IMDb-BEWERTUNG
7,4/10
6501
IHRE BEWERTUNG
Ein Dokumentarfilm über den Schriftsteller und Regisseur Brian De Palma.Ein Dokumentarfilm über den Schriftsteller und Regisseur Brian De Palma.Ein Dokumentarfilm über den Schriftsteller und Regisseur Brian De Palma.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Mark Hamill
- Self
- (Archivfilmmaterial)
Amy Irving
- Self
- (Archivfilmmaterial)
Kurt Russell
- Self
- (Archivfilmmaterial)
Sissy Spacek
- Self
- (Archivfilmmaterial)
Steven Spielberg
- Self
- (Archivfilmmaterial)
Angela Bettis
- Carietta 'Carrie' White
- (Archivfilmmaterial)
- (Nicht genannt)
Jill Clayburgh
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Clarence Clemons
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
William Finley
- Winslow
- (Archivfilmmaterial)
- (Nicht genannt)
- …
Vincent Gardenia
- Doctor Byrd
- (Archivfilmmaterial)
- (Nicht genannt)
Don Harvey
- Clark
- (Archivfilmmaterial)
- (Nicht genannt)
Annette Haven
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Gale Anne Hurd
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Holly Johnson
- Singing Nightclub Doorman
- (Archivfilmmaterial)
- (Nicht genannt)
Alan King
- Arthur Ruskin
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
For those with in interest in De Palma's films and long career, or just cinema in general, this is a highly entertaining and informative visit with one of the most interesting, controversial and eclectic American film makers of the last 50 years.
The form couldn't be simpler. Just Brian De Palma sitting in a chair telling stories about each of his films in chronological order, from his first shorts in the mid 1960s to "Passion" in 2013 – an amazing span of almost 50 years. His comments are interspersed with well chosen clips from his own work, and – when he makes a reference – those of other film-makers as well.
What makes this form work so well is that De Palma is a terrific interview subject. He's funny, thoughtful, insightful, and sometimes very entertainingly snarky. He is also tremendously honest. He saves many of his toughest criticisms for himself, analyzing with surgical precision why certain of his films could have been better, and his part in those lapses. Very few directors are willing to talk at length about choices and moments they regret, usually choosing only to blame others for artistic goals falling short. But by acknowledging his own choices that didn't work out he makes himself very human, empathetic and trustworthy as a subject. He's not interested in self-glorification as much as he is in sharing a lifetime of wisdom won by mostly hard experience (few of De Palma's films got the support and attention they deserved at the time of their release – some, like 'Scarface' only became iconic years later). And he also talks with a touching wistfulness about those films he is truly proud of that never got the support – critical, commercial or both – that they deserved.
Overall you end up with a real sense of what it's like to be tremendously talented, protean, rule-breaking film-maker over 50 years – the ridiculous highs and lows, the multiple struggles, hard times and occasional triumphs of a high-profile artistic life in the weirdness that is the American film scene.
The form couldn't be simpler. Just Brian De Palma sitting in a chair telling stories about each of his films in chronological order, from his first shorts in the mid 1960s to "Passion" in 2013 – an amazing span of almost 50 years. His comments are interspersed with well chosen clips from his own work, and – when he makes a reference – those of other film-makers as well.
What makes this form work so well is that De Palma is a terrific interview subject. He's funny, thoughtful, insightful, and sometimes very entertainingly snarky. He is also tremendously honest. He saves many of his toughest criticisms for himself, analyzing with surgical precision why certain of his films could have been better, and his part in those lapses. Very few directors are willing to talk at length about choices and moments they regret, usually choosing only to blame others for artistic goals falling short. But by acknowledging his own choices that didn't work out he makes himself very human, empathetic and trustworthy as a subject. He's not interested in self-glorification as much as he is in sharing a lifetime of wisdom won by mostly hard experience (few of De Palma's films got the support and attention they deserved at the time of their release – some, like 'Scarface' only became iconic years later). And he also talks with a touching wistfulness about those films he is truly proud of that never got the support – critical, commercial or both – that they deserved.
Overall you end up with a real sense of what it's like to be tremendously talented, protean, rule-breaking film-maker over 50 years – the ridiculous highs and lows, the multiple struggles, hard times and occasional triumphs of a high-profile artistic life in the weirdness that is the American film scene.
You know, I went into this experience thinking I what was a big fan of De Palma, but was really cool is, I knew nothing, but learned a lot.
