Joe, ein jugendliches Waisenkind, das in den Slums der Straßen von Doya lebt, trifft Danpei, einen obdachlosen Alkoholiker und ehemaligen Boxtrainer. Danpei, der Joes Talent für das Boxen er... Alles lesenJoe, ein jugendliches Waisenkind, das in den Slums der Straßen von Doya lebt, trifft Danpei, einen obdachlosen Alkoholiker und ehemaligen Boxtrainer. Danpei, der Joes Talent für das Boxen erkennt, beschließt, ihn zu trainieren.Joe, ein jugendliches Waisenkind, das in den Slums der Straßen von Doya lebt, trifft Danpei, einen obdachlosen Alkoholiker und ehemaligen Boxtrainer. Danpei, der Joes Talent für das Boxen erkennt, beschließt, ihn zu trainieren.
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Don't be discouraged by the production date. This review is penned in 2024 and to be honest there are some pretty interesting things happening in modern anime. And, it follows that a lot of the older series simply cannot compete, pound for pound, with new product? Joe is not merely an exception to the rule, it is THE exception. First of all, the animation style. It was unique in 1971 and it remains unique today. If you do the research, you will find the closest analog was the baseline cartoon style from the 1940s and 1950s, in the popular comic books, a style that was considered lost to the world. Until JOE appeared two decades later. The writing and story lines are excellent. Many episodes touch the heart. Highly recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Ashita no Joe isn't a show about boxing, it's a show about a man who boxes. And yet it's the best sport anime I've ever seen.
But Ashita no Joe is less about boxing as a sport, and more about how it can become the very lifeblood for a man, and how that affects him and those around him.
The story of Ashita no Joe, seen through Joe Yabuki (amazing protagonist) as a character, was very influential to the young crowds at the time. Joe's journey through life, his strive to find meaning in a beforehand meaningless existence, his brash attitude, combined with the state of the Doya slums, created a very relateable figure for the younger crowd back in 1968.
It even went so far that they constructed an (real life) funeral for a deceased, fictional character. The creators themselves had difficulty believing how much of an impact Ashita no Joe had as a story.
While Hajime no Ippo (another boxing anime) had a huge impact in terms of Manga field because of its longevity, characters and other things, Ashita no Joe was a social piece of art which became the symbol of a young population protesting on the streets, it went beyond the borders of its media to become a cultural and social symbol.
Ashita no Joe is one of the few shows I consider peak fiction and Joe was the best main character I've encountered.
But Ashita no Joe is less about boxing as a sport, and more about how it can become the very lifeblood for a man, and how that affects him and those around him.
The story of Ashita no Joe, seen through Joe Yabuki (amazing protagonist) as a character, was very influential to the young crowds at the time. Joe's journey through life, his strive to find meaning in a beforehand meaningless existence, his brash attitude, combined with the state of the Doya slums, created a very relateable figure for the younger crowd back in 1968.
It even went so far that they constructed an (real life) funeral for a deceased, fictional character. The creators themselves had difficulty believing how much of an impact Ashita no Joe had as a story.
While Hajime no Ippo (another boxing anime) had a huge impact in terms of Manga field because of its longevity, characters and other things, Ashita no Joe was a social piece of art which became the symbol of a young population protesting on the streets, it went beyond the borders of its media to become a cultural and social symbol.
Ashita no Joe is one of the few shows I consider peak fiction and Joe was the best main character I've encountered.
Amazing anime. It's a grown up anime. It's harsh. But it's also touching without being kitsch. This is an anti-kitsch, loving and touching rash story. Beautifully made.
It suffers from lack of technology, of course. Even the plot won't follow modern graphics of tension and release. This is old fashioned. It's like reading a book. One of my favorite shows.
My fellow reviewer is the main reason I'm writing this review. He couldn't understand "the cartoonish design of the seven kids" and why wouldn't they grow, so I want to give him my thoughts on that. Read his review, for a detailed commentary on other aspects of the show - it's a very good review.
Here we go:
Cartoonish kids are supposed to be cute. These are the ugliest kids I've ever seem in animation. It IS unsettling. I think that's part of the plan. They are poor. It's a sick world. They are ugly kids.
And they DO change, as time passes. Specially the kid with the big teeth and the older kid, Taro, they change a lot during the 79 episodes. But they won't grow. They don't have food. Poor kids don't grow properly. They're underdeveloped. They are not normal kids. They are poor kids. I think that's the underlayment to those kids and I think it's heartbreaking.
