Norwegian Dream

This is a short review without any spoilers. Director Leiv Igor Devold's Norwegian Dream is a powerful feature film that challenges Norwegian audiences to see Norway from an outsider's perspective. The film revolves around young and queer individuals, vulnerability, and what it means to be an outsider. It balances these themes successfully and raises important questions while hinting at answers. The film also explores the tension between traditional masculinity and queerness, as well as the conflicts arising from national and social boundaries. Norwegian Dream is an impressive film with a strong message. Well done to everyone involved in the production! Definitely worth a watch!

'Norwegian Dream' touches lots of topical issues that could have developed much further and potentially controversial - immigrant workers and exploitation of them, homophobia in Poland, an adopted black son who performs in drag, seemingly open but in fact rather hypocritical attitude of Norwegians in regard of the above issues... It could have been especially a great opportunity to tell the story from the Polish immigrant worker's point of view (as opposed to in British or German pop culture where Polish plumber/painter/farm hand/cleaner/etc are treated as a footnote or a background). When Poland is deemed soon surpass UK and Germany's economic indicators and yet its politics on its regressive path (of rising homophobia and xenophobia, for example), the film could have been a timely comment and a self-reflection... But unfortunately none of it really develops beyond a mere predictable dramatic device, while the drama itself (namely Roberto's emotional struggle and romance) also fails to go truly deep and touching. There's nothing out of place or offensive. Actings are adequate, cinematography, editing, production value all delivers... It's all very watchable... but it lacks a punch, a surprise, a grip.

It's a pity that I would be remembering this film more as what it could have been than what it is.

This movies tries to cover too many stories, all being loosely strung together by the story of two central characters. It does not work. The script lacks continuity and context and assumes that viewers know about the exploitation and mistreatment of Polish workers in the Norwegian fishing industry. Nothing is explained and the choppy editing doesn't help explain much. The acting is really bad and one gets the impression that the producer hurries the plot and narrative along before the funding runs out. Overall, it could have been better if time were taken to explain the event and the movie did not try to cover so many extraneous events that have little to do with the central plot!

Coming out stories have become a staple of LGBTQ+ cinema over the years, and, through the years, these offerings have increasingly come to distinguish themselves by incorporating greater and more specific details about the circumstances under which these tales unfold. Adding such context has significantly helped these films establish themselves as stories that go beyond being works of fundamentally basic gay-themed cinema. However, by including these additional narrative elements, it's become incumbent on the creators of these pictures to seek to harmoniously integrate these supplemental aspects into their stories to make them more complete offerings. Such appears to have been the intent behind director Leiv Igor Devold's third feature outing, the story of a closeted laborer (Hubert Milkowski) who leaves his native Poland to take a job in Norway, hoping that he'll find a more tolerant way of life compared to the bigoted attitudes prevalent in his homeland. Upon arrival, however, he finds adjustment difficult, partly because he's unaccustomed to his newfound freedom and partly because of other challenges faced by immigrant workers, such as the bald-faced disrespect often inflicted on them, issues related to the difficulty involved in union organizing and seeking ways to balance his life in Norway with that of relatives back in Poland. All of these story threads have merit, too, but this release struggles to find an effective degree of integration, prompting the narrative to frequently wander as if lost in the Scandinavian woods. That's unfortunate, given that all the makings of an engaging story are present here, but they never quite gel into a cohesive whole, leaving viewers wondering exactly what the filmmaker and script writers were ultimately going for. Granted, the film shines a bright light on the widely held illusion of a "Norwegian dream," one that sadly seems to mirror its equally illusory American counterpart, but, that consideration aside, this tale ultimately raises more questions than it answers, leaving viewers as unsatisfied as its disillusioned protagonist. Indeed, staying put might not be the wisest decision for someone in need of making a change, but then an alleged panacea might not be the answer either. As ambitious as it might be to try to convey that notion cinematically, some things just don't work out in the end, as this film illustrates.

Norwegian Dream

Once you got through the bleak and miserable setting this movie came together in a fairly decent way.

Some of the basic propositions stretched credulity, these workers have come from Poland to Norway to earn money that they cannot earn in Poland. This means you have to put up with a lot to establish a life and get on, and thus it was so. The whinging and moaning about everything is not consistent with getting on.

It is a bizarre story line that Ivar keeps pushing Robert to come out of the closet and/or acknowledge him in public when surely just to have met someone be having fun together is the main thing. To be revealed in this place and at that time would have been the end of everything.

We had some committed acting however subtitles always make things seem more profound than they are. Robert is 19 I can't see the need for the script to rush his story it didn't add anything.

I'm giving this a 6 outta 10 I was well worth watching.