I was expecting this movie to be all about Carrie, the Untouchables, Mission Impossible, but for those of us who De Palma became a big name for because your of the generation that group up with Hip hop artist who loved Scarface, that movie and many of his mainstream hits play an important part in this sit down interview, but a small one, as De Palma talks with great personal depth a careering touching 50 years.
He's tells the story from his perspective and it's told with an honest feel, and it gives you perfect insight on his film style. He's a guy who loves indie films for the freedom it allows but needed to prove to himself that he can make a mainstream hit. He defends his disturbing images, by revealing to us how he did not realize it was disturbed.
Though focus on his movies, De Palma does give you personal insight on his upbringing and the state of mind he was in when he made those movies (like during the early 80s when he constantly cast his then wife, Nancy Allen, which he knew as damaging to their relationship).
A few times in the film, his treatment of women in his films came up and once again this is where his honesty of what he was trying to do came up. The interview is intertwine with clips from his movies and other movies that inspire him, and I think every nude scene De Palma has ever filmed was used here. Another contemporary subject was War in which he was able to give his two cents on what's going on now by talking about the two war movies he did do.
It's a great sit down for not just De Palma fans but for film fans everywhere. The man was enjoyable to listen to for almost two hours and he told great stories about the development for his long list of film credits.
Now I have to go out and find the movies I never seen.
I was expecting this movie to be all about Carrie, the Untouchables, Mission Impossible, but for those of us who De Palma became a big name for because your of the generation that group up with Hip hop artist who loved Scarface, that movie and many of his mainstream hits play an important part in this sit down interview, but a small one, as De Palma talks with great personal depth a careering touching 50 years.
He's tells the story from his perspective and it's told with an honest feel, and it gives you perfect insight on his film style. He's a guy who loves indie films for the freedom it allows but needed to prove to himself that he can make a mainstream hit. He defends his disturbing images, by revealing to us how he did not realize it was disturbed.
Though focus on his movies, De Palma does give you personal insight on his upbringing and the state of mind he was in when he made those movies (like during the early 80s when he constantly cast his then wife, Nancy Allen, which he knew as damaging to their relationship).
A few times in the film, his treatment of women in his films came up and once again this is where his honesty of what he was trying to do came up. The interview is intertwine with clips from his movies and other movies that inspire him, and I think every nude scene De Palma has ever filmed was used here. Another contemporary subject was War in which he was able to give his two cents on what's going on now by talking about the two war movies he did do.
It's a great sit down for not just De Palma fans but for film fans everywhere. The man was enjoyable to listen to for almost two hours and he told great stories about the development for his long list of film credits.
Now I have to go out and find the movies I never seen.
Greetings again from the darkness. A self-inflicted career retrospective
that's my most fitting description of this project from co-directors Noah Baumbach and Jake Paltrow. Rather than line-up a slew of third-party observers and collaborators, we get the famed director himself walking us film-by-film through his resume. That's right, Brian De Palma discusses the De Palma film canon
and we movie lovers couldn't ask for anything better.
Beginning with a clip of Vertigo, the doc leads with the Hitchcock influence, almost as a form of disclosure. It's as if everyone associated is saying, Yes we admit it Director De Palma has been heavily influenced and inspired by the works of Alfred Hitchcock. Now pay attention to what he's done with his career – some really good, some not so good, some downright awful. "Underappreciated" might be the best label for De Palma. He was part of the "New Hollywood" with Spielberg, Scorcese, Coppola, and Lucas, yet they are worshiped, while De Palma is mostly ignored.
Mr. De Palma speaks directly to the camera and seems to thoroughly enjoy this opportunity to analyze (and at times defend) his career, providing a self guided reflective approach - a chronological retrospective that doesn't shy away from his inability to put together a streak of successful films. This is direct talk (describing a particular bomb as "one of many disasters") with no apologies from a filmmaker who has worked for five decades. He tells behind the scenes stories in a matter-of-fact manner, not always complimentary of himself, actors or the industry.
The stories and recollections are the highlight here. De Palma speaks highly of Wilford Leach (his mentor and professor at Sarah Lawrence), composer Bernard Hermann and Robert DeNiro, with less than flattering tales of Cliff Robertson (Obsession), Sean Penn (Casualties of War), and Oliver Stone (Scarface). It's fascinating to hear De Palma explain the box office failure of his version of The Bonfire of the Vanities, address the scandal of Body Double, and describe in detail the simultaneous casting (with Spielberg) of Star Wars and Carrie. Even more eye-opening is his reminiscing on the back-and-forth with director Sidney Lumet as they played hot-potato with Scarface and Prince of the City.