That's some sophisticated way to deal with children in cartoon. This show is the opposite of kitsch and it's harsh, but it's not pessimistic. That's what's special about it. It's uplifting and full of hope and wisdom and lessons about overcoming problems.
It's a wonderful work of art.
Also, great music.
It suffers from lack of technology, of course. Even the plot won't follow modern graphics of tension and release. This is old fashioned. It's like reading a book. One of my favorite shows.
My fellow reviewer is the main reason I'm writing this review. He couldn't understand "the cartoonish design of the seven kids" and why wouldn't they grow, so I want to give him my thoughts on that. Read his review, for a detailed commentary on other aspects of the show - it's a very good review.
Here we go:
Cartoonish kids are supposed to be cute. These are the ugliest kids I've ever seem in animation. It IS unsettling. I think that's part of the plan. They are poor. It's a sick world. They are ugly kids.
And they DO change, as time passes. Specially the kid with the big teeth and the older kid, Taro, they change a lot during the 79 episodes. But they won't grow. They don't have food. Poor kids don't grow properly. They're underdeveloped. They are not normal kids. They are poor kids. I think that's the underlayment to those kids and I think it's heartbreaking.
That's some sophisticated way to deal with children in cartoon. This show is the opposite of kitsch and it's harsh, but it's not pessimistic. That's what's special about it. It's uplifting and full of hope and wisdom and lessons about overcoming problems.
It's a wonderful work of art.
Also, great music.
I did not watch the first season of Ashita no Jo, as I was not able to find it through my usual means of accessing Anime. After having watched Ashita no Jo 2, I can confidently say that you do not need to watch the first season to enjoy the second. It does reference the first season a number of times, but in such a way that it fills the blanks while doing so.
Ashita no Jo 2 is a special anime. The show does not try to convince you to have a certain perspective about the protaganist and his flaws, it simply takes you on a journey where some of the most powerful and inspiring aspects of human nature can also represent the most heart-breaking and disappointing results.
AJ2 seemed like it was going to be one thing as I ventured into the first half of the show, but it became something that held more depth, pain and within those qualities, beauty - than I imagined it would.
I believe that we as viewers are most drawn to characters in movies/books/tv that convincingly represent human traits and flaws in their more extreme places on the spectrum. Jo Yabuki is the epitome of finding fulfilment in the simplicity of one's passion, at cost to all other things, if necessary. The people around him represent balanced desire, normalcy, without this being portrayed as negative. He is what many wish to be, but fear being. Passion, in it's purest, most undiluted form. How beautiful, how tragic.
Ashita no Jo 2 is a special anime. The show does not try to convince you to have a certain perspective about the protaganist and his flaws, it simply takes you on a journey where some of the most powerful and inspiring aspects of human nature can also represent the most heart-breaking and disappointing results.
AJ2 seemed like it was going to be one thing as I ventured into the first half of the show, but it became something that held more depth, pain and within those qualities, beauty - than I imagined it would.
I believe that we as viewers are most drawn to characters in movies/books/tv that convincingly represent human traits and flaws in their more extreme places on the spectrum. Jo Yabuki is the epitome of finding fulfilment in the simplicity of one's passion, at cost to all other things, if necessary. The people around him represent balanced desire, normalcy, without this being portrayed as negative. He is what many wish to be, but fear being. Passion, in it's purest, most undiluted form. How beautiful, how tragic.
This gotta be the most realistic depiction of boxing. It really doesn't sugarcoat everything like you see with some other sports anime it's truly butter at some times. Great plot and a great main character, Joe Yabuki is by far the most developed character if ever seen, but the side characters were also not forgotten like Rikiishi, Danpei etc. If you're a sports anime fan this is a must watch, heck even if you hate sports anime you should still watch this. The only complaint I have about this series is not even really a complaint. It's the need for a remake because for some people the animation is a turndown, so other generations can also experience this classic!
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- WissenswertesJoe Yabuki was ranked seventh in Mania Entertainment's "10 Most Iconic Anime Heroes", written by Thomas Zoth.
- VerbindungenReferenced in Urusei Yatsura: The Terror of Meow (1982)
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- Laufzeit
- 30 Min.
- Farbe
- Seitenverhältnis
- 1.33 : 1
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