Tropico de Sangre

A film with ups and downs, that's Tropico de Sangre! Being said that, come on, it's a try. And it really has substance and good things to be pointed out! Tropico de Sangre exposes in an authentic way the often repeated story of the Mirabal Sisters.

To start off with the good, the movie's technical aspects are admirable. The image is great, the effects are great, and the production managed to successfully achieve the environment of the 50's with a hit in both dressing and scenery.

The performance of several actors such as Sharlene Taule and Sergio Carlo (btw, is that his name?) performing Manolo were standouts, as well as the performance of experienced Cesar Evora. Michelle Rodriguez, despite the negative aspects, delivered the expected. Other minor actors like the one performing Minerva's father and the one performing Johnny Abbes resulted convincing as well.

The way they tell the story is completely different to what we have seen, almost like much more poetical to me, and with right touches of fiction.

Going to the cons, the story seemed to run slower than how it should have run. Sometimes you felt lost regarding some characters: who is he? why is he there?

Juan Fernandez performance, is truly disappointing often falling in ridiculousness. His voice trying to imitate Trujillo sounded like a comic brought to the screen, and his inflexions were way too robotic. Minerva's mom is a complete joke as well! Very bad make up and very depressing performance! Actresses like Claudette Lali, Luchy Estevez, Celines Toribio... are just soap opera-ish! Too melodramatic and no real essence. Very superficial!

Anyways, this move is dignifying Dominican depressing cinema!

Is it true the some of the actors could have done it better, yes. I am not an expert, but at some point I did feel the acting could have been more honest and natural. But I personally liked Cesar Evora (this dude transmit everything with his expressions and voice), Juan Fernandez (his voice was a good try based of Trujillo's tone), Michelle (showing she is not only about action and such a beautiful smile) and Sergio Carlo. Overall the movie is a good and decent try. Normally in DR the movies are related to the comedy gender, so movies like this one and Yuniol related to drama and important aspects of the Dominican society it's a sign that Dominican theater has potential in terms of writing, film and also acting. I liked what Juan Delancer tried to do with the film, the scenario, taking you to that time with the clothing, cars, music, government institutions. The story of the Mirabal sisters and what the years of Trujillo's time meant for the Dominican history and the Latin American history in general is important to remember. Sometimes looking at the past we can try to avoid the mistakes in the future. Thanks for the film.

I watched this for Michelle Rodriguez, and hope she had fun making it, because it was not fun watching. Production standards are lower than TV, giving the movie the feel of an after-school special or soap opera. I suppose that's normal for Latin America, but why anyone would watch this is mystifying, as it seems written for elementary schoolers, yet contains brutal torture scenes that are the only half-effective part of the film because of this naive and amateurish ambiance. We learn that heroic main characters will die, and the film proceeds to tell the story of how they do hardly anything, are pushed around, and finally do nothing as they are killed. Even if you are used to this poor quality and have a stake in the history, movie film is pointless. Worse than pointless because the myth of the Mirabals seems mostly to be fetishizing their sex rather than their revolutionary principles.

This is the second Dominican film I've seen. The other one was Sanky Panky. I think in three years or so Dominican cinema has somewhat improved: I liked the photography and the music. Nothing to say about them, they were quite good.

Unfortunately, there was a huge amount of things I did not like: - Acting was very very bad. Trujillo looked more like a clown than a dictator. Soap Opera style acting indeed.

• Screenplay: Full of holes, unarticulated, slow as hell, too much into details of the initial situation, not enough of the really critical ones. The best friend of a good screenplay writer is the delete key. Delancer's computer may not have one.

• Details, details, details: Parties that does not feel like ones, body-building Minerva, lots of clichés that the Dominican directors tends to include in films just as promotion of the country: baile de palos, serenatas...

My general feeling was that the film did not present the real things but kind of a caricature of them.

I first came upon the stories about Trujillo in The Galíndez File. There he conspired with an equally evil man, Francisco Franco, to eliminate the competition. In face they showed part of that story in this film.

All fascist dictators are basically the same. They rule by fear and eliminate any opposition. They take what they want, and, in this case, Trujillo wanted Minerva Mirabal (Michelle Rodriguez).

She wanted nothing to do with him, else we wouldn't have a story. Naturally, her life, and the life of her family, were at risk due to her obstinacy.

The pacing of the film was rather slow, and the performances were wooden. I came to see Michelle Rodriguez, and turned in a credible performance.