Stille Seelen

.... Because it is terribly boring! It seems that when movies made by non Anglophone directors deal with traditions, death and other supposedly « deep » subjects, critics are always over enthusiastic.

There is barely any dialogue, people are neither beautiful nor thin, there is no real plot to speak of, nothing happens : oh well it must be a wonderful experience of the senses, almost mystical, transcendental.

You have to be a poet, an intellectual or an artist with a love for emptiness and a lot of time to waste in order to enjoy watching such a film.

I can hardly understand why some critics have written that it was sensual and erotic. Hearing a man say his wife's « three holes » worked perfectly and that they only had sex when he initiated it did not make me feel the slightest bit aroused.

To each his own I guess but I would appreciate it if the media were a bit more honest when it comes to « foreign » films and that is why I decided to review this very dull Russian film and tell it like it is.

Clocking in at a very economical 78 minutes Aleksey Fedorchenko's "Silent Souls" is a remarkable and remarkably beautiful Russian film dealing with both grief and identity but in a manner that is both uplifting and almost surrealistically comic. It is the kind of film that Abbas Kiarostami might make or, in a much broader fashion, the Coens. The plot is both simple and minimalist. A man's wife has died and he wishes to take her body to be buried in the spot where they had spent their honeymoon, and in the custom of their race, but he does not want to involve the authorities so he enlists the help of a colleague, Aist, the film's narrator and its central character and it becomes a road movie unlike any other. Almost nothing happens and yet there is a great feeling that in the midst of death life goes on and that people continue to struggle for happiness at all costs. It's a melancholy subject but it isn't treated in a melancholy way. Little is actually said; these are indeed silent souls and what little story there is unfolds in almost totally visual terms and the cinematography of Mikhail Krichman is superb. An outstanding film that certainly doesn't deserve to get away.

Having set myself the goal of watching all the fairly good films released in Russia in 2011, I started with this movie.

The film turned out to be very languid, calm. Although the film is modern, and the plot takes place in our time, it is devoid of all the fuss, that overabundance of electronics that now reign in megacities. A provincial town, calm people, who never seemed to show bright emotions, who still retained some part of their culture ... This causes respect.

Some may feel that the scenes are drawn out. Yes, indeed, a change of plans takes a very long time. But it seemed to me a great merit of the film - so you could see every centimeter of the space being filmed. Immerse yourself completely in the plot of the film.

I immediately understood how the film would end, because the plot is quite simple and a little banal, they say, they are going to bury the godwit, which means they will bury it at the end of the film. But even after that, the interest of the film did not fade away. The film was watched in one breath, as if it lasted only a few minutes ..

Simple, unobtrusive, nothing special. Just a good movie.

10 out of 10.

Silent Souls. A fitting adapted English title to this film. In short, Aist and Miron serve as the guides to a desolate portrait into the life of the Merya people of Russia. The journey is centered on the grieving of a husband for his wife, and on the the associated death rites. As such, the film gives viewers a passenger's perspective into the customs and thoughts of a people whose rituals have been disappearing. All in all, Silent Souls is informative and simple, dragging viewers slowly into a surprising and symbolic conclusion. It is a film best observed through the gaze of an anthropologist or ethnographer, and taken in with the intention to learn and absorb a culture that to most will be new and foreign. In sum, one ought not to expect Hollywoodian diversions.

Somewhere up north in Scandinavia a young woman dies. Her husband wants to cremate her, following the rites of the land he lives in. One of his workers comes with him and together they start on a road trip through life itself.

A short introduction is used to define the world of the film - a desolate town in the middle of nowhere that is filled to the rim with people that follow a somewhat strange set of rites and rulings, but that are perfectly happy with them. The main theme in their life is a large river that flows through their country and that is more or less the base of their lives.

As it starts rolling it is mostly just two players working their ways around each other, portraying their odd lives with perfection. The story is amazing, the way they go through it is maddening and reminding of a lot of other strange road trips. The Straight Story and Cargo 200 come to mind. It has some fleeting moments where the pace drops to a stand still though and thus it isn't entirely satisfactory. It's good, but not very good.

7 out of 10 bottles of vodka