IMDb-BEWERTUNG
6,8/10
17.133
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuManu comes to India to find a bride and falls for Tanu at first sight, but free-spirited Tanu has no plan to marry him.Manu comes to India to find a bride and falls for Tanu at first sight, but free-spirited Tanu has no plan to marry him.Manu comes to India to find a bride and falls for Tanu at first sight, but free-spirited Tanu has no plan to marry him.
- Auszeichnungen
- 4 Gewinne & 19 Nominierungen insgesamt
Madhavan
- Manoj 'Manu' K. Sharma
- (as R. Madhavan)
Jimmy Shergill
- Raja Awasthi
- (as Jimmy Sheirgill)
Swara Bhasker
- Payal Sinha
- (as Swara Bhaskar)
Empfohlene Bewertungen
TANU WEDS MANU is a feel good movie with its own pros and flaws.
The movie starts off well with a typical start like a rom com movie added a Punjabi funk and flavor to it.
The film manages to hook you with its sheer atmospherics.The director creates an extremely busy and colorful canvas brimming with characters who are anything but cardboard cut-outs.
If Madhavan fleshes out a heart-tugging, oh-so-lonely and acutely Desi NRI, winning you over with his shy smiles and well-mannered chutzpah, then Kangna Ranaut's wild cat rebel is endearing too.The feel good attitude of the film is what it makes a worth watch.
The story by Himashu Sharma is good but nothing new.The factor that keeps you engaged is the unpredictability.Dialogues are catchy and witty at the same time.Good score here.But the screenplay is okay.
The editing by Hemal Kothari is lousy.The film could have been tightened post interval.The ups and downs in the rom com could have been elaborated slightly better.Kangna's transformation from wild cat to Susy etches.Cinematography by Chitranjan Das is good.
Music is a complete surprise. Debutant Krsna takes a good start here.Background score is good and it complements the movie.
Aanand L. Rai after a good start with "Strangers" looks promising here.He has managed well to differentiate an ordinary rom com with this one.
TANU WEDS MANU deserves to be a different cinema in its genre due to directions.Minus few Hiccups in story section,the director has managed well the overall flow of the movie.
The movie starts off well with a typical start like a rom com movie added a Punjabi funk and flavor to it.
The film manages to hook you with its sheer atmospherics.The director creates an extremely busy and colorful canvas brimming with characters who are anything but cardboard cut-outs.
If Madhavan fleshes out a heart-tugging, oh-so-lonely and acutely Desi NRI, winning you over with his shy smiles and well-mannered chutzpah, then Kangna Ranaut's wild cat rebel is endearing too.The feel good attitude of the film is what it makes a worth watch.
The story by Himashu Sharma is good but nothing new.The factor that keeps you engaged is the unpredictability.Dialogues are catchy and witty at the same time.Good score here.But the screenplay is okay.
The editing by Hemal Kothari is lousy.The film could have been tightened post interval.The ups and downs in the rom com could have been elaborated slightly better.Kangna's transformation from wild cat to Susy etches.Cinematography by Chitranjan Das is good.
Music is a complete surprise. Debutant Krsna takes a good start here.Background score is good and it complements the movie.
Aanand L. Rai after a good start with "Strangers" looks promising here.He has managed well to differentiate an ordinary rom com with this one.
TANU WEDS MANU deserves to be a different cinema in its genre due to directions.Minus few Hiccups in story section,the director has managed well the overall flow of the movie.
Last Sunday, just casually I went to watch Tanu Weds Manu with a low expectation. And to my immense surprise, I felt extremely satisfied after watching it. In fact, as the movie progressed, I found myself being lost in the narrative, flowing with the storyline and the characters (mainly with the hero). This low profile movie is based on an unrealistic story of a well-educated (and well-mannered) NRI doctor, falling for a drunkard, smoker, foul-mouthed and philandering girl of a middle class family of Kanpur (it's been told that she had had her education in Delhi). However, it's the utterly realistic portrayal of this unrealistic story on the screen which makes it a winner.
As expected, the boy falling for the charms of the girl (whom he sees for the first time in a highly intoxicated state and he thought she was slept), finally wins her over first emotionally and then practically. So the end of the movie is as predictable as any other bollywood movie of the same genre. However, the twists and turns in the story alongwith the highly realistic milieu and the supporting characters involved, turn the experience of watching this movie into a highly satisfying one.
At the very outset, it reminds the viewer of Hum Aapke Hain Kaun and later it is reminiscent of Jab We Met and Dilwale Dulhaniya Le Jayenge at places. However the commendable thing is that despite similarities in bits and pieces, this movie maintains an identity of its own. It's definitely not a copy of any other movie.
