turns out to be a masterstroke on the part of director and co-screenwriter Richard Linklater because the real-life character of Bernie Tiede is a comically ambiguous figure not only sexually but more to the point, as a jovial child-man personality beloved by his small Texas town of Carthage while at the same time, strangely insistent in his constant presence in their lives. His pointed need for universal acceptance and unconditional love is what makes Bernie unique as a screen creation. It takes Black's oddly discomfiting screen persona to make the character work as a protagonist of closeted complexity, and in turn, he delivers his most accomplished screen work to date. No stranger to Texas-size guffaws intermingled with wry observations about human nature, the versatile Linklater ("Before Sunrise/Sunset") tells this hard-to-believe, true-crime story with both morbid humor and surprising conviction.
Based on a seriocomic 1998 Texas Monthly article by co-screenwriter Skip Hollandsworth, the plot revolves around the unlikely relationship between Bernie, a relentlessly thoughtful assistant funeral director, and Marjorie Nugent, recently widowed and one of the richest women in Carthage. As Bernie becomes indispensable to the fabric of the community with his acts of charitable kindness, his Broadway-style choir solos, and his gentlemanly way of comforting widows in the throes of their grief, the ever-scowling Marjorie is always ready for battle with not only the townsfolk who impede on her life but even her immediate family who can't stand her. Bernie, however, is able to breakthrough her icy veneer with his cheery persistence, and their relationship evolves into an unhealthy codependence to put it mildly. As Marjorie lavishes Bernie with expensive gifts and luxurious vacations, she grows increasingly manipulative in her need to control his every move to meet her every need.
Even Bernie has his limits about what he is willing to do under her iron fist, and needless to say, consequences ensue. For all the dire consequences, Linklater keeps the mood buoyant with the insertion of intertitles to signal what question the movie will address next and with the brief interviews he includes with both actors and true residents of Carthage, all showing their unqualified support of Bernie through his burgeoning troubles. Much like Warren Beatty did in "Reds", Linklater uses them as a cumulative Greek chorus who on one hand, provide some of the film's biggest laughs, and on the other, illustrate just how myopic and oppressive a small town can be in its rumor mongering ways, so much so that Bernie's trial has to be moved fifty miles away in order to allow the light of objectivity to filter into the proceedings. As Bernie, Black finally has a multi-dimensional role that fits him perfectly, and I would be hard pressed to identify anyone else who could have played the character to the seriocomic depths he achieves here.
Well into her seventh decade of movie stardom, Shirley MacLaine is not particularly challenged in portraying Marjorie's sourpuss nature since she's been playing variations on the same role since her turn as the ornery Ouisa in "Steel Magnolias". However, in one key scene, she lets loose all her insecurities that exposes the impenetrable cage in which she has put the increasingly desperate Bernie. Linklater favorite Matthew McConnaughey ("Dazed and Confused") plays the showboating district attorney Danny Buck with gusto, although I wish he was reined in a bit more to provide more of a contrast to the other two principal actors. The movie is a fascinating meld of the Coen Brothers' "Fargo" and Hal Ashby's "Harold and Maude" with an unexpected dose of Christopher Guest's mockumentaries. While Linklater does not completely avoid making Carthage the object of ridicule, he has made a black comedy with surprising resonance when all is said and done, especially when you see the real Tiede in an archival video clip at the end.
Based on a seriocomic 1998 Texas Monthly article by co-screenwriter Skip Hollandsworth, the plot revolves around the unlikely relationship between Bernie, a relentlessly thoughtful assistant funeral director, and Marjorie Nugent, recently widowed and one of the richest women in Carthage. As Bernie becomes indispensable to the fabric of the community with his acts of charitable kindness, his Broadway-style choir solos, and his gentlemanly way of comforting widows in the throes of their grief, the ever-scowling Marjorie is always ready for battle with not only the townsfolk who impede on her life but even her immediate family who can't stand her. Bernie, however, is able to breakthrough her icy veneer with his cheery persistence, and their relationship evolves into an unhealthy codependence to put it mildly. As Marjorie lavishes Bernie with expensive gifts and luxurious vacations, she grows increasingly manipulative in her need to control his every move to meet her every need.