Brian De Palma was Columbia University educated (math and physics), and has directed some of the most creative, colorful and controversial films – some of which never received their "due". This may be mostly a film for those who want more inside-industry scoop, but it's a man who takes pride in the fact that famed film critic Pauline Kael was a fan of his work, and that few directors have a more varied canon of film.
His patented "holy mackerel" is on full display as he takes us on the journey of De Palma films, and it's a reminder that "talking head" documentaries can still work provided the talking head doing the talking is saying something worth listening to.
Beginning with a clip of Vertigo, the doc leads with the Hitchcock influence, almost as a form of disclosure. It's as if everyone associated is saying, Yes we admit it Director De Palma has been heavily influenced and inspired by the works of Alfred Hitchcock. Now pay attention to what he's done with his career – some really good, some not so good, some downright awful. "Underappreciated" might be the best label for De Palma. He was part of the "New Hollywood" with Spielberg, Scorcese, Coppola, and Lucas, yet they are worshiped, while De Palma is mostly ignored.
Mr. De Palma speaks directly to the camera and seems to thoroughly enjoy this opportunity to analyze (and at times defend) his career, providing a self guided reflective approach - a chronological retrospective that doesn't shy away from his inability to put together a streak of successful films. This is direct talk (describing a particular bomb as "one of many disasters") with no apologies from a filmmaker who has worked for five decades. He tells behind the scenes stories in a matter-of-fact manner, not always complimentary of himself, actors or the industry.
The stories and recollections are the highlight here. De Palma speaks highly of Wilford Leach (his mentor and professor at Sarah Lawrence), composer Bernard Hermann and Robert DeNiro, with less than flattering tales of Cliff Robertson (Obsession), Sean Penn (Casualties of War), and Oliver Stone (Scarface). It's fascinating to hear De Palma explain the box office failure of his version of The Bonfire of the Vanities, address the scandal of Body Double, and describe in detail the simultaneous casting (with Spielberg) of Star Wars and Carrie. Even more eye-opening is his reminiscing on the back-and-forth with director Sidney Lumet as they played hot-potato with Scarface and Prince of the City.
Brian De Palma was Columbia University educated (math and physics), and has directed some of the most creative, colorful and controversial films – some of which never received their "due". This may be mostly a film for those who want more inside-industry scoop, but it's a man who takes pride in the fact that famed film critic Pauline Kael was a fan of his work, and that few directors have a more varied canon of film.
His patented "holy mackerel" is on full display as he takes us on the journey of De Palma films, and it's a reminder that "talking head" documentaries can still work provided the talking head doing the talking is saying something worth listening to.
De Palma (2015)
**** (out of 4)
Directors Noah Baumbach and Jake Paltrow got Brian De Palma to sit down and talk about all of the movies that he has made. This documentary has De Palma basically giving a history lesson about all of his movies. He talks about his influences, their failures or things that he wish he had done differently.
If you're a fan of De Palma's work then you probably already know that he has contributed to countless interviews and special features for his movies. There's a lot of stuff out there where the director talks about his career but this documentary works because you can pretty much get everything in one sitting. I really liked the flow of the picture because it really does come across as being shot in real time and it's just like you're sitting down at a table with the director and listening to him talk about his career.
DE PALMA is certainly a must-see for film buffs because the director is quite honest with his talk. At this point in his career he certainly doesn't have to worry about offending anyone and this leads to some very good stories about issue he had on films with actors including Robert DeNiro on THE UNTOUCHABLES. Each film is given a good amount of discussion and it's fascinating getting to hear the director pat himself on the back when he thought he did a great job or pointing out things that went wrong.
None of them films are given great, full details but as I said there are countless bonus features out there that dive into each film in more detail. This film works remarkably well because of how simple it is. The camera is set up close to De Palma and he simply talks and tells stories.
**** (out of 4)
Directors Noah Baumbach and Jake Paltrow got Brian De Palma to sit down and talk about all of the movies that he has made. This documentary has De Palma basically giving a history lesson about all of his movies. He talks about his influences, their failures or things that he wish he had done differently.
If you're a fan of De Palma's work then you probably already know that he has contributed to countless interviews and special features for his movies. There's a lot of stuff out there where the director talks about his career but this documentary works because you can pretty much get everything in one sitting. I really liked the flow of the picture because it really does come across as being shot in real time and it's just like you're sitting down at a table with the director and listening to him talk about his career.