The locales of Kanpur, Kapurthala, Lucknow etc. have been captured by the cinematographer with a high degree of excellence for which he deserves an award for sure. The lives of the middle class people (whether they are from the prospective bride's side or the prospective groom's side) have been shown with so much naturalness that the characters and their homes look quite real and nowhere filmi. The middle-class India shown in the movie is, in fact, the real one with real flesh and blood characters that may be found at next door to us.
The first half is thoroughly gripping and entertaining whereas despite its shorter length, the second half is a bit dragging and edgy. However, overall the movie render an air of feel-good. We know that the hero will get his love in the end (after all, he is an Indian hero), still the script-writer has done a marvellous job by maintaining the curiosity throughout.
After a very long time, I listened to such soul-soothing music in a bollywood movie. So full marks to the music director as well as the lyricist.
The supporting characters of the movie are above its story; utterly real, familiar and like a gust of fresh air. Whether it's the chaddi-buddy of the hero or his present best pal, whether it's the closest friend of the heroine or the fathers of the hero-heroine duo, all are able to leave their imprints on the viewers' hearts. In fact, it's the supporting cast which is the heart and the soul of this movie.
Jimmi Shergill stands out in the predictable climax and once again proves that he's an actor par excellence. I have been an admirer of R. Madhwan since his Rehna Hai Tere Dil Mein days and to me, he played the character of the mature and considerate hero, doing justice to his love at first sight, with perfection. His underplay deserves a standing ovation indeed. Many readers may not agree with me, however I found Kangna Ranaut as miscast in the role of the spoilt girl. Barring the final 15-20 minutes, I found her expressions and gestures as plastic, not emerging from her heart.
When Dilwale Dulhaniya Le Jayenge had been released, I was a heartbroken boy and not being mature enough, used to think of getting the love of my life in the style of Raj (Shah Rukh Khan). Later on, upon growing up with age only I realized that I could never be so resourceful as the larger than life character of Raj in DDLJ. However I am able to identify with Manu of TWM; the considerate, understanding, well-educated, yet old-fashioned and traditional and above all, sacrificing, true lover.
As expected, the boy falling for the charms of the girl (whom he sees for the first time in a highly intoxicated state and he thought she was slept), finally wins her over first emotionally and then practically. So the end of the movie is as predictable as any other bollywood movie of the same genre. However, the twists and turns in the story alongwith the highly realistic milieu and the supporting characters involved, turn the experience of watching this movie into a highly satisfying one.
At the very outset, it reminds the viewer of Hum Aapke Hain Kaun and later it is reminiscent of Jab We Met and Dilwale Dulhaniya Le Jayenge at places. However the commendable thing is that despite similarities in bits and pieces, this movie maintains an identity of its own. It's definitely not a copy of any other movie.
The locales of Kanpur, Kapurthala, Lucknow etc. have been captured by the cinematographer with a high degree of excellence for which he deserves an award for sure. The lives of the middle class people (whether they are from the prospective bride's side or the prospective groom's side) have been shown with so much naturalness that the characters and their homes look quite real and nowhere filmi. The middle-class India shown in the movie is, in fact, the real one with real flesh and blood characters that may be found at next door to us.
The first half is thoroughly gripping and entertaining whereas despite its shorter length, the second half is a bit dragging and edgy. However, overall the movie render an air of feel-good. We know that the hero will get his love in the end (after all, he is an Indian hero), still the script-writer has done a marvellous job by maintaining the curiosity throughout.
After a very long time, I listened to such soul-soothing music in a bollywood movie. So full marks to the music director as well as the lyricist.
The supporting characters of the movie are above its story; utterly real, familiar and like a gust of fresh air. Whether it's the chaddi-buddy of the hero or his present best pal, whether it's the closest friend of the heroine or the fathers of the hero-heroine duo, all are able to leave their imprints on the viewers' hearts. In fact, it's the supporting cast which is the heart and the soul of this movie.
Jimmi Shergill stands out in the predictable climax and once again proves that he's an actor par excellence. I have been an admirer of R. Madhwan since his Rehna Hai Tere Dil Mein days and to me, he played the character of the mature and considerate hero, doing justice to his love at first sight, with perfection. His underplay deserves a standing ovation indeed. Many readers may not agree with me, however I found Kangna Ranaut as miscast in the role of the spoilt girl. Barring the final 15-20 minutes, I found her expressions and gestures as plastic, not emerging from her heart.
