The Awakening

The Awakening is directed by Nick Murphy and Murphy co-writes the screenplay with Stephen Volk. It stars Rebecca Hall, Dominic West, Imelda Staunton, Isaac Hempstead Wright, Shaun Dooley and Joseph Mawle. Music is by Daniel Pemberton and cinematography by Eduard Grau.

Britain, post World War 1, and Florence Cathcart (Hall) makes a living as an exposer of charlatan spiritualists, a debunker of ghost sightings. When she receives a request from school master Robert Mallory (West) to investigate the supernatural events at a remote boarding school for boys, she is suitably intrigued to take on the assignment...

It comes as no surprise to find that numerous reviews for The Awakening make reference to ghost story films that were made previously. The Woman in Black released a year later would suffer the same fate, charges of it not bringing nothing new to the table etc. A ghost story set in a big mansion or remote educational/correctional establishment is what it is, and will continue to be so, all fans of such spooky fare ask is that it does it well and maybe add some adult themes into the bargain. The Awakening does these in spades.

The concept of a disbeliever in ghosts having their belief system tested to the full is not new, but it's a great concept and one with longevity assured. Here, boosted by a terrific performance from Hall, the screenplay consistently keeps you guessing. The possibilities of real or faked are constant as the director pumps up the creep factor, whilst he simultaneously crafts a number of genuine shock sequences - including one of the best doll house scenes put to film! This really has all the requisite jolts and atmospheric creeps for a period spooker.

It's not until the final quarter when the screenplay begins to unravel its mystery, a finale that has proved both ambiguous and divisive. The ambiguity factor is a little baffling since everything is made clear in a nicely staged scene, and this is something which the director has gone on record to state as well. As for the divisive side of things? That's a blight for this sub-genre of horror. It's convoluted! Contrived! It has been done before they cry! These are true to be sure, and without doubt there's a leap of faith required to not get annoyed, but it garners a reaction and has done its ghost story essence very well indeed.

Beautifully photographed, scored and performed by the leads to boot, this is for sure one for fans of period spookers with brains. 7.5/10

This film is set in a post-World War One society, devastated by loss and alienated from traditional Christian answers about the afterlife. The settings, context and costumes are done perfectly. The tensions between the situation and characters develop quickly, with the help of some genteel and understated movie tropes. But it is in the these tropes that it loses its way somewhat, and towards the last quarter IMO it loses its way royally. Take a pick n mix from haunted doll house, weird kid, who's a ghost, repressed memories and crazy ladies and you can have the awakening of your choice.....

I can't believe I almost didn't see this movie based on the lower rating and negative reviews. What a shame that would have been! There are always plenty of long reviews, so I won't bore you with mine.

This movie was absolutely wonderful. It has some drama, suspenseful music and scenes from start to finish, and even a bit of romance (but not nearly enough to make this a romantic or "chick" movie).

Each of the chosen actors were perfect for their part and they portrayed assigned characters beautifully. They were very likable and believable.

I'm not going to compare this movie with any other, but if you're like me and love movies such as The Sixth Sense, Shutter Island, Inception, Dream House, etc... I promise you will love this movie as well. You also, like me, may decide to immediately watch it the 2nd time to see if there are any clues you missed preparing you for the last 15 minutes of movie.

Out of over 700 movies in my collection, only 32 have a 10 star rating. This movie comes VERY close to that category. Definitely a must see!

It's 1921 after the horrors of WWI, England is full of charlatans trying to scam grieving people. Florence Cathcart (Rebecca Hall) is a professional skeptic driven to exposing hoaxes and getting the cons arrested. Robert Mallory (Dominic West) invites her to investigate a ghost at a boarding school. There was a murder long ago that could be the source, and recently a student had died. Florence is met by governess Maud Hill (Imelda Staunton) and the boy Thomas Hill. Teachers and staff soon goes on vacation leaving Florence alone with Robert, Maud and Tom in the school.

This setting has a good old fashion atmosphere. It's basically a big old isolated building with a handful of people and a ghost story. You can't really get any more classic than that. The story does have a convoluted twist that could be quite problematic. I was able to follow the twist, and I'm fine with it. Rebecca Hall is a nice capable actress. And she makes a good avenging heroine and a damsel in distress.

I found "The Awakening" to be a breath of fresh air for the Horror/Suspense genre. With so many shaky cam, found footage, reality show type horror/suspense movies hitting the box offices and living rooms around the world with poor character development, over the top torture and gore, plots so thin they are the only transparent ghosts in the picture. "The Awakening" is bound to be an instant classic! It's done with just the right amount of restraint, it has a rather Hitchcockian tone to it.What you don't see is far more suspenseful and adds to it.Sometimes less really is more. There is a fine line to walk especially with a ghost story, to achieve that sense of spine tingling, skin crawling feeling and that element can only be teased from the psyche with mystery, not in your face guts or a head being lopped off - that is shock value and gross out, which is perfectly fine for a slasher pic or a grind house movie, but not a good ghost story.

"The Awakening" is set in 1921 England, our Protagonist Florence Cathcart a free thinking, strong willed ghost buster, author and hoax crusher opens this gem of a movie by diving right into the fray. Mediums, psychics and séances' were all the rage during that time period, which began with the religion of spiritualism. Spiritualism developed and reached its peak growth in the 1840's to the 1920's. With many patrons from the Aristocratic and famous class, like Abraham Lincoln joining his wife for a séance after the death of their young son. After WWI many bereaved souls were searching for a connection to loved ones lost either from deadly illness or the horrors of war and were further victimized by unscrupulous charlatans seeking only coin and selling false hope. Florence's main objective is to put a stop to this and shed light and truth on the subject of death, the afterlife and ghosts. But after being invited to a supposedly haunted old grand estate that was converted into a boy's boarding school, with a recent death of a student and a rumor of an old murder and sightings of a ghost, Florence finds much more than school boy pranks and hoaxes - she finds something good, something frightening and something truly enlightening.

The character development in "The Awakening" is done perfectly with solid performances from the entire cast. The cinematography is excellent as is the entire production tip to tail. From sets and wardrobe to the musical score. The research done for the story and time period is what really brings this ghost story to life. It's the small details and creepy little surprises that all add to the reality of the time this story is told and the ensuing mystery. I must also comment on the pacing - this movie wasted no time, it's no action packed, a scare a minute kind of movie, it's far more subtle, but it's never slow or boring and nothing is wasted.

As a true horror/suspense connoisseur (I have a degree in film production and I was a make-up artist/Stylist for print, film and T.V. for 12 years.) I'd like to comment on some of the cynical and negative reviews. One cannot simply lump all horror and suspense films together. There are many subsets of the genre (Slasher, Grind House, Mystery, Supernatural, Creature, Occult, Gothic..etc.)and each has it's own flavor so to speak. You cannot compare a movie like "A nightmare on Elm street" to "The Changeling". Though they are both considered to be horror, one is supernatural slasher and the other is classic ghost story. Even when comparing movies in the same subset like "The house on haunted hill" with "The Haunting" both of which have remakes, have huge differences, usually found in the details and presentation and should be considered unique in their own right. While it may be true that there is nothing new under the sun and we've all seen the same plots and themes over and over again - I have found there is always something new to add to the age old themes.

This movie is in my top 10 of great ghost stories - 8 out of 10 stars for "The Awakening".