DE PALMA is certainly a must-see for film buffs because the director is quite honest with his talk. At this point in his career he certainly doesn't have to worry about offending anyone and this leads to some very good stories about issue he had on films with actors including Robert DeNiro on THE UNTOUCHABLES. Each film is given a good amount of discussion and it's fascinating getting to hear the director pat himself on the back when he thought he did a great job or pointing out things that went wrong.
None of them films are given great, full details but as I said there are countless bonus features out there that dive into each film in more detail. This film works remarkably well because of how simple it is. The camera is set up close to De Palma and he simply talks and tells stories.
In this film, Noah Baumbach and Jake Paltrow interview one of Hollywood's most polarizing directors in Brian De Palma. De Palma has been praised for his innovative camera techniques and his suspenseful stories but has been criticised for misogyny in his films as well as seemingly ripping of many "Hitchcockian" traits. I am familiar with De Palma's work, although I haven't seen too many of his films apart from his most well known ones (Scarface, Untouchables, Carlito's Way etc.) but this documentary certainly wants me to explore more of his movies. The film is mainly just one shot of De Palma talking to the camera intercut with scenes from many of his movies. He goes into extreme detail about every single one of his movies, whilst occasionally talking about aspects of his personal life.
De Palma is a very interesting character. He's eccentric and funny but also can be arrogant sometimes. However, as a director he is a great storyteller and talks about most of his movies in extremely intricate and interesting detail e.g. how he performed certain shots to how he dealt with many of the different egos on his set. If you're someone who isn't particularly interested in film, you'll probably not find too much enjoyment in this documentary. It really is a documentary for cinephiles (such as myself) or at least people who have some interest in the art of film making. I do sometimes wish the documentary would perhaps tap into more aspects of De Palma's personal life such as his childhood or his relationship with his peers (Scorsese, Spielberg etc.). There are moments when De Palma talks about his childhood and refers to incidents that impacted his voyeuristic style but I wish the movie tapped into more moments like these. One other criticism I also have is perhaps De Palma does tend to talk about certain movies more than other ones. I would've liked for him to go into more detail about some of his more notable failures like Mission to Mars and Passion but De Palma generally just skips over these particular films.
However, if you're a movie fan or Brian De Palma fan( hell, even a detractor) you'll find great enjoyment out of this fascinating documentary about one of Hollywood's most prolific directors.
De Palma is a very interesting character. He's eccentric and funny but also can be arrogant sometimes. However, as a director he is a great storyteller and talks about most of his movies in extremely intricate and interesting detail e.g. how he performed certain shots to how he dealt with many of the different egos on his set. If you're someone who isn't particularly interested in film, you'll probably not find too much enjoyment in this documentary. It really is a documentary for cinephiles (such as myself) or at least people who have some interest in the art of film making. I do sometimes wish the documentary would perhaps tap into more aspects of De Palma's personal life such as his childhood or his relationship with his peers (Scorsese, Spielberg etc.). There are moments when De Palma talks about his childhood and refers to incidents that impacted his voyeuristic style but I wish the movie tapped into more moments like these. One other criticism I also have is perhaps De Palma does tend to talk about certain movies more than other ones. I would've liked for him to go into more detail about some of his more notable failures like Mission to Mars and Passion but De Palma generally just skips over these particular films.
However, if you're a movie fan or Brian De Palma fan( hell, even a detractor) you'll find great enjoyment out of this fascinating documentary about one of Hollywood's most prolific directors.
Wusstest du schon
- WissenswertesPaltrow and Baumbach filmed Brian De Palma for one week in 2010, collecting about 30 hours worth of interview footage. De Palma, sitting in Paltrow's living room and talking about his career, wore the same shirt every day for continuity's sake. But the movie ended up premiering in 2015 and the director made another movie years after the interview, which explains why when he talks about Passion the viewer only hears his voice but doesn't see him talking.
- PatzerFemme Fatale (2002)'s release date is incorrectly listed as 2000, both in the body of the film and in the end credits.
- Zitate
[repeated line]
Brian De Palma: Holy mackerel.
- VerbindungenFeatures Das Phantom der Oper (1925)
- SoundtracksDe Palma (Main Title Theme)
Written by Nathan Johnson
Courtesy of Choplogic Music
Under license from Nathan Johnson
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 165.237 $
- Eröffnungswochenende in den USA und in Kanada
- 30.355 $
- 12. Juni 2016
- Weltweiter Bruttoertrag
- 168.045 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Brian De Palma (2015) officially released in Canada in English?
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