Come Sunday

I watched "Come Sunday" in an irreverent mood while downing vodka martinis and exchanging acerbic comments with my fellow cinema club friends about the hypocritical nature of religion. Chiwetel Ejiofor's courageous and contemplative portrayal of Pentecostal Bishop Carlton Pearson's revelation that hell does not exist is hopeful. What is lacking is the fervor and ecstasy of the Pentecostal church due to the film's mostly subdued congregation and restrained sequences of praise and worship. Compared to the Pentecostal church I grew up in, Pearson's Higher Dimensions church in "Come Sunday" felt lukewarm even after Ejiofor's fiery sermons and musical accompaniment by church organist Reggie (Lakeith Stanfield).

After watching "Come Sunday" I walked into the kitchen of my friend who was hosting our cinema club. I noticed a card tucked neatly into a frame hanging on her wall with a quote from Chief Joseph on it: "We do not want churches because they will teach us to quarrel about God." That quote along with the message of "Come Sunday" was just as sobering as the cup of coffee that, by that time, I was holding in my hand.

Come Sunday is a powerful film delivering an even powerful message 'What if GOD allowed you, now, to understand a meaning of the Message that was contradictory to what others as well as yourself previously believed?' This is not a crisis of faith, but that of interpretation and understanding. Come Sunday will resonate with Believers and will really hit home who have discovered the true understanding of the Word years after it's first reading. If you believe that GOD will only allow you to see when GOD feels that you are ready, you will find Come Sunday a most wonderful film.

This is a biopic film that tells the story of a Pentecostal preacher who came to the conclusion that all humans and their sins are atoned for by the Cross of Christ, regardless of whether one has a relationship with Christ or not.

The film displays good acting and production value, but the script only skims the surface of the internal and intellectual shift Pearson embraced that took him into heresy and heterodoxy. As a Pentecostal and Evangelical, he believed in Calvin's doctrines of Total Depravity and Penal Substitution Atonement. Pearson finally admitted these doctrines make God look like a monster and threw them out. He reached for an extravagant love beyond what humans are capable of and concluded that God loves the world so much that he would not send people to hell, having previously concluded that God does send people to hell - as Pearson is depicted in this film, if not in reality. However, he consulted on the film.

Pearson and his detractors also assume to have the authority to interpret Scripture and are obsessed with "knowing" whether every person goes to heaven or hell after death. These assumptions go unchallenged in the script, but along with Calvanist doctrines are the underlying causes of the whole story.

The film is thought-provoking and worth watching. It displays the biggest problems with Protestant fundamentalism from the inside, but could have done so much better.

'COME SUNDAY': Three and a Half Stars (Out of Five)

A drama about Bishop Carlton Pearson, who was ostracized by his own church for preaching the belief that there is no Hell. The film was directed by Joshua Marston, and it was written by Marcus Hinchey. It stars Chiwetel Ejiofor, Jason Segel, Lakeith Stanfield, Condola Rashad, Martin Sheen and Danny Glover. The movie has received mostly negative reviews from critics, and it was released by Netflix through it's streaming site. I found it to be really good in many ways, but it's still missing something.

Ejiofor stars as Bishop Carlton Pearson, who was at one time very popular with evangelicals. Then one day he started preaching that there might not be a Hell, and everyone might be 'saved' by God, despite their religious beliefs. He was then ostracized by his own church, and rejected by many of his closest friends and family. This movie tells his story, and it's based on an episode of the public radio series 'This American Life'.

I love the message of this film; about rebelling against authority, and what's accepted as normal, to always support what's right. It's also of course about inclusion, and challenging traditionalism and religion so that no one is ever left out, or oppressed, even if it means you yourself will be ostracized. You can't beat the message of this movie, and it's nicely shot and directed, plus Ejiofor is fantastic in the lead. Still, even with all of it's strengths, the film seems to be lacking something. It just doesn't quite live up to all of it's great potential, but it's still definitely worth seeing.

I suspect that most people will evaluate this movie based on their personal belief systems. Fundamentalist Christians will hate it because it portrays a high profile Christian leader moving away from fundamentalism and into a universalist theological perspective. More progressive types will likely rate it higher for that same reason. The theology contained within it (such as Hollywood can really portray theology) is interesting. Certainly, the point gets made that the Bible can be used to defend either a fundamentalist (salvation through Jesus alone) perspective or a universalist (God saves everyone regardless of what they believe) perspective. I'll choose not to wade into the theological debate. Suffice to say that as a pastor I am neither fundamentalist nor universalist; I believe both perspectives (which make determinations about a person's eternal destiny) defy Jesus' instructions not to judge. I believe the gospel is intended to provide assurance in Christ without judgement on those outside Christ. I'll leave it at that.

As for the movie itself, it's the story of the faith journey of Carlton Pearson (played by Chiwetel Ejiofor.) A protege of Oral Roberts (Martin Sheen), Pearson was ordained by the Church of God in Christ (a fundamentalist, pentecostal-type denomination) and eventually became pastor of a mega-church of more than 5000 members in Tulsa, Oklahoma. But over the course of his ministry there, his theology began to change and he started to struggle with the concept of hell and divine punishment, eventually becoming a believer in universalism (or, universal reconciliation.) That led to a major split in his church and ultimately his being declared a heretic by the Joint College of African American Pentecostal Bishops.

I disagree with where Pearson's theology took him, but I can nevertheless admire his willingness to stand for what he believed in the face of the incredible pressure that was brought to bear on him to recant. It certainly showed how difficult both theologically and personally it would be for a pastor to radically change his or her views. It not only caused problems within the church and had repercussions for Pearson's career, it also ended relationships and turned friends into enemies. It's interesting to trace Pearson's theological journey, but there's no real "excitement" to the story. It's simply biographical. If I were to hazard a guess I would say that the perspective of those who made the movie (it's a Netflix production) is sympathetic to Pearson, although the portrayal of Oral Roberts was, I thought fair and balanced.

This will probably be of most interest to those who have a theological interest in universalism. (6/10)