Even Bernie has his limits about what he is willing to do under her iron fist, and needless to say, consequences ensue. For all the dire consequences, Linklater keeps the mood buoyant with the insertion of intertitles to signal what question the movie will address next and with the brief interviews he includes with both actors and true residents of Carthage, all showing their unqualified support of Bernie through his burgeoning troubles. Much like Warren Beatty did in "Reds", Linklater uses them as a cumulative Greek chorus who on one hand, provide some of the film's biggest laughs, and on the other, illustrate just how myopic and oppressive a small town can be in its rumor mongering ways, so much so that Bernie's trial has to be moved fifty miles away in order to allow the light of objectivity to filter into the proceedings. As Bernie, Black finally has a multi-dimensional role that fits him perfectly, and I would be hard pressed to identify anyone else who could have played the character to the seriocomic depths he achieves here.
Well into her seventh decade of movie stardom, Shirley MacLaine is not particularly challenged in portraying Marjorie's sourpuss nature since she's been playing variations on the same role since her turn as the ornery Ouisa in "Steel Magnolias". However, in one key scene, she lets loose all her insecurities that exposes the impenetrable cage in which she has put the increasingly desperate Bernie. Linklater favorite Matthew McConnaughey ("Dazed and Confused") plays the showboating district attorney Danny Buck with gusto, although I wish he was reined in a bit more to provide more of a contrast to the other two principal actors. The movie is a fascinating meld of the Coen Brothers' "Fargo" and Hal Ashby's "Harold and Maude" with an unexpected dose of Christopher Guest's mockumentaries. While Linklater does not completely avoid making Carthage the object of ridicule, he has made a black comedy with surprising resonance when all is said and done, especially when you see the real Tiede in an archival video clip at the end.
Bernie (2011)
Don't you hate it when you see a funny movie and think at the end, wow, that could have been so much funnier? This movie really is funny, and Jack Black is kind of brilliant at being this man who has incredible generosity and a quirky kind of social skill to be everyone's favorite. And who ends up taking care of the richest woman in town, getting his name on her will, and so on, as you can guess.
To get the gags and to give a sense of documentary reality, clips of interviews with colorful townsfolk of all types are shown, and they are some of the funniest moments. When these same people are shown again and again there is a sense of welcome familiarity--an update on things from a known face--but also a sameness to the movie. It falls into a pattern. And it's a major part of the movie, with thirty of these talking heads, so naturally the momentum of the main plot is slowed down often. As the events become more extreme, the movie does not. It plods along, relying on some great idiosyncratic acting and the weird (and exaggerated?) East Texas culture.
But Black inhabits his character so well it's scary. The other big name (the biggest name) is Shirley MacLaine, who doesn't actually have that much to do (most of the time she is silent, just ominous or dour). And she of course doesn't make it through the whole film (the trailer and teaser give away too much on that score). The third name is Matthew McConaughey, and he's predictably fun and funny, though he blends in with lots of other unknown characters who are also fun and funny.
So it's the scenario, and some funny writing, that carries the day. Well done stuff. Director and writer Richard Linklater is a curious talent, a little all over the map but good at several things, including just being offbeat enough to seem like the Indie director he once was. His pair of movies "Before Sunrise" and "Before Sunset" are growing into unlikely classics (I like them both a lot) and yet he is also known for lesser comedies like "Dazed and Confused" and now this one.
Yeah, see this for some good laughs. The beginning will seem a little like a lame "Six Feet Under" episode, but stick with it. Black's character is utterly convincing, and funny. A good time.
Don't you hate it when you see a funny movie and think at the end, wow, that could have been so much funnier? This movie really is funny, and Jack Black is kind of brilliant at being this man who has incredible generosity and a quirky kind of social skill to be everyone's favorite. And who ends up taking care of the richest woman in town, getting his name on her will, and so on, as you can guess.
To get the gags and to give a sense of documentary reality, clips of interviews with colorful townsfolk of all types are shown, and they are some of the funniest moments. When these same people are shown again and again there is a sense of welcome familiarity--an update on things from a known face--but also a sameness to the movie. It falls into a pattern. And it's a major part of the movie, with thirty of these talking heads, so naturally the momentum of the main plot is slowed down often. As the events become more extreme, the movie does not. It plods along, relying on some great idiosyncratic acting and the weird (and exaggerated?) East Texas culture.