When Dilwale Dulhaniya Le Jayenge had been released, I was a heartbroken boy and not being mature enough, used to think of getting the love of my life in the style of Raj (Shah Rukh Khan). Later on, upon growing up with age only I realized that I could never be so resourceful as the larger than life character of Raj in DDLJ. However I am able to identify with Manu of TWM; the considerate, understanding, well-educated, yet old-fashioned and traditional and above all, sacrificing, true lover.
Having read the synopsis, I became interested in Aanand Rai's 'Tanu Beds Manu'. The film starts amusingly, even though full of clichés. The beep slangs were funny but it would have been funnier if there was no beep but then again the makers wanted to make the movie family friendly I guess. I liked the references it makes to other Hindi films. The interaction between the characters are fun especially in the first half and Manu's initial struggle after being turned down by Tanu and peer and parental pressure are shown amusingly. I also enjoyed the scenes with Kangana Ranaut and Madhavan in this portion of the movie. It's only after the introduction of Raja Awasthi that things rapidly head downhill. From then on it becomes another generic Bollywood love triangle that has been overdone in, well, numerous Bollywood movies. At this point the film drags on and on until the predictable and overstretched ending. Madhavan does a brilliant job as the slightly nerdy goofy Manu. Comedy may not be Kangana's fort but she tries and is quite alright. Jimmy Shergill is wasted. Deepak Dobriyal is excellent. Ravi Kishen is wasted. Overall, this could have been a decently entertaining lighthearted fare all the way if it weren't for the lacklustre second half.
Tanu Weds Manu is a typical romantic comedy movie which has got interesting characters to make the viewing pleasurable. Like Dilwale Dulhania Le Jayenge, this movie also makes the mistake of revealing the climax through its title. We know that at the end Tanu is going to wed Manu due to the hastily chosen title. R Madhavan and Kangana Ranaut play the lead roles and give decent performances. Kangana plays the effervescent, rebellious, emotional girl with perfection. However, Jimmy Shergill steals the show with him playing Raja who is a small time criminal who Kangana is about to marry before deciding that she was in love with Manu. The movie takes quite a lot of creative liberties as the number of coincidences that occur in the movie are highly unrealistic. But if you view the movie for what it is, that is a family entertainer that is not meant to be taken very seriously, then it does a good job. It is a feel good movie that works.
Guys Tannu weds Mannu is a light hearted Rom-com flick which u can enjoy with Ur family.It has some down moments and some very top standard .The movie is all over nice but not too good.There is nothing fresh but still some scenes can grab Ur attention .The director "Aanand Rai" who directed "Thoda Life Thoda Magic" and "strangers" comes with his new flick.Performances are the top notch part of the movie with its soundtrack,the songs like "Saadi Gali" and "Jugni" are so groovy that gives u a feeling to dance and track like "Yun Hi" is really fantastic and memorable for me,sung by 'Mohit Chouhan'.The Screenplay which is always the backbone of a movie is good but not awesome to grab the audience.Cinematography is worthy to watch.R. Madhvan and Kangana done a great job with this movie and best for me is a Jimmy Shergil,he is in guest appearance nd he is too good.Dialogues are also one of the best part of the movie. The movie is stretched in many parts but still it has some pop up moments,it has great storyline but less messed up climax would have worked wonders for the film.
On the whole,Tannu weds mannu is a light family entertainment movie,if u love simple nd uncomplicated flicks than it is going to tug Ur hearts.So go nd watch it.Its a wonderful mismatch.
On the whole,Tannu weds mannu is a light family entertainment movie,if u love simple nd uncomplicated flicks than it is going to tug Ur hearts.So go nd watch it.Its a wonderful mismatch.
Wusstest du schon
- Wissenswertes'Madhavan' was also one of the stars of the highly-acclaimed film 3 Idiots (2009). He used to miss that team and every night after the shoot they used to call each other.
- PatzerWhen Manu Sharma goes to Raja Avasthi's house for the first time to see Raja's sister for marriage, Raja's father introduces another girl, Sapna, to Manu's father as Raja's fiancée. Sapna is never seen or mentioned again after that, but later Raja is seen trying to marry Tanu in a Court in Kapurthala. It should also be noted that Raja was the one to send 4-5 goons (via another friend Ravi Kishan) to scare Manu when he first reaches Kanpur Station. It is confusing because Raja is already engaged to be married to Sapna by then.
- Zitate
Tanuja 'Tanu' R. Trivedi: Sharmaji, you are not what you appear to be!
Manoj 'Manu' K. Sharma: Strange... in the whole world only you have understood me.
- VerbindungenFollowed by Tanu Weds Manu Returns (2015)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Свадьба Тану и Ману
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 ₹ (geschätzt)
- Weltweiter Bruttoertrag
- 162.756 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Tanu Weds Manu (2011) officially released in Canada in English?
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