But Black inhabits his character so well it's scary. The other big name (the biggest name) is Shirley MacLaine, who doesn't actually have that much to do (most of the time she is silent, just ominous or dour). And she of course doesn't make it through the whole film (the trailer and teaser give away too much on that score). The third name is Matthew McConaughey, and he's predictably fun and funny, though he blends in with lots of other unknown characters who are also fun and funny.
So it's the scenario, and some funny writing, that carries the day. Well done stuff. Director and writer Richard Linklater is a curious talent, a little all over the map but good at several things, including just being offbeat enough to seem like the Indie director he once was. His pair of movies "Before Sunrise" and "Before Sunset" are growing into unlikely classics (I like them both a lot) and yet he is also known for lesser comedies like "Dazed and Confused" and now this one.
Yeah, see this for some good laughs. The beginning will seem a little like a lame "Six Feet Under" episode, but stick with it. Black's character is utterly convincing, and funny. A good time.
I saw the world premiere of "Bernie" last night at the Los Angeles Film Festival. I must confess, after Jack Black's run of "Year One", "Gulliver's Travels", and "Kung Fu Panda", I was starting to lose hope of ever seeing the "School of Rock" guy I fell in love with. When I heard Richard Linklater (School of Rock) and Jack Black were teaming up again, I felt a glimmer of hope. I am happy to report, I was not disappointed last night! Jack Black gives one of the best performances of his career in "Bernie." Shirley MacLaine was the icing on the cake and Matthew McConaughey was the cherry on top. I loved this movie! "Bernie" is based on the true story of Bernie Tiede, an assistant funeral director and general do-gooder, who confessed to killing Marjorie Nugent, a very rich and mean old lady. Bernie was a bit eccentric but beloved by his entire community of Carthage, Texas. Jack Black nails this performance. He really shows us what he is capable of as an actor. It was such a pleasure to watch him transform into Bernie Tiede. Great moments of physical comedy and also some twisted, dark moments of catching a glimpse into Bernie's spiraling psyche. Shirley MacLaine was Marjorie Nugent who was known as a mean, bitter lady with no friends and a family who tried to sue her for her money. You can't go wrong with Shirley MacLaine – she's just brilliant. The chemistry between MacLaine and Black was fantastic. I truly enjoyed watching them on the screen together. Even at the world premiere last night they had great chemistry in person. It seems like they truly loved working together on this film. Matthew McConaughey was great as the D.A. Danny Buck Davidson, the character didn't seem to be a huge stretch for him, but who cares – he was great! I'm not sure when it is due to be released, but I will be recommending it to my friends when it hits theatres.
I had the privilege of seeing this film in Austin last month. Mr. Linklater was among the thousands devastated by the fires in Bastrop county and with his hard work and help from Jack Black and crew they turned the screening into a fundraiser to help the fire victims. They raised over $155,000. It was a great event. The movie was the best part. If you live or have lived in a small town anywhere in America you'll 'get' this movie and you won't be able to stop laughing. If you're in Texas or you hate Texas, it'll be just that much better. The characters are real, the acting is superb. Jack is at the top of his game and Mathew did an outstanding job. He played his role right on the edge, always close to going over the top but never getting there. Shirley is a gem and acted like I've never seen her before. Thank you Richard for your film and your efforts in Bastrop. My farm survived, but too many friends lost everything. Oh, and thanks for letting me be in this film. Woohoo that's me at the end Ma!!
"Bernie" is a nice surprise by Richard Linklater and Jack Black - the same team that brought you 2003's comedy hit "The School of Rock"; now they have reunited for a different type of comedy - a dark one.
Black acts differently in this movie - more restraint, more focused, and at times more intense than in any other film he's done before. His humor here is low-key and not physical a feat done with his absorbing performance. Here is a guy who is loved by everyone - who must be loved by everyone, and who can never say no. It is both an interesting and challenging role for him but he pulls it off in a great way - perhaps paving the way to more challenging and dramatic roles in the future. Compared to other comedy film actors who tried more serious turns, he's not yet as terrific as say, Jim Carrey in "The Truman Show" or Adam Sandler in "Punch-Drunk Love" - but he's on the right track.
Shirley MacLaine is also very different here - she has a sweet, somewhat cheeky personality in many of her previous films of late, but for this movie there's a cold, demeaning aura around her, and her steely eyes sell it. Matthew McConaughey as the ruthless district attorney has certainly improved in his acting range - just check out the courtroom scenes.
I really appreciate the small-town setting of the film. The film is told by ''interviews'' with the friendly small-town folk, giving a quirky and homely feel to the film, while at the same time Linklater smoothly meshes narrative flashbacks into it - which brings me to the editing. The film moves at a strong clip and never feels rushed nor draggy. The above-average screenplay has balances just the right amount of screen- time to establish the story and characters, notably Bernie. Just when you think the film is about to end - there's always another interesting thing happening that keeps the audience glued.
Black and Linklater make a good, promising actor-director team. Perhaps Linklater will be the key to unlock Black's potential in acting. Of course, this is still a ''little'' movie - a low budget, and scarcely any promotion at all... so hopefully word of mouth spreads just how very good this dark comedy is.
P.S. I was not aware that the film is based on a true story. That made the film even more dark and quirky than it was supposed to be.
Overall rating: 77%
Black acts differently in this movie - more restraint, more focused, and at times more intense than in any other film he's done before. His humor here is low-key and not physical a feat done with his absorbing performance. Here is a guy who is loved by everyone - who must be loved by everyone, and who can never say no. It is both an interesting and challenging role for him but he pulls it off in a great way - perhaps paving the way to more challenging and dramatic roles in the future. Compared to other comedy film actors who tried more serious turns, he's not yet as terrific as say, Jim Carrey in "The Truman Show" or Adam Sandler in "Punch-Drunk Love" - but he's on the right track.
Shirley MacLaine is also very different here - she has a sweet, somewhat cheeky personality in many of her previous films of late, but for this movie there's a cold, demeaning aura around her, and her steely eyes sell it. Matthew McConaughey as the ruthless district attorney has certainly improved in his acting range - just check out the courtroom scenes.
I really appreciate the small-town setting of the film. The film is told by ''interviews'' with the friendly small-town folk, giving a quirky and homely feel to the film, while at the same time Linklater smoothly meshes narrative flashbacks into it - which brings me to the editing. The film moves at a strong clip and never feels rushed nor draggy. The above-average screenplay has balances just the right amount of screen- time to establish the story and characters, notably Bernie. Just when you think the film is about to end - there's always another interesting thing happening that keeps the audience glued.
Black and Linklater make a good, promising actor-director team. Perhaps Linklater will be the key to unlock Black's potential in acting. Of course, this is still a ''little'' movie - a low budget, and scarcely any promotion at all... so hopefully word of mouth spreads just how very good this dark comedy is.
P.S. I was not aware that the film is based on a true story. That made the film even more dark and quirky than it was supposed to be.
Overall rating: 77%
Wusstest du schon
- WissenswertesReal residents of Carthage, Texas who knew the real Bernie Tiede and Marjorie Nugent appear in the film providing commentary on the events.
- PatzerBernie committed the murder in 1996, yet he answers an iPhone nearly right after the murder.
- Zitate
Townsperson: [talking about Marjorie Nugent] She would chew your ass out at the drop of a hat. I mean, she'd rip you a brand new, three-bedroom, two-bath, double-wide asshole. No problem.
- Crazy CreditsBefore the main credits roll, photos of the real-life Bernie and Marjorie together are shown, along with a brief video of Bernie Teide talking with Jack Black.
- Alternative VersionenAccording to the Technical specs link for the film, there are two different versions of this movie: one running 1 hr 39 min (99 min), and the other for 1 hr 44 min (104 min) (USA).
- SoundtracksLove Lifted Me
Written by James Rowe and Howard E. Smith
Performed by The Florida Boys
Courtesy of World Entertainment
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bernie
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.206.470 $
- Eröffnungswochenende in den USA und in Kanada
- 85.805 $
- 29. Apr. 2012
- Weltweiter Bruttoertrag
- 10.173.